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This 1892 work was among the first novels published by an African-American woman. Its striking portrait of life during the Civil War and Reconstruction recounts a mixed-race woman's devotion to uplifting the black community.
"Frances Ellen Watkins Harper (1825-1911) was the most important and the most popular black feminist abolitionist writer and activist of the nineteenth century. A Brighter Day Coming, the most comprehensive collection of her works, includes all the poems from Harper's extant original volumes, plus many that have never been collected and one that was discovered in manuscript; speeches; and a selection of prose, including excerpts from the novel Iola Leroy and the serialized novel Fancy Etchings, and a generous group of letters ..."--Back cover.
Reproduction of the original: Minnie's Sacrifice by Frances E.W Harper
Winner of the College Language Association Book Award Frances Smith Foster has rediscovered three novels by Frances E. W. Harper, the best-known African-American writer of the nineteenth century and author of the classic Iola Leroy. Originally serialized in issues of The Christian Recorder between 1868 and 1888, these works address issues of passing, social responsibility, courtship, sexuality, and temperance, and are the first to have been written specifically for an African-American audience.
In this important study, poet Melba Joyce Boyd analyzes Harper not simply as a feminist and an activist, but as a writer.
Frances Harper was renowned in her lifetime not only as an activist who rallied on behalf of blacks, women, and the poor, but as a pioneer of the tradition of 'protest' literature, whose immense popularity did much to develop an audience for poetry in America. This collection of her poems is drawn from ten volumes published between 1854 and 1901. Their main issues are oppression, Christianity, and social and moral reform. Consolidating the oral tradition and the ballad form, and merging dramatic details and imagery with a strong political and racial awareness, Harper's poetry represented a distinctly Afro-American discourse that was to inspire generations of black writers.
The American Renaissance has been a foundational concept in American literary history for nearly a century. The phrase connotes a period, as well as an event, an iconic turning point in the growth of a national literature and a canon of texts that would shape American fiction, poetry, and oratory for generations. F. O. Matthiessen coined the term in 1941 to describe the years 1850–1855, which saw the publications of major writings by Hawthorne, Melville, Emerson, Thoreau, and Whitman. This Companion takes up the concept of the American Renaissance and explores its origins, meaning, and longevity. Essays by distinguished scholars move chronologically from the formative reading of American Renaissance authors to the careers of major figures ignored by Matthiessen, including Stowe, Douglass, Harper, and Longfellow. The volume uses the best of current literary studies, from digital humanities to psychoanalytic theory, to illuminate an era that reaches far beyond the Civil War and continues to shape our understanding of American literature.
The pioneering anthology Home Girls features writings by Black feminist and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated list of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed-or not-since the book was first published. Contributors are Tania Abdulahad, Donna Allegra, Barbara A. Banks, Becky Birtha, Julie Carter, Cenen, Cheryl Clarke, Michelle Cliff, Michelle T. Clinton, Willie M. Coleman, Toi Derricotte, Alexis De Veaux, Jewelle L. Gomez, Akasha (Gloria) Hull, Patricia Jones, June Jordan, Audre Lorde, Raymina Y. Mays, Deidre McCalla, Chirlane McCray, Pat Parker, Linda C. Powell, Bernice Johnson Reagon, Spring Redd, Gwendolyn Rogers, Kate Rushin, Ann Allen Shockley, Barbara Smith, Beverly Smith, Shirley O. Steele, Luisah Teish, Jameelah Waheed, Alice Walker, and Renita Weems.