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Reproduction of the original.
A collection of silly and satiric 1890s New Humour.
Reproduction of the original.
With the tragic death of her family in 1915, Allison McKelvey was sent to live with three old maids. Not just any old maids, but women who were members of the Old Maids' Club, in which membership was mandatory, not voluntary. Mandatory because each of the three women, fifty years earlier, had stood on a balcony and waved her handkerchief as her beau rode off to fight the invading Yankees. None of their young men returned. Neither did their brothers, cousins, uncles, or fathers. Others returned maimed and crippled, broken in both body and spirit, unable to assist in rebuilding the South. And into this club came young Allison McKelvey, an orphan with her whole life before her. Some changes were about to be made in the Old Maids' Club.
The choice between adhering to a long-held pact and finally accepting love could prove Lady Tabitha Shelton's unhinging. She is plump, plain, pleasant . . . and thoroughly unappealing to any of the men of the ton-apart from fortune hunters. A self-appointed wallflower, she has every intention of remaining one. Tabitha made a vow of spinsterhood with her cousins when they were girls, and she refuses to go back on her word. So far, she's proven herself quite adept at warding off the blasted fortune hunters' pursuits. Noah deLancie, Marquess of Devonport, would prefer to marry for love and companionship-he's a gentleman through and through-but circumstances have forced his hand: he needs money as badly as he needs a bride. When Noah's brother-in-law suggests pursuit of his sister, Tabitha, a woman with a dowry large enough to cause even Croesus to blush and who is tantalizingly good company to boot, Noah stumbles into the future he hopes to secure. He'll stop at nothing to convince Tabitha to marry him. Nothing, that is, except perhaps the barrel of a dueling pistol, held to his face by his ladylove.
Maureen Paraventi reveals the changing life as a single women. Ranging from living single by choice to the loss of negative terms around single women. The women featured in The New Old Maid tell their stories with unflinching honesty and wry self-awareness, whether they¿re discussing unhappy childhoods, men who didn¿t measure up, or the fun and frustrations that come with being independent.In addition to sharing the stories of real-life women, The New Old Maid takes a look at how depictions of fictional old maids in books, movies, stage plays and TV shows have evolved over time ¿ and explains why such portrayals matter.The New Old Maid speaks to a topic that¿s trending and a demographic that¿s growing. The percentage of never-married women in the U.S. has been on the rise for decades, with more women identifying as single and eager to discuss what that means, especially in blogs.Maureen Paraventi is a journalist, novelist and award-winning playwright whose works include Palm Tree Pipe Dreams and The Bucket List of Booze Club. She is also an actor and singer who performers with McLaughlin¿s Alley, a Detroit pop/rock/Irish band.
A major discovery: Tanizaki's wonderful final novel--now in English