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Contains staff section reports of the U.S. 3rd Army on the Western Front during World War II.
An extensive encyclopedic reference guide to male and female serial killers from throughout world history. The World Encyclopedia of Serial Killers is the most comprehensive set of its kind in the history of true crime publishing. Written and compiled by Susan Hall, the four-volume set has more than 1600 entries of male and female serial killers from around the world. Defined by the FBI as a person who murders 3 or more people over a period of time with a hiatus of weeks or months between murders, serial killers have walked among us from the dawn of time as these books will demonstrate. While the entries to these volumes will continue to grow—the FBI estimates that there are at least fifty serial killers operating in the United States at any given time—The World Encyclopedia of Serial Killers is as complete as possible through the end of 2017. The series continues with Volume Two, E-L. The entries include El Loco Luis Alfredo Garavito, Happy Face Killer Keith Hunter Jesperson, Interstate Killer Larry Eyler, Godfather of Matamoros Adolfo de Jesus Constanzo, and Golden State Killer Joseph James DeAngelo. You will find these killers and approximately 350 others in this second book in the series of The World Encyclopedia of Serial Killers.

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Library of the Marine Biological Laboratory and the Woods Hole Oceanographic Institution

Published: 1971

Total Pages: 908


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Scholars of the middlebrow have demonstrated that the preferences and choices of both women writers and women readers have suffered considerably from the dismissive attitude of earlier critics. George Eliot’s famous attack on ‘Silly Novels by Lady Novelists’ set the tone for the long tradition of gendered disputes over the literary merit of works of fiction – a controversy which eventually coalesced with a class-based hegemony of taste in the so-called Battle of the Brows. The new research presented in this volume demonstrates that this gendered inflection of the critical debate is not only one-sided but tends to obfuscate the significance the middlebrow literary spectrum had for the wider dissemination of new concepts of gender. By exploring the scope of middlebrow media culture between 1890 and 1945, from household magazines to popular novels, the essays in this volume give evidence of the relative proximity that existed between middlebrow writers and the avant-garde in their concern for gender issues. Contributors: Nicola Bishop, Elke D’hoker, Petra Dierkes-Thrun, Stephanie Eggermont, Christoph Ehland, Wendy Gan, Emma Grundy Haigh, Kate Macdonald, Louise McDonald, Tara MacDonald, Isobel Maddison, Ann Rea, Cornelia Wächter, Alice Wood