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The nude has been interpreted through the vision of artists in countless ways -- the classical splendor of ancient Hellas, the innocence of Botticelli's Venus, the voluptuous women of Rubens, the magnificent sculptures of Michelangelo and Rodin, the modern nudes of Modigliani and Picasso, the famous Muybridge sequence photographs of the human figure in motion.
Tavistock Press was established as a co-operative venture between the Tavistock Institute and Routledge & Kegan Paul (RKP) in the 1950s to produce a series of major contributions across the social sciences. This volume is part of a 2001 reissue of a selection of those important works which have since gone out of print, or are difficult to locate. Published by Routledge, 112 volumes in total are being brought together under the name The International Behavioural and Social Sciences Library: Classics from the Tavistock Press. Reproduced here in facsimile, this volume was originally published in 1967 and is available individually. The collection is also available in a number of themed mini-sets of between 5 and 13 volumes, or as a complete collection.
Copying is how we learn. It is the oldest, grandest tradition and essential to an artist's development. Featuring 20 masterpieces by Michelangelo, Modigliani, Matisse and more, The Nude Sketchbook is the first in an innovative new series that combines careful study with independent expression. Each image is paired with a helpful prompt offered by iconic artists, critics and art historians, with plenty of blank space to practice and explore within the theme. Complete with a brief history of life drawing and an introduction to the draughtsman's toolkit, this guided sketchbook equips artists with everything necessary to develop their style and skills. Collect the whole series to broaden your artistic lexicon.
The Nude explores some of the principal ways that paintings of the nude function in the conflicted terrain of culture and society in Europe and America from the fifteenth through twentieth centuries, as set against questions about human sexuality that emerge around differences of class, gender, age, and race. Author Richard Leppert relates the visual history of how the naked body intersects with the foundational characteristics of what it is to be human, measured against a range of basic emotions (happiness, delight, and desire; fear, anxiety, and abjection) and read in the context of changing social and cultural realities. The bodies comprising the Western nude are variously pleasured or tormented, ecstatic or bored, pleased or horrified. In short, as this volume amply demonstrates, the nude in Western art is a terrain on whose surface is written a summation of Western history: its glory but also its degradation.
Offers a contemporary perspective of the image of the nude in art and illustrates how the attitudes of artists and the public have changed from classical Greece to the present
Bertolotti explores the history of nude photography, from the first academic snapshots all the way to the most audacious avant-gardists. Organized chrono-thematically and accompanied by socio-cultural analysis, this book includes the works by Germaine Krull, Man Ray, Bill Brandt, Araki, Robert Mapplethorpe, and Jean-Loup Sieff.
December 1939. Nighttime Manhattan. Snow mixed with rain. Two shots ring out in an alley. Max Grant, private investigator, two double bourbons under his belt, enters the alley to investigate. A man, two bullets in his chest, dying, paws at his coat pocket. His only words are, "Find the nude on the cigarette case." Grant removes the cigarette case, looks at the picture, pockets it, then calls to bystanders to get the police. Curiosity, even without a client, prompts him to investigate and leads him into the murky sphere of activity that surrounds the beginnings of the atom bomb. The war in Europe is public, but something else was going on, quietly, behind the scenes, never making headlines in major newspapers or news programs on radio. Walter Lippman doesnt write about it and Edward R. Murrow never mentions it in his CBS news broadcasts. That something is the exchange of nuclear fission information between mathematicians and physicists in the Unites States, England, and Europe. In 1939 that information exchange has diminished in volume between the western scientific communities and those under German control and influence, most notably Denmark and Norway. Sarah Bennett, the nude on the cigarette case, has been kidnapped and is being held in the Redhook area of New York by German agents. Bennett, a scientist, travels Europe under the guise of an art dealer but is also the conduit for shared information between scientists in Nazi dominated Europe and those in the United States. And Max Grant, in love with a photo on a cigarette case, is just the guy to go looking for her.
The nude figure was critical to the art of Edgar Degas throughout his life, and yet his expansive body of work on this subject has been overshadowed by his celebrated portraits and dancers. Degas and the Nude is the first book in a generation to explore the artist's treatment of the nude from his early years in the 1850s and 1860s, through his triumphs in the 1880s and 1890s, all the way to his last decades, when the theme dominated his artistic production in all media. With essays by leading critics, the book aims to provide a new interpretation of Degas's evolving conception of the nude and to situate it in the subject's broader context among his peers in 19th-century France. Among the scores of reproductions is one of the most important of Degas's early paintings, Scene of War in the Middle Ages, which exerted a lifelong influence on the artist's treatment of the female nude and includes poses poses repeated throughout his career. Also included are monotypes of the late 1870s, which illustrate Degas's most explicitly sexual depictions of women in Parisian brothels, and pictures portraying the daily life of women wherever they resided. Together these iterations range over more than a half-century of virtuoso achievement and manifest a groundbreaking look at the evolution of this master artist.