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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
The beautiful county of Yorkshire is the largest in Britain, and yet still possesses a strong and cohesive regional identity. Built on centuries of shared tradition, a characteristic body of folklore has thrived and endured well into the present day. Folklore of Yorkshire chronicles such beliefs throughout the whole county, identifying distinctive common themes, placing them in their historical context, and considering their social and psychological function. You’ll discover Yorkshire’s holy wells and buried treasure, its boggarts, Black Dogs and fairies, and the legends behind the county’s stunning landscape. This fully illustrated book shows how the customs of the past have influenced the ways of today, while also revealing something about the nature of folklore itself, both for the tradition-bearers and those who collect it.
Buildings and landscapes are traditionally analysed with their construction and use in mind, with less interest shown in their destruction or â ~endâ (TM). This innovative book, canvassing the opinions of historians, archaeologists, and other professionals, highlights the complexity of destruction both as a concept and a phenomenon. Drawing from a variety of time periods and cultures, it explores the multiplicity of meanings that destruction can have, and the many complications this creates. Included in this are the politics behind how destruction is remembered (or forgotten), the logistical and ethical dilemmas it presents us with, and the power tensions and transitions that often accompany it. One of the most fundamental themes explored in this book is what destruction is: who defines it and how we choose to recognise it, and why these questions need to be debated. It clearly demonstrates the importance of understanding the complexity of destructive acts, and argues that the best way to achieve this is by establishing channels of dialogue between archaeologists and other disciplines.