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Abigail Bukula was fifteen years old when her parents were killed in a massacre of antiapartheid activists by white apartheid security forces. Because a young soldier spoke up in her defense, she was spared. Now she's a lawyer with a promising career in the new government, and while she has done her best to put the tragedy behind her, she's never forgotten Leon Lourens, the soldier who saved her life. So when he walks into her office almost twenty years later, needing her help, she vows to do whatever she can. Someone is slowly killing off members of the team who raided the house where her parents were murdered, and now Leon and an imprisoned colonel are the only targets left. Abigail turns to Yudel Gordon, an eccentric, nearly retired white prison psychologist for help. To save Leon's life they must untangle the web of politics, identity, and history before the anniversary of the raid—only days away. The October Killings, the first novel in decades from Wessel Ebersohn, not only brings to life the new South Africa in all of its color and complexity but also Abigail Bukula—the sharpest, most determined sleuth in international crime fiction.
On bookshelves around the world, surrounded by ordinary books bound in paper and leather, rest other volumes of a distinctly strange and grisly sort: those bound in human skin. Would you know one if you held it in your hand? In Dark Archives, Megan Rosenbloom seeks out the historic and scientific truths behind anthropodermic bibliopegy—the practice of binding books in this most intimate covering. Dozens of such books live on in the world’s most famous libraries and museums. Dark Archives exhumes their origins and brings to life the doctors, murderers, and indigents whose lives are sewn together in this disquieting collection. Along the way, Rosenbloom tells the story of how her team of scientists, curators, and librarians test rumored anthropodermic books, untangling the myths around their creation and reckoning with the ethics of their custodianship. A librarian and journalist, Rosenbloom is a member of The Order of the Good Death and a cofounder of their Death Salon, a community that encourages conversations, scholarship, and art about mortality and mourning. In Dark Archives—captivating and macabre in all the right ways—she has crafted a narrative that is equal parts detective work, academic intrigue, history, and medical curiosity: a book as rare and thrilling as its subject.
With only months to live because of terminal lung cancer, Marcus Gostin is ready to confess his secret to the entire world. He is the person responsible for the frightening and unsolved disappearances of local women - known informally as the "Lake Tahoe Ten" - during the past two decades. As the owner of a successful and popular Lake Tahoe resort, he was able to hide in plain sight while living his life as a patient and proficient serial killer. Proud of what he had done and wanting his name to live on in immortality, he decides to document in meticulous and graphic detail how he hunted, kidnapped, and brutally slaughtered each of the Tahoe Ten" in a journal with the hope that it would be published after his death. But it wasn't over. Nearing the conclusion of his literary masterpiece, he crosses paths with a young man and instantly senses an intangible, but very real connection with him. He knows the kid is a killer in the making, and he sees the opportunity to take him under his wing. Motivated by events in his own life as well as material he has viewed on the dark web, the young man is interested in learning more. Class is in session, and Marcus thoroughly teaches him the art of kidnapping a woman and getting away with it, along with the psychology of actually taking a human life. A hands-on tutorial at the expense of a woman who broke the student's heart will be the final lesson, and Marcus' last kill before his apprentice is ready to continue the journal and carry on his legacy. Will the student pass his final exam? The Tahoe Ten Killings by former NYPD "Cannibal Cop" Gil Valle (A Gathering of Evil, The Social Catalogue of #Prey) strikes with unnerving realism so psychologically tormenting, it may be seen by some as a "how to" manual. It is not for the faint of heart.
Justine van der Leun reopens the murder of a young American woman in South Africa, an iconic case that calls into question our understanding of truth and reconciliation, loyalty, justice, race, and class—a gripping investigation in the vein of the podcast Serial “Timely . . . gripping, explosive . . . the kind of obsessive forensic investigation—of the clues, and into the soul of society—that is the legacy of highbrow sleuths from Truman Capote to Janet Malcolm.”—The New York Times Book Review The story of Amy Biehl is well known in South Africa: The twenty-six-year-old white American Fulbright scholar was brutally murdered on August 25, 1993, during the final, fiery days of apartheid by a mob of young black men in a township outside Cape Town. Her parents’ forgiveness of two of her killers became a symbol of the Truth and Reconciliation process in South Africa. Justine van der Leun decided to introduce the story to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then van der Leun stumbled upon another brutal crime committed on the same day, in the very same area. The true story of Amy Biehl’s death, it turned out, was not only a story of forgiveness but a reflection of the complicated history of a troubled country. We Are Not Such Things is the result of van der Leun’s four-year investigation into this strange, knotted tale of injustice, violence, and compassion. The bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and in the decades that followed—come together in an unsparing account of life in South Africa today. Van der Leun immerses herself in the lives of her subjects and paints a stark, moving portrait of a township and its residents. We come to understand that the issues at the heart of her investigation are universal in scope and powerful in resonance. We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson as relevant to America today as to a South Africa still struggling with the long shadow of its history. “A masterpiece of reported nonfiction . . . Justine van der Leun’s account of a South African murder is destined to be a classic.”—Newsday
Here is the first statewide collection of true Florida murders, and as the saying goes, truth is stranger than fiction. The Sunshine State, from Pensacola to Key West, has played host to a memorable and varied array of crimes of passion, greed and revenge. (Taken from back jacket).
A tale inspired by the 1976 attempted assassination of Bob Marley spans decades and continents to explore the experiences of journalists, drug dealers, killers, and ghosts against a backdrop of social and political turmoil.