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Aristotle sets the horizons of our inquiry: What is it when we say we know something? And is the object of knowledge a universal or particular [tode ti] object? Aristotle's critique of Plato's theory of form/Forms in light of his notion of actuality has generated a variety of topics that frame our inquiry: "Understanding Eidos as Form in the Works of Aristotle as Plato's Critical Student"; "Aristotle on Plato's Forms as Causes"; "Notes on the Relationship between Plato's Parmenides and Aristotle's Metaphysics Alpha"; "'Separate' and 'Inactive'? Aristotle's Most Challenging Critique of Plato's 'Forms'"; "Too Much Unity in a City Is Destructive of the City: Aristotle against Plato's Unification Project of the Polis"; "Aristotle on the Soul as Actuality"; "Delphic Piety in the De Anima of Alexander of Aphrodisias"; "Aristotle and Plotinus: Act and Potency and the Two Acts"; and "Al-Fārābīon Habit and Imagination." Here, the Peripatetic readings of form and actuality are parsed from the precipice of historical, analytic, and continental approaches to the mind/language/object problem, with advocacy of the importance of Aristotle's contribution to this inquiry for the present age.
Aristotle sets the horizons of our inquiry: What is it when we say we know something? And is the object of knowledge a universal or particular [tode ti] object? Aristotle’s critique of Plato’s theory of form/Forms in light of his notion of actuality has generated a variety of topics that frame our inquiry: “Understanding Eidos as Form in the Works of Aristotle as Plato’s Critical Student”; “Aristotle on Plato’s Forms as Causes”; “Notes on the Relationship between Plato’s Parmenides and Aristotle’s Metaphysics Alpha”; “‘Separate’ and ‘Inactive’? Aristotle’s Most Challenging Critique of Plato’s ‘Forms’”; “Too Much Unity in a City Is Destructive of the City: Aristotle against Plato’s Unification Project of the Polis”; “Aristotle on the Soul as Actuality”; “Delphic Piety in the De Anima of Alexander of Aphrodisias”; “Aristotle and Plotinus: Act and Potency and the Two Acts”; and “Al-Fārābīon Habit and Imagination.” Here, the Peripatetic readings of form and actuality are parsed from the precipice of historical, analytic, and continental approaches to the mind/language/object problem, with advocacy of the importance of Aristotle’s contribution to this inquiry for the present age.
Frederick Ahl and Hanna M. Roisman believe that contemporary readers who do not know ancient Greek can gain a sophisticated grasp of the Odyssey if they are aware of some of the issues that intrigue and puzzle the experts. They offer a challenging new reading of the epic that is directed to the general student of literature as well as to the classicist.Ahl and Roisman suggest that, while translators have served the Odyssey and its English-speaking readers remarkably well, the nonspecialist wishing to do a more detailed, critical reading of the epic faces a dilemma. The enormous scholarly literature makes few concessions to the nonspecialist, and those studies designed for general readers tend to offer variations on the overly simple, idealized readings of the epic common in high school and college survey courses.The Odyssey Re-Formed offers a lively and detailed reading of the Odyssey, episode by episode, with particular attention paid to the manipulative power of its language and Homer's skill in using that power. The authors explore how myth is shaped for specific, rhetorical reasons and suggest ways in which the epic uses its audience's awareness of the varied pool of mythic traditions to give the Odyssey remarkable and subtle resonances that have profound poetic power.
This volume integrates aspects of the Poetics into the broader corpus of Aristotelian philosophy. It both deals with some old problems raised by the treatise, suggesting possible solutions through contextualization, and also identifies new ways in which poetic concepts could relate to Aristotelian philosophy. In the past, contextualization has most commonly been used by scholars in order to try to solve the meaning of difficult concepts in the Poetics (such as catharsis, mimesis, or tragic pleasure). In this volume, rather than looking to explain a specific concept, the contributors observe the concatenation of Aristotelian ideas in various treatises in order to explore some aesthetic, moral and political implications of the philosopher’s views of tragedy, comedy and related genres. Questions addressed include: Does Aristotle see his interest in drama as part of his larger research on human natures? What are the implications of tragic plots dealing with close family members for the polis? What should be the role of drama and music in the education of citizens? How does dramatic poetry relate to other arts and what are the ethical ramifications of the connections? How specific are certain emotions to literary genres and how do those connect to Aristotle’s extended account of pathe? Finally, how do internal elements of composition and language in poetry relate to other domains of Aristotelian thought? The Poetics in its Aristotelian Context offers a fascinating new insight to the Poetics, and will be of use to anyone working on the Poetics, or Aristotelian philosophy more broadly.
