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Our Donegal Roots is the story of the authors' ancestry stretching back to four families with long bloodlines in the Rosses district in West Donegal. Their parents left that Gaeltacht enclave in 1929 to come to America where they settled and began a new Irish-American branch of the family. In addition to detailing their Donegal roots, the book contains stories of life in their parents' home villages of Annagry and Kincasslagh and as well the authors' own upbringing as first generation Irish- Americans on Staten Island. The book contains numerous historical photos, family trees and other archival material which document the lives of these four native families of Donegal.
This volume contains the proceedings of a recent Edinburgh conference at which scholars discussed the intersection of Scottish and Irish politics and culture in the later Middle Ages. It was a world epitomized by the neglected figure of the galloglass and several of the papers explore the role of these West Highland dynasties and their rapid proliferation throughout Ireland from the late thirteenth century onwards, but the volume also examines the high politics of Scottish royal involvement in Ireland, and the common culture of Gaeldom, particularly as manifested in the corpus of surviving bardic verse. Contributors include: Steve Boardman, David Caldwell, Alison Cathcart, Seán Duffy, David Edwards, Wilson McLeod, Kenneth Nicholls, Alasdair Ross, Katharine Simms, and Alex Woolf.
This travelogue takes readers on a journey through Ireland, showcasing the country's natural beauty, storied history, and unique culture. From the bustling streets of Dublin to the rugged coastline of Donegal, the author provides a vivid portrait of a country that is both charming and complex. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This series [pushes] the boundaries of knowledge and [develops] new trends in approach and understanding. ENGLISH HISTORICAL REVIEW