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The Odyssey is one of the major ancient Greek epic poems attributed to Homer and a part of the world's literary heritage. The Odyssey is one of the oldest extant works of literature still read by contemporary audiences. The work tells about the Greek hero Odysseus, king of Ithaca, and his journey home after the Trojan War. The book also contains several other poems by Homer.
p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; color: #ffffff} For George Chapman (1559-1634) his translation of Homer was ‘the work that I was born to do’. The publication of his Iliad and Odyssey together in 1616 was a landmark in English literature, but until now there has been no edition which modernises his spelling and punctuation and also provides detailed help in grasping his often obscure language, and in understanding how and why he translated Homer in the particular way he did. This edition of the Odyssey, a companion to Robert Miola’s edition of the Iliad, aims to bring Chapman’s rendering alive for the modern reader. Its literary, philosophical, and religious context is explained in an Introduction and in footnotes, and side- and end-glosses clarify Chapman’s English. His Odyssey is not only a stylistic masterpiece of seventeenth-century English: it constitutes a profound and moving interpretation – still relevant after four hundred years – of Homer’s story of the suffering and grace implicit in the human condition. Through its teeming diversity of events, settings, and characters Homer and his first English translator explore the question of what it means to be human in a complex and threatening world.
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Translation: Theory and Practice: A Historical Reader responds to the need for a collection of primary texts on translation, in the English tradition, from the earliest times to the present day. Based on an exhaustive survey of the wealth of available materials, the Reader demonstrates throughout the link between theory and practice, with excerpts not only of significant theoretical writings but of actual translations, as well as excerpts on translation from letters, interviews, autobiographies, and fiction. The collection is intended as a teaching tool, but also as an encyclopaedia for the use of translators and writers on translation. It presents the full panoply of approaches to translation, without necessarily judging between them, but showing clearly what is to be gained or lost in each case. Translations of key texts, such as the Bible and the Homeric epic, are traced through the ages, with the same passages excerpted, making it possible for readers to construct their own map of the evolution of translation and to evaluate, in their historical contexts, the variety of approaches. The passages in question are also accompanied by ad verbum versions, to facilitate comparison. The bibliographies are likewise comprehensive. The editors have drawn on the expertise of leading scholars in the field, including the late James S. Holmes, Louis Kelly, Jonathan Wilcox, Jane Stevenson, David Hopkins, and many others. In addition, significant non-English texts, such as Martin Luther's "Circular Letter on Translation," which may be said to have inaugurated the Reformation, are included, helping to set the English tradition in a wider context. Related items, such as the introductions to their work by Tudor and Jacobean translators or the work of women translators from the sixteenth to eighteenth centuries have been brought together in "collages," marking particularly important moments or developments in the history of translation. This comprehensive reader provides an invaluable and illuminating resource for scholars and students of translation and English literature, as well as poets, cultural historians, and professional translators.
The Greek poet Homer was one of the greatest and most influential poets of all time. His epicIliadandOdysseywere the foundation of Greek education and culture in the classical age ("Our earliest infancy was entrusted to the care of Homer," said Heraclitus 2500 years ago) and are widely read today. Nothing is known of Homer's life (some even doubt his existence) or of the composition of the two epics but we can assume that the texts that survive are not as they were originally formed in oral tradition. This is a publishing and translation history of the written forms of theIliadand theOdyssey.It first considers who Homer might have been and then explores the when and how of the creation of the written forms of the works. The Homeric text in classical times and in medieval Europe and the Byzantine Empire, and the Homeric text, the printing press and Renaissance humanism are next taken up. The successes and failures of the many who attempted to translate the works are analyzed critically and then-a major portion of the book-all the known texts, editions and translations of theIliadand theOdysseyfrom 1470 to 2000 are listed. Finally, the author considers the future of the Homeric texts and the Poet's relevance to this and future generations. Seven valuable appendices (e.g., Modernizing of Latin City Names; First Printings in Vernacular Languages), a bibliography, and an index complete the work.