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In studying the Russian novel it is amusing to note the childish attitude of certain English men of letters to the novel in general, their depreciation of its influence and of the public's 'inordinate' love of fiction. Many men of letters to-day look on the novel as a mere story-book, as a series of light-coloured, amusing pictures for their 'idle hours,' and on memoirs, biographies, histories, criticism, and poetry as the age's serious contribution to literature. Whereas the reverse is the case. The most serious and significant of all literary forms the modern world has evolved is the novel; and brought to its highest development, the novel shares with poetry to-day the honour of being the supreme instrument of the great artist's literary skill. To survey the field of the novel as a mere pleasure-garden marked out for the crowd's diversionÑa field of recreation adorned here and there by the masterpieces of a few great menÑargues in the modern critic either an academical attitude to literature and life, or a one-eyed obtuseness, or merely the usual insensitive taste. The drama in all but two countries has been willy-nilly abandoned by artists as a coarse playground for the great public's romps and frolics, but the novel can be preserved exactly so long as the critics understand that to exercise a delicate art is the oneserious duty of the artistic life. It is no more an argument against the vital significance of the novel that tens of thousands of peopleÑthat everybody, in factÑshould to-day essay that form of art, than it is an argument against poetry that for all the centuries droves and flocks of versifiers and scribblers and rhymesters have succeeded in making the name of poet a little foolish in worldly eyes. The true function of poetry! That can only be vindicated in common opinion by the severity and enthusiasm of critics in stripping bare the false, and in hailing as the true all that is animated by the living breath of beauty. The true function of the novel! That can only be supported by those who understand that the adequate representation and criticism of human life would be impossible for modern men were the novel to go the way of the drama, and be abandoned to the mass of vulgar standards.Ê
Reproduction of the original: The Jew and Other Stories by Ivan Turgenev
Includes: The Diary of a Superfluous Man, A Tour in the Forest, Yakov Pasinkov, Andrei Kolosov, and A Correspendence. The Diary of a Superfluous Man is an 1850 novella by Russian author Ivan Turgenev. It is written in the first person in the form of a diary by a man who has a few days left to live as he recounts incidents of his life. The story has become the archetype for the Russian literary concept of the superfluous man.
In studying the Russian novel it is amusing to note the childish attitude of certain English men of letters to the novel in general; their depreciation of its influence and of the public's 'inordinate' love of fiction. Many men of letters to-day look on the novel as a mere story-book; as a series of light-coloured; amusing pictures for their 'idle hours;' and on memoirs; biographies; histories; criticism; and poetry as the age's serious contribution to literature. Whereas the reverse is the case. The most serious and significant of all literary forms the modern world has evolved is the novel; and brought to its highest development; the novel shares with poetry to-day the honour of being the supreme instrument of the great artist's literary skill. The Jew and Other Stories by Ivan Sergeevich Turgenev: This collection of short stories explores the complexities of human relationships, and the ways in which love, loss, and betrayal shape our lives. Turgenev's writing is characterized by its sensitivity and nuance, offering readers a rich and rewarding reading experience. Key Aspects of the Book "The Jew and Other Stories": Character Development: The stories are powerful character studies, with Turgenev's nuanced and empathetic portrayal of his characters providing readers with a deep understanding of the human condition. Emotional Resonance: The book is emotionally resonant, with Turgenev's keen psychological insight allowing him to capture the complex and often contradictory nature of human experience. Timelessness: The stories continue to be relevant and engaging, with their exploration of universal themes and human experiences transcending time and place. Ivan Sergeevich Turgenev was a Russian novelist, short story writer, and playwright. Born in 1818, he is known for his contributions to Russian literature, including works like "Fathers and Sons" and "Smoke." His work continues to be valued for its psychological insight, nuanced characterization, and emotional resonance.
International bestselling author Jeffrey Archer has enthralled readers with his riveting suspense, surprise denouements, and unforgettable storylines. Now Archer's three acclaimed collections of short fiction are brought together in one irresistible volume. THE COLLECTED SHORT STORIES A Quiver Full of Arrows takes readers on a journey of encounters that befall an assortment of kindly strangers, wary old friends, and long-lost loves. Sly reflections on human nature are at the center of A Twist in the Tale in which blindly adventurous game-players compete for stakes higher than they dreamed. Expect the unexpected and you'll still be surprised in Twelve Red Herrings, a dozen tales of betrayal, love, murder and revenge capped with a startling twist. Thirty-six stories in all, each poised to astonish and inspire, revealing "master entertainer" (Time) Jeffrey Archer at his artfully entertaining best.
This book is a study devoted to exploring the use of a Russian version of the Jewish stereotype (the ridiculous Jew) in the works of three of the greatest writers of the nineteenth century. Rosenshield does not attempt to expose the stereotype—which was self-consciously and unashamedly employed. Rather, he examines how stereotypes are used to further the very different artistic, cultural, and ideological agendas of each writer. What distinguishes this book from others is that it explores the problems that arise when an ethnic stereotype is so fully incorporated into a work of art that it takes on a life of its own, often undermining the intentions of its author as well as many of the defining elements of the stereotype itself. With each these writers, the Jewish stereotype precipitates a literary transformation, taking their work into an uncomfortable space for the author and a challenging one for readers.