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A broadly-illustrated overview of the contemporary state of Greco-Roman numismatic scholarship.
Given the dearth of non-messianic interpretations of Psalm 110:1 in non-Christian Second Temple Jewish texts, why did it become such a widely used messianic prooftext in the New Testament and early Christianity? Previous attempts to answer this question have focused on why the earliest Christians first began to use Ps 110:1. The result is that these proposals do not provide an adequate explanation for why first century Christians living in the Greek East employed the verse and also applied it to Jesus’s exaltation. I contend that two Greco-Roman politico-religious practices, royal and imperial temple and throne sharing—which were cross-cultural rewards that Greco-Roman communities bestowed on beneficent, pious, and divinely approved rulers—contributed to the widespread use of Ps 110:1 in earliest Christianity. This means that the earliest Christians interpreted Jesus’s heavenly session as messianic and thus political, as well as religious, in nature.
The most comprehensive and up-to-date work available on ancient Macedonian history and material culture, A Companion to Ancient Macedonia is an invaluable reference for students and scholars alike. Features new, specially commissioned essays by leading and up-and-coming scholars in the field Examines the political, military, social, economic, and cultural history of ancient Macedonia from the Archaic period to the end of Roman period and beyond Discusses the importance of art, archaeology and architecture All ancient sources are translated in English Each chapter includes bibliographical essays for further reading
This book explores coinage and related object types as an important form of material culture that is crucial to interrogating interactions between coloniser and colonised. Money, Coinage and Colonialism is a much overdue treatment of coinage and money in debates around ancient and recent colonial practices. It argues that coinage offers unique opportunities to study interactions and effects of the meeting between colonisers and colonised, as well as the economic, political and ideological interactions between colonial communities and the state of origin. It is argued that the study of coins and other means of exchange may reveal less apparent and under-communicated processes, values and discourses in the study of colonial environments and projects, with commonalities informing a larger "global history" approach. A broad picture is built from numerous case studies, spanning from Classical Greek colonies to European colonial enterprises of the Modern period, exploring colonial histories, settings, ideology and resistance. Particular attention is paid to the role of coins in identity construction; to ambiguity, hybridity and creolisation of monetary objects in colonial contexts; and to specific uses of coins that tell of violence, oppression and resistance as well as of networks, acculturation and globalisation. Composed of chronologically broad and diverse case studies from colonial contexts, this book is for researchers in colonial and post-colonial archaeology as well as archaeological and cultural-historical numismatics.
"Roman imagery and iconography are typically studied under the more general umbrella of Roman art and in broader, medium-specific studies. This handbook focuses primarily on visual imagery in the Roman world, examined by context and period, and the evolving scholarly traditions of iconographic analysis and visual semiotics that have framed the modern study of these images. As such topics-or, more directly, the isolation of these topics from medium-specific or strictly temporal evaluations of Roman art-are uncommon in monograph-length studies, our goal is that this handbook will be an important reference for both the communicative value of images in the Roman world and the tradition of iconographical analysis. The chapters herein represent contributions from a number of leading and emerging authorities on Roman imagery and iconography from across the world, representing a variety of academic traditions and methods of image analysis"--
A richly illustrated introduction to the contribution of Roman and provincial coinage to the history of this period, aimed at undergraduates.
Proceedings of the 21st International Congress of Roman Frontier Studies (LIMES XXI), hosted by Tyne & Wear Archives & Museums, Newcastle upon Tyne, UK, in August 2009.
On March 15th, 44 BC a group of senators stabbed Julius Caesar, the dictator of Rome. By his death, they hoped to restore Rome's Republic. Instead, they unleashed a revolution. By December of that year, Rome was plunged into a violent civil war. Three men--Mark Antony, Lepidus, and Octavian--emerged as leaders of the revolutionary regime, which crushed all opposition over the next decade. In time, Lepidus was removed, Antony and Cleopatra were dispatched, and Octavian stood alone as sole ruler of Rome. He became Augustus, Rome's first emperor, and by the time of his death in AD 14 the 500-year-old republic was but a distant memory and one of history's greatest empires had been born. Rome's Revolution provides a riveting narrative history of this tumultuous period of change. In addition to chronicling the drama of aristocratic rivalries, author Richard Alston digs beneath the high politics of Cicero, Caesar, Antony, and Octavian to reveal the experience of the common Roman citizen and soldier. Portraying the revolution as the crisis of a violent society--both among the citizenry and among a ruling class whose legitimacy was dwindling--Rome's Revolution provides new insight into the motivations that drove men to march on their capital city and slaughter their compatriots. An enthralling story of violent politics, social upheaval, and personal betrayal, Rome's Revolution is a brilliant new history of an epoch which still haunts us today.