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If Lady Chatterley's Lover can do it, so can Cassie Goodwin; seduce the pants right off her sexy ex, that is.... Wallflower Page Sharpe is about to become Venus in Furs for her boss...and he's about to become her love slave! Like Fanny Hill, Wendy Trainer has sown plenty of wild oats! But can Fanny's exploits help her persuade best friend Nate that Wendy's more than just a good time? Ice princess Jacqueline Mays is ready to melt. With The Slave as her guide, disciplined client Elliot won't be able to resist her offer of sexual submission!
Townsfolk called him devil. For dark and enigmatic Julian, Earl of Ravenwood, was a man with a legendary temper and a first wife whose mysterious death would not be forgotten. Some said the beautiful Lady Ravenwood had drowned herself in the black, murky waters of Ravenwood Pond. Others whispered of foul play and the devil's wrath. Now country-bred Sophy Dorring is about to become Ravenwood's new bride. Drawn to his masculine strength and the glitter of desire that burned in his emerald eyes, the tawny-haired lass had her own reasons for agreeing to a marriage of convenience. One was vengeance, and in its pursuit she would entangle Julian in a blackmail plot, a duel at dawn, and a dangerous masquerade. The other reason was dearer to her heart, but just as wild a quest: Sophy Dorring intended to teach the devil to love again.
In the debut horror novel from the author of Live Girls, a small town in Northern California finds itself at the whims of an old and hungry evil. Donald Ellis is in a bad place. On a forced leave of absence from work, his personal life has also collapsed. But he’s certain that something else is going on—something dreadfully wrong with his town. People are disappearing, leaving inexplicable traces of what might have happened to them. And then there are the dreams—horrifying nightmares seeping slowly into even more troubling daytime visions. Then Freddie appears on his doorstep—a strangely powerful young woman who tells him that his intuition is right. A dark force has taken over his once-sleepy northern California home. Creatures are roaming the night, hungry for lust, thirsty for blood, and knowing exactly how to satisfy their cravings. To fight an evil that hides in plain sight, Donald and Freddie will have to push the boundaries of their own sanity—and risk becoming a part of the very shadows they seek to destroy ...
Which sort of seducer could you be? Siren? Rake? Cold Coquette? Star? Comedian? Charismatic? Or Saint? This book will show you which. Charm, persuasion, the ability to create illusions: these are some of the many dazzling gifts of the Seducer, the compelling figure who is able to manipulate, mislead and give pleasure all at once. When raised to the level of art, seduction, an indirect and subtle form of power, has toppled empires, won elections and enslaved great minds. In this beautiful, sensually designed book, Greene unearths the two sides of seduction: the characters and the process. Discover who you, or your pursuer, most resembles. Learn, too, the pitfalls of the anti-Seducer. Immerse yourself in the twenty-four manoeuvres and strategies of the seductive process, the ritual by which a seducer gains mastery over their target. Understand how to 'Choose the Right Victim', 'Appear to Be an Object of Desire' and 'Confuse Desire and Reality'. In addition, Greene provides instruction on how to identify victims by type. Each fascinating character and each cunning tactic demonstrates a fundamental truth about who we are, and the targets we've become - or hope to win over. The Art of Seduction is an indispensable primer on the essence of one of history's greatest weapons and the ultimate power trip. From the internationally bestselling author of The 48 Laws of Power, Mastery, and The 33 Strategies Of War.
A vivid and provocative literary criticism of famous women writers from Virginia Woolf to Zelda Fitzgerald by a “gifted miniaturist biographer” (Joyce Carol Oates) The novelist and essayist Elizabeth Hardwick is one of contemporary America’s most brilliant writers, and Seduction and Betrayal, in which she considers the careers of women writers as well as the larger question of the presence of women in literature, is her most passionate and concentrated work of criticism. A gallery of unforgettable portraits—of Virginia Woolf and Zelda Fitzgerald, Dorothy Wordsworth and Jane Carlyle—as well as a provocative reading of such works as Wuthering Heights, Hedda Gabler, and the poems of Sylvia Plath, Seduction and Betrayal is a virtuoso performance, a major writer’s reckoning with the relations between men and women, women and writing, writing and life.
The unemployed, middle-aged, unattractive, troubled, and lonely gay narrator, B. K. Troop falls madly in lust with his attractive new neighbor, Christopher Ireland, an idealistic young would-be novelist reeling from a bitter divorce embarking on his own quest for a meaningful life, and sets out seduce him. Original.
An erotic, drama-laced journey into the lives of two best friends who will stop at nothing to have the man of their dreams—even when the cost of betrayal has a price tag neither of them are quite ready to pay. Thirty-two-year-old Denise Jackson has everything a woman could ask for: a lovely home in the posh Dallas suburbs, a fancy car, a loving husband, and a beautiful nine-year-old daughter, Deandra. While seemingly having it all, Denise still feels incomplete. Her nine years of marriage to Jeff have been nothing more for her than a marriage of convenience to raise Deandra in a stable twoparent home. She pretends to be happily married, but allows her husband and best friend to carry on an affair, giving Denise time to get better acquainted with her multimillionaire client, Greg Adams. But when Denise’s husband discovers he isn’t Deandra’s father after all, her carefully built lies come tumbling down. Twisted Seduction lures readers into an orchestrated web of raw emotion, deceit, infidelity, and sex that makes for an exhilarating read.
The distinctive place of Stael's novel in literature and its disseminative powers are documented in Part III, "Genie at Large." From Corilla Olimpica to Marguerite Yourcenar, the critics depict affiliations among female writers striving for public recognition and explore the ideological/textual borrowings among Corinne and other classic works.
Surrender to sinful pleasures and forbidden passions with Masters of Seduction, the sizzling new paranormal romance novella series from "New York Times" and internationally bestselling authors Lara Adrian, Donna Grant, Laura Wright and Alexandra Ivy. "In the realm of the Incubi Masters, pleasure is to die for and love is the deadliest game of all . . ." Merciless: House of Gravori by Lara Adrian Seeking vengeance for the murder of his brother, Incubus Master Devlin Gravori demands justice from the high court of the Nephilim. But fury and retribution are no match for the consuming desire he feels for Nahiri, the beautiful Nephilim warrior he claims as his hostage. Soulless: House of Romerac by Donna Grant Incubus Master Canaan Romerac is focused solely on revenge against those who betrayed him and put him in the Oubliette for five hundred years. That is until he sets eyes on Rayna. Can the beautiful Nephilim heal Canaan's wounded soul before it's too late? Shameless: House of Vipera by Laura Wright Sexy Incubus Master Scarus Vipera has grown weak, and the only thing that will strengthen him again is Rosamund, the power-rich female of the Harem. But the mysterious Nephilim is determined to leave the Harem untouched, her heart intact. Ruthless: House of Xanthe by Alexandra Ivy Jian, Master of the House Xanthe, has devoted his life to returning his family to their former prominence. When he's offered a contract to hunt down the missing Sovereign, he's eager to accept. The last thing he expects is to encounter a stunningly beautiful angel who stirs more than his lust.
The Seduction of Pessimism in the Novel: Eros, Futility, and the Quarrel with Philosophy explores the novel as a response to the Platonic myth that narrates the rift at the core of our being. Eros is supposedly the consolation for this rift, but the history of the novel documents its expression as one of frustrated desires, neuroses, anxieties, and cosmic doom. As if repeating the trauma from that original split in Plato—a split that also divides philosophy from literature—the novel treats eros as a site of loss and grief, from the medieval romances to Goethe, Emily Brontë, Proust, Mann, Woolf, D.H. Lawrence, and Nabokov. The pessimism that emerges from this eros, tells us something fundamental about who we are, something that only the novel can say. At a time when both education and leisure are increasingly ignoring the novel’s imperative to sit with ambiguity, complexity, and contingency, and as we are hurtling toward a bleak future of climate catastrophe and political instability, the novel is one of the last bastions of humanity even as it is quickly being eroded.