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These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based.
Reprint of the original, first published in 1857.
"This collection of essays assembles investigations of Brian O'Doherty's/Patrick Ireland's seminal work: his visual art practice, art criticism, institutional leadership and critique, media work, and literary writing. The international authors provide fresh perspective on an oeuvre that has resonance on both sides of the Atlantic."--Back cover.