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Giorgio Bassani’s six classic books, collected for the first time in English as the epic masterwork they were intended to be. Among the masters of twentieth-century literature, Giorgio Bassani and his northern Italian hometown of Ferrara “are as inseparable as James Joyce and Dublin or Italo Svevo and Trieste” (from the Introduction). The Novel of Ferrara brings together Bassani’s six classics, fully revised by the author at the end of his life. Set before, during, and after the Second World War, these interlocking stories present nuanced and unforgettable characters: the respected doctor whose homosexuality is exposed by an exploitative youth; the survivor of the Nazi death camps; the Jewish landowner, returned from exile, to find himself utterly displaced; the schoolteacher whose Communist idealism challenges a postwar generation. Suffused with new life by acclaimed translator and poet Jamie McKendrick, The Novel of Ferrara memorializes a city deeply informed by the Jewish community to which the narrator belongs. This seminal work seals Bassani’s indomitable reputation.
The main theme of Giorgio Bassani's novels and short stories, which have earned him wide acclaim outside Italy, has been the advent of anti-Semitism in the provincial Italian city of Ferrara during World War II. Earlier he had a successful career as an editor with a major publishing house, being credited with helping to bring to public notice The Leopard by Tomasi Lampedusa. Bassani edited a literary magazine and was director of the Italian radio-television network. His first collection of short pieces was A City on the Plain, written under the pseudonym Giacomo Marchi. His volumes of poems were finally collected and published in 1963. The stories and novels that were to make him famous abroad began to appear in the 1950s. They include A Prospect of Ferrara (1960), and The Gold Rimmed Spectacles (1960). A film version of The Garden of the Finzi-Continis (1962) by Vittorio De Sica has become a public television classic.
Chief Superintendent Michele Ferrara knows that the beautiful surface of his adopted city, Florence, hides dark undercurrents. When called in to investigate a series of brutal and apparently random murders, his intuition is confirmed. Distrusted by his superiors and pilloried by the media, Ferrara finds time running out as the questions pile up. Is there a connection between the murders and the threatening letters he has received? Are his old enemies, the Calabrian Mafia, involved? And what part is played by a beautiful young woman facing a heart-rending decision, a priest troubled by a secret from his past, and an American journalist fascinated by the darker side of life? Ferrara confronts the murky underbelly of Florence in an investigation that will put not only his career but also his life on the line. Originally published in Italy as Scarabeo.
In the picturesque Tuscan hill town of Scandicci, the body of a girl is discovered. Scantily dressed, she is lying by the edge of the woods. The local police investigate the case - but after a week, they still haven't even identified her, let alone got to the bottom of how she died. Frustrated by the lack of progress, Chief Superintendent Michele Ferrara, head of Florence's elite Squadra Mobile, decides to step in. Because toxins were discovered in the girl's body, many assumed that she died of a self-inflicted drugs overdose. But Ferrara quickly realises that the truth is darker than that: he believes that the girl was murdered. And when he delves deeper, there are many aspects to the case that convince Ferrara that the girl's death is part of a sinister conspiracy - a conspiracy that has its roots in the very foundations of Tuscan society... Originally published in Italian as La Loggia Degli Innocenti.
From the Driller Killer - a victim of the original video nasty' panic - to Bad Lieutenant, Ferrara's films have attracted both controversy for their extreme subject matter and admiration for their fine acting: Harvey Keitel, Christopher Walken, Madonna, Lili Taylor and Willem Dafoe all gave their finest performances under Ferrara's direction. Now Brad Stevens has subjected Ferrara's output to exhaustive analysis and uncovers a tender heart beating beneath the excessive imagery.'
In this exhilarating celebration of human ingenuity and perseverance—published all around the world—a trailblazing Italian scholar sifts through our cultural and social behavior in search of the origins of our greatest invention: writing. The L where a tabletop meets the legs, the T between double doors, the D of an armchair’s oval backrest—all around us is an alphabet in things. But how did these shapes make it onto the page, never mind form complex structures such as this sentence? In The Greatest Invention, