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The book series Beihefte zur Zeitschrift für romanische Philologie, founded by Gustav Gröber in 1905, is among the most renowned publications in Romance Studies. It covers the entire field of Romance linguistics, including the national languages as well as the lesser studied Romance languages. The editors welcome submissions of high-quality monographs and collected volumes on all areas of linguistic research, on medieval literature and on textual criticism. The publication languages of the series are French, Spanish, Portuguese, Italian and Romanian as well as German and English. Each collected volume should be as uniform as possible in its contents and in the choice of languages.
The book series Beihefte zur Zeitschrift für romanische Philologie, founded by Gustav Gröber in 1905, is among the most renowned publications in Romance Studies. It covers the entire field of Romance linguistics, including the national languages as well as the lesser studied Romance languages. The editors welcome submissions of high-quality monographs and collected volumes on all areas of linguistic research, on medieval literature and on textual criticism. The publication languages of the series are French, Spanish, Portuguese, Italian and Romanian as well as German and English. Each collected volume should be as uniform as possible in its contents and in the choice of languages.
Although it seemed in the mid-1970s that the study of the troubadours and of Occitan literature had reached a sort of zenith, it has since become apparent that this moment was merely a plateau from which an intensive renewal was being launched. In this new bibliographic guide to Occitan and troubadour literature, Robert Taylor provides a definitive survey of the field of Occitan literary studies - from the earliest enigmatic texts to the fifteenth-century works of Occitano-Catalan poet Jordi de Sant Jordi - and treats over two thousand recent books and articles with full annotations. Taylor includes articles on related topics such as practical approaches to the language of the troubadours and the musicology of select troubadour songs, as well as articles situated within sociology, religious history, critical methodology, and psychoanalytical analysis. Each listing offers descriptive comments on the scholarly contribution of each source to Occitan literature, with remarks on striking or controversial content, and numerous cross-references that identify complementary studies and differing opinions. Taylor's painstaking attention to detail and broad knowledge of the field ensure that this guide will become the essential source for Occitan literary studies worldwide.
In this monograph, various aspects of the morphosyntactic evolution of the Romance languages are shown to interact in a theory of grammaticalization. The study argues for the incorporation and subordination of inflectional morphology within a grammaticalization continuum, constituting but a portion of the latter. Parameters of natural morphology are seen as principles of grammaticalization, but the reverse is also true, rendering grammaticalization and natural morphology indistinguishable. In the context of this theoretical framework, Chapter 2 deals with Latin, French, and Italian verbal inflection, focusing on universal and system-dependent parameters of natural morphology. In Chapter 3, a theory of grammaticalization is built on divergent elements, including not only grammaticalization studies proper, but also the perception/production line of inquiry, and typology and branching issues, permitting the phasing out of the traditional synthesis/analyis cycle. Chapter 4 touches on nominal inflection, in particular that of Old French and Rumanian, the most revealing histories in the Romance domain. Chapter 5, finally, thoroughly discusses extant theoretical questions in grammaticalization, prominently featuring the relevance of 'invisible hand' explanations and the crucial role played by unidirectionality. This study will be of interest to specialists in Romance and historical linguistics, as well as morphological theory.
The book series Beihefte zur Zeitschrift für romanische Philologie, founded by Gustav Gröber in 1905, is among the most renowned publications in Romance Studies. It covers the entire field of Romance linguistics, including the national languages as well as the lesser studied Romance languages. The editors welcome submissions of high-quality monographs and collected volumes on all areas of linguistic research, on medieval literature and on textual criticism. The publication languages of the series are French, Spanish, Portuguese, Italian and Romanian as well as German and English. Each collected volume should be as uniform as possible in its contents and in the choice of languages.
In this volume of 29 papers, readers interested in language variation and historical linguistics will find interesting theoretical proposals as well as suggestions concerning ways of approaching previously unsolved empirical problems in the field. The papers deal with various aspects of historical regional dialectology, and some border on the issue of dialectology and linguistic change. Although many deal with English, a number discuss Romance languages in general as well as Norwegian, German, relic languages of the eastern Alpine region, Coptic, and Fox. Some are devoted to more general issues. The language specific contributions also often cover areas of a more general nature. The results indicate new vistas for further productive research in the area of historical dialectology.
This title explores the wide variety of cases in which the plural of nouns is lexical. Using tools from formal semantics and theoretical morphology, it analyses the countless number of examples of word-dependent irregularities in the form and meaning of plural.
This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning