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The Nymph from Heaven tells the story of possibly the most famous love triangle of all time, the results of which still ring down the centuries to us today; that of Henry VIII, Katharine of Aragon and Anne Boleyn. This intriguing story is juxtaposed with the captivating tale of Henry's younger sister, Mary Tudor. Almost everyone knows that King Henry VIII of England had six wives and two daughters, but many do not realize that he also had two sisters. Both of King Henry's sisters became queens through dynastic marriages, but their fates were very different. Margaret, King Henry's elder sister, became Queen of Scotland, while Mary, his younger sister, became Queen of France. The Nymph from Heaven is a historical novel based on the life of Henry's younger sister, Mary Tudor. Mary, not to be confused with her niece, "Bloody" Mary, graced the stage of European politics for only a few short years, but her story is a fascinating one. Born a beautiful princess into Tudor England in the late Middle Ages, Mary's hand was sought in marriage from the age of three. But bound to duty by her high position, Mary knew that any match arranged for her would almost certainly take her out of England for marriage with a stranger in a foreign land. But Mary falls in love with a poor English knight, and is determined to marry him. Through many trials and tribulations, and against all odds, Mary marries her one true love. But the price may prove too high.
How do men imagine women? In the poetry of Petrarch and his English successors—Wyatt, Donne, and Marvell—the male poet persistently imagines pursuing a woman, Laura, whom he pursues even as she continues to deny his affections. Critics have long held that, in objectifying Laura, these male-authored texts deny the imaginative, intellectual, and physical life of the woman they idealize. In Laura, Barbara L. Estrin counters this traditional view by focusing not on the generative powers of the male poet, but on the subjectivity of the imagined woman and the imaginative space of the poems she occupies. Through close readings of the Rime sparse and the works of Wyatt, Donne, and Marvell, Estrin uncovers three Lauras: Laura-Daphne, who denies sexuality; Laura-Eve, who returns the poet’s love; and Laura-Mercury, who reinvents her own life. Estrin claims that in these three guises Laura subverts both genre and gender, thereby introducing multiple desires into the many layers of the poems. Drawing upon genre and gender theories advanced by Jean-François Lyotard and Judith Butler to situate female desire in the poem’s framework, Estrin shows how genre and gender in the Petrarchan tradition work together to undermine the stability of these very concepts. Estrin’s Laura constitutes a fundamental reconceptualization of the Petrarchan tradition and contributes greatly to the postmodern reassessment of the Renaissance period. In its descriptions of how early modern poets formulate questions about sexuality, society and poetry, Laura will appeal to scholars of the English and Italian Renaissance, of gender studies, and of literary criticism and theory generally.
Throughout the early modern period, the nymph remained a powerful figure that inspired and informed the cultural imagination in many different ways. Far from being merely a symbol of the classical legacy, the nymph was invested with a surprisingly broad range of meanings. Working on the basis of these assumptions, and thus challenging Aby Warburg’s famous reflections on the nympha that both portrayed her as cultural archetype and reduced her to a marginal figure, the contributions in this volume seek to uncover the multifarious roles played by nymphs in literature, drama, music, the visual arts, garden architecture, and indeed intellectual culture tout court, and thereby explore the true significance of this well-known figure for the early modern age. Contributors: Barbara Baert, Mira Becker-Sawatzky, Agata Anna Chrzanowska, Karl Enenkel, Wolfgang Fuhrmann, Michaela Kaufmann, Andreas Keller, Eva-Bettina Krems, Damaris Leimgruber, Tobias Leuker, Christian Peters, Christoph Pieper, Bernd Roling, and Anita Traninger.
From the pages of Greek mythology to the real-life concerns of the 21st century, these four heroines fight daily for their right to happiness. Love may be part of their heritage, but thanks to an ancient curse, soul mates are forbidden. But Zeus is no match for these woman determined to protect their men: The Nymph's Labyrinth: Shape-shifting nymph Ariadne Papadakis must keep the truth of the nymphs' existence far out of reach from American archeologist Beau Morris. But will the task force her to sacrifice her own happiness? Montana Mustangs: As an ill-fated nymph, Aura Montgarten has spent her lifetime hiding from love. Until a body washes up on the shore of a rural Montana lake, bringing police officer Dane Burke to her part of the world to get to the bottom of this mystery--and more. Winter Swans: Single dad and professional poker player Chance Landon is on a lone-wolf crusade to find his ex-wife's killer. But when his daughter's life is also threatened, he must enlist the help of the beautiful swan-shifting nymph Harper Cygnini. Will Chance gamble on a future that involves falling in love or is that one bet he is unwilling to take? Savannah Sacrifice: For young nymph Starling Jackson, being a demi-god means a life filled with tormenting spirits--and she's determined to quiet them forever. The problem is, she needs her bodyguard, Jasper Gray, to infiltrate the enemy's hotbed. Can she work that closely with the hunky protector without falling in love and signing his death warrant? Sensuality Level: Sensual