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Captivating poems and visual art seek to bring comfort and solidarity to anyone living with Bipolar Disorder. In this remarkable debut, Shira Erlichman pens a love letter to Lithium, her medication for Bipolar Disorder. With inventiveness, compassion, and humor, she thrusts us into a world of unconventional praise. From an unexpected encounter with her grandmother’s ghost, to a bubble bath with Bjӧrk, to her plumber’s confession that he, too, has Bipolar, Erlichman buoyantly topples stigma against the mentally ill. These are necessary odes to self-acceptance, resilience, and the jagged path toward healing. With startling language, and accompanied by her bold drawings and collages, she gives us a sparkling, original view into what makes us human.
Comedian and actor Stephen Fry's witty and practical guide, now in paperback, gives the aspiring poet or student the tools and confidence to write and understand poetry. Stephen Fry believes that if one can speak and read English, one can write poetry. In The Ode Less Travelled, he invites readers to discover the delights of writing poetry for pleasure and provides the tools and confidence to get started. Through enjoyable exercises, witty insights, and simple step-by-step advice, Fry introduces the concepts of Metre, Rhyme, Form, Diction, and Poetics. Most of us have never been taught to read or write poetry, and so it can seem mysterious and intimidating. But Fry, a wonderfully competent, engaging teacher and a writer of poetry himself, sets out to correct this problem by explaining the various elements of poetry in simple terms, without condescension. Fry's method works, and his enthusiasm is contagious as he explores different forms of poetry: the haiku, the ballad, the villanelle, and the sonnet, among many others. Along the way, he introduces us to poets we've heard of but never read. The Ode Less Travelled is not just the survey course you never took in college, it's a lively celebration of poetry that makes even the most reluctant reader want to pick up a pencil and give it a try.
First published in 1974, this book provides a helpful overview to the ode. After introducing the reader to classical odes, it goes on to trace the development of two major types: the Pindaric ode and the Horatian ode. The book concludes with a study of odes from the nineteenth and twentieth-centuries. This book will be of particular interest to those studying poetry, verse form and literature more generally.
Fourteen unforgettable short stories provoke, illuminate, and startle as they explore our perception of nature and the conflict between wildness and civilization within each of us. As we are recognizing the consequences of the destruction of forests and wetlands, the pillaging of the seas, and the toxicity of industry, we are experiencing profound uncertainty about our relationship with the earth. These stellar short stories by writers such as Barry Lopez, Rick Bass, Margaret Atwood, E. L. Doctorow, Chris Offutt, and others plumb the mystery--as only fiction can--of nature within us and the world of nature that surrounds us. We are nature, in spite of our machines, our plastics, and our artificial ingredients. Yet what do we make of our own nature? Our own wildness? And how do we explain the paradox of our urge to both exploit and protect wilderness? From E. L. Doctorow's shattering tale, "Willi," in which a young boy witnesses adults transformed into animals by the frenzy of sexual lust, to Rick Bass's "Swamp Boy," whose young hero is hounded by a pack of boys incensed by his solitary communion with the wild, to Margaret Atwood's wickedly funny story, "My Life as a Bat," or Kent Meyers's soulful ballad of love regained, "The Heart of the Sky," these memorable stories articulate our deep need for wilderness and the indelible role nature plays in our psychological and spiritual well-being.
Helaine Becker and Mike Boldt team up for another hilarious storytime romp! Let's hear it for our underwear! From boxers to bloomers and briefs to bikinis, whether they're frilly, silly, or saggy - we all have our favourite pair, so give three cheers for underwear! The uproarious team behind Little Jack Horner, Live From the Corner brings us another silly storytime treat, this time celebrating an underappreciated piece of our wardrobe: underpants! With Helaine Becker's boisterous rhyming text and Mike Boldt's buoyant illustrations, Ode to Underwear is a perfect read-aloud for anyone who loves to laugh!
"When I say this book is a love story, I mean it is about things that cannot be gotten over-like this world, and some of the people in it." In 1819, the poet John Keats wrote six poems that would become known as the Great Odes. Some of them-"Ode to a Nightingale," "To Autumn"-are among the most celebrated poems in the English language. Anahid Nersessian here collects and elucidates each of the odes and offers a meditative, personal essay in response to each, revealing why these poems still have so much to say to us, especially in a time of ongoing political crisis. Her Keats is an unflinching antagonist of modern life-of capitalism, of the British Empire, of the destruction of the planet-as well as a passionate idealist for whom every poem is a love poem. The book emerges from Nersessian's lifelong attachment to Keats's poetry; but more, it "is a love story: between me and Keats, and not just Keats." Drawing on experiences from her own life, Nersessian celebrates Keats even as she grieves him and counts her own losses-and Nersessian, like Keats, has a passionate awareness of the reality of human suffering, but also a willingness to explore the possibility that the world, at least, could still be saved. Intimate and speculative, this brilliant mix of the poetic and the personal will find its home among the numerous fans of Keats's enduring work.
An award-winning writer rescues seven first-rate twentieth-century women artists from oblivion--their lives fascinating, their artwork a revelation. Who hasn't wondered where-aside from Georgia O'Keeffe and Frida Kahlo-all the women artists are? In many art books, they've been marginalized with cold efficiency, summarily dismissed in the captions of group photographs with the phrase "identity unknown" while each male is named. Donna Seaman brings to dazzling life seven of these forgotten artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self-portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture when art and craft were considered mutually exclusive; Christina Ramberg, whose unsettling works drew on pop culture and advertising; and Louise Nevelson, an art-world superstar in her heyday but omitted from recent surveys of her era. These women fought to be treated the same as male artists, to be judged by their work, not their gender or appearance. In brilliant, compassionate prose, Seaman reveals what drove them, how they worked, and how they were perceived by others in a world where women were subjects-not makers-of art. Featuring stunning examples of the artists' work, Identity Unknown speaks to all women about their neglected place in history and the challenges they face to be taken as seriously as men no matter what their chosen field-and to all men interested in women's lives.
This traditional text is intended for mainstream one- or two-semester differential equations courses taken by undergraduates majoring in engineering, mathematics, and the sciences. Written by two of the world's leading authorities on differential equations, Simmons/Krantz provides a cogent and accessible introduction to ordinary differential equations written in classical style. Its rich variety of modern applications in engineering, physics, and the applied sciences illuminate the concepts and techniques that students will use through practice to solve real-life problems in their careers. This text is part of the Walter Rudin Student Series in Advanced Mathematics.
Is that a bird? Is it a plane? No, it's a poem! Concrete poems are shaped like their subjects. They can look like objects, animals, or even people. You won't find many straight lines here! Award-winning author Brian P. Cleary explains how concrete poems work—and uses them to create all sorts of wild wordplay. Ode to a Commode is packed with mind-bending poems to make you puzzle and ponder. And when you've finished reading, you can try your hand at writing your own concrete poems!