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To be a major, prime-time six-part series Grantchester for PBS.
In the summer of 1909, seventeen-year-old Nell Golightly is the new maid at the Orchard Tea Gardens in Cambridgeshire when Rupert Brooke moves in as a lodger. Famed for his looks and flouting of convention, the young poet captures the hearts of men and women alike, yet his own seems to stay intact. Even Nell, despite her good sense, begins to fall for him. What is his secret? This captivating novel gives voice to Rupert Brooke himself in a tale of mutual fascination and inner turmoil, set at a time of great social unrest. Revealing a man far more complex and radical than legend suggests, it powerfully conveys the allure - and curse - of charisma.
Rupert Brooke, strikingly good-looking, effortlessly charming and prodigiously gifted, has become the tragic embodiment of the generation lost between 1914 and 1918. Upon the poet's tragic untimely death, Winston Churchill declared that 'we shall never see his like again', yet Brooke immortalised himself in his own poignant verse: 'If I should die, think only this of me: That there's some corner of a foreign field that is forever England'. Brooke died serving king and country on the anniversary of Shakespeare's birth, St George's Day 1915, en route to fight at Gallipoli. As the tributes poured in and the war gathered momentum, the press heralded him as a hero - a focal point for the nation's grief. Already an acclaimed poet and dramatist in his youth, his romantic war poetry contrasts starkly with the work of some of his more disillusioned contemporaries. But the private letters of 'the handsomest man in all of England' reveal a far more troubled, and often misunderstood, individual... In this updated edition of Forever England, Mike Read, founder of the Rupert Brooke Society, explores the poet's fascinating life and legacy. From a tangled web of secret affairs, literary circles, mental illness and a previously unknown lovechild emerges the intriguing personality and enduring poetry of Rupert Brooke - the voice of a country torn apart by war.
When Alan and his girlfriend, Sile, come across a primitive hut on the Rock, they are shocked to find an old man living there. as the drug Euthuol has made old-age a thing of the past. Sonny is deeply attached to the Rock and entrusts Alan with protecting it when he dies.
'Grantchester's answer to Alexander McCall Smith. The book brings a dollop of Midsomer Murders to the Church of England, together with a literate charm of its own' - Spectator 'A perfect accompaniment to a sunny afternoon, a hammock and a glass of Pimms' - Guardian 'Totally English, beautifully written, perfectly in period and wryly funny. More, please!' - Leslie Geddes Brown, Country Life _______________ 1955. Canon Sidney Chambers, loveable priest and part-time detective, is back. Accompanied by his faithful Labrador, Dickens, and the increasingly exasperated Inspector Geordie Keating, Sidney is called to investigate the unexpected fall of a Cambridge don from the roof of King's College Chapel, a case of arson at a glamour photographer's studio and the poisoning of Zafar Ali, Grantchester's finest spin bowler. Alongside his sleuthing, Sidney has other problems. Can he decide between his dear friend, the glamorous socialite Amanda Kendall and Hildegard Staunton, the beguiling German widow? To make up his mind Sidney takes a trip abroad, only to find himself trapped in a web of international espionage just as the Berlin Wall is going up. _______________ 'The series has a charming quaintness and deftly turning plot twists but what renders it unique as detective fiction is its overtly Christian content' - Arifa Akbar, Independent 'It takes a first-class writer to put together a convincing storyline for such unlikely circumstances. James Runcie does it admirably ... He is a good man in an imperfect world and we should welcome him to the ranks of classic detectives' - Daily Mail
The renowned poet and author of The Handmaid's Tale "brings a swift, powerful energy" to this "intimate and immediate" poetry collection (Publishers Weekly). These beautifully crafted poems -- by turns dark, playful, intensely moving, tender, and intimate -- make up Margaret Atwood's most accomplished and versatile gathering to date, setting foot on the middle ground / between body and word. Some draw on history, some on myth, both classical and popular. Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.