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In The Objects of Life in Central Africa the history of consumption and social change from 1840 until 1980 is explored. By taking consumption as a vantage point, the contributions deviate from and add to previous works which have mainly analysed issues of production from an economic and political perspective. The chapters are broad-ranging in temporal and geographical focus, including contributions on Congo, Zambia, Zimbabwe and Angola. Topics range from the social history of firearms to the perception of the railway and include contributions on sewing machines, traders and advertising. By looking at the socio-economic, political and cultural meaning and impact of goods the history of Central Africa is reassessed.
Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the West. These sculptures nevertheless retain the mysterious potency of more humble objects trusted for centuries to protect, heal and harm. Art and Power in the Central African Savanna examines an artistic culture in which the sacred and the secular are indivisible, and aesthetic and moral value inseparable.
Living for the City is a social history of the Central African Copperbelt, considered as a single region encompassing the neighbouring mining regions of Zambia and the Democratic Republic of Congo. The Haut Katanga and Zambian Copperbelt mine towns have been understood as the vanguard of urban 'modernity' in Africa. Observers found in these towns new African communities that were experiencing what they wrongly understood as a transition from rural 'traditional' society – stable, superstitious and agricultural – to an urban existence characterised by industrial work discipline, the money economy and conspicuous consumption, Christianity, and nuclear families headed by male breadwinners supported by domesticated housewives. Miles Larmer challenges this representation of Copperbelt society, presenting an original analysis which integrates the region's social history with the production of knowledge about it, shaped by both changing political and intellectual contexts and by Copperbelt communities themselves. This title is available as Open Access on Cambridge Core.
A unique and forward-thinking book that sheds new light on the origins, dynamics, and cosmopolitan culture of the Kongo Kingdom from a cross-disciplinary perspective.
'Out of Our Minds' shows explorers and ethnographers in Africa during colonial expansion were far from rational - often meeting their hosts in extraordinary states influenced by opiates, alcohol, sex, fever, fatigue, and violence.
The ivory porter; Zanzibar town from the sea; A town on the Mrima; Explorers in East Africa; The East African Ghauts; View in Unyamwezi
Examines twenty years of French military interventions in Chad and Hissène Habré's rise to power between 1960 and 1982.
Between the sixteenth and the nineteenth centuries, the west central African kingdom of Kongo practiced Christianity and actively participated in the Atlantic world as an independent, cosmopolitan realm. Drawing on an expansive and largely unpublished set of objects, images, and documents, Cecile Fromont examines the advent of Kongo Christian visual culture and traces its development across four centuries marked by war, the Atlantic slave trade, and, finally, the rise of nineteenth-century European colonialism. By offering an extensive analysis of the religious, political, and artistic innovations through which the Kongo embraced Christianity, Fromont approaches the country's conversion as a dynamic process that unfolded across centuries. The African kingdom's elite independently and gradually intertwined old and new, local and foreign religious thought, political concepts, and visual forms to mold a novel and constantly evolving Kongo Christian worldview. Fromont sheds light on the cross-cultural exchanges between Africa, Europe, and Latin America that shaped the early modern world, and she outlines the religious, artistic, and social background of the countless men and women displaced by the slave trade from central Africa to all corners of the Atlantic world.