In The Greek Concept of Nature, Gerard Naddaf utilizes historical, mythological, and linguistic perspectives to reconstruct the origin and evolution of the Greek concept of phusis. Usually translated as nature, phusis has been decisive both for the early history of philosophy and for its subsequent development. However, there is a considerable amount of controversy on what the earliest philosophers—Anaximander, Xenophanes, Pythagoras, Heraclitus, Parmenides, Empedocles, Anaxagoras, Leucippus, and Democritus—actually had in mind when they spoke of phusis or nature. Naddaf demonstrates that the fundamental and etymological meaning of the word refers to the whole process of birth to maturity. He argues that the use of phusis in the famous expression Peri phuseos or historia peri phuseos refers to the origin and the growth of the universe from beginning to end. Naddaf's bold and original theory for the genesis of Greek philosophy demonstrates that archaic and mythological schemes were at the origin of the philosophical representations, but also that cosmogony, anthropogony, and politogony were never totally separated in early Greek philosophy.
In the modern West, we take for granted that what we call the “natural world” confronts us all and always has—but Before Nature explores that almost unimaginable time when there was no such conception of “nature”—no word, reference, or sense for it. Before the concept of nature formed over the long history of European philosophy and science, our ancestors in ancient Assyria and Babylonia developed an inquiry into the world in a way that is kindred to our modern science. With Before Nature, Francesca Rochberg explores that Assyro-Babylonian knowledge tradition and shows how it relates to the entire history of science. From a modern, Western perspective, a world not conceived somehow within the framework of physical nature is difficult—if not impossible—to imagine. Yet, as Rochberg lays out, ancient investigations of regularity and irregularity, norms and anomalies clearly established an axis of knowledge between the knower and an intelligible, ordered world. Rochberg is the first scholar to make a case for how exactly we can understand cuneiform knowledge, observation, prediction, and explanation in relation to science—without recourse to later ideas of nature. Systematically examining the whole of Mesopotamian science with a distinctive historical and methodological approach, Before Nature will open up surprising new pathways for studying the history of science.
A bold new translation that preserves the swiftness, austerity, and clarity of the original. "Tell us, Goddess, daughter of Zeus, start in your own place: when all the rest at Troy had fled from that steep doom and gone back home, away from war and the salt sea, only this man longed for his wife and a way home." Homer's Odyssey, at once an exciting epic of strife and subterfuge and a deeply felt tale of love and devotion, stands at the very beginning of the Western literary tradition. From ancient Greece to the present day its influence on later literature has been unsurpassed, and for centuries translators have approached the meter, tone, and pace of Homer's poetry with a variety of strategies. Chapman and Pope paid keen attention to color, drama, and vivacity of style, rendering the Greek verse loosely and inventively. In the twentieth century, translators such as Lattimore kept rigorously close to the sense of each word in the original; others, including Fitzgerald and Fagles, have departed further from the language of the original, employing their own inventive modern style. Poet and translator Edward McCrorie now opens new territory in this striking rendition, which captures the spare, powerful tone of Homer's epic while engaging contemporary readers with its brisk pace, idiomatic language, and lively characterization. McCrorie closely reproduces the Greek metrical patterns and employs a diction and syntax that reflects the plain, at times stark, quality of Homer's lines, rather than later English poetic styles. Avoiding both the stiffness of word-for-word literalism and the exaggeration and distortion of free adaptation, this translation dramatically evokes the ancient sound and sense of the poem. McCrorie's is truly an Odyssey for the twenty-first century. To accompany this innovative translation, noted classical scholar Richard Martin has written an accessible and wide-ranging introduction explaining the historical and literary context of the Odyssey, its theological and cultural underpinnings, Homer's poetic strategies and narrative techniques, and his cast of characters. In addition, Martin provides detailed notes—far more extensive than those in other editions—addressing key themes and concepts; the histories of persons, gods, events, and myths; literary motifs and devices; and plot development. Also included is a pronunciation glossary and character index.
This path-breaking and eloquent analysis of The Odyssey, and the way it has been interpreted by political philosophers throughout the centuries, has dramatic implications for the current state of political thought. This important book offers readers original insights into The Odyssey and it provides a new understanding of the classic works of Plato, Rousseau, Vico, Horkheimer, and Adorno. Through his analysis Patrick J. Deneen requires readers to rethink the issues that are truly at the heart of our contemporary 'Culture Wars,' and he encourages us to reassess our assumptions about the Western canon's virtues or viciousness. Deneen's penetrating exploration of Odysseus's and our own enduring battles between the dual temptations of homecoming and exploration, patriotism and cosmopolitanism, and relativism and universality provides an original perspective on contentious debates at the center of modern political theory and philosophy.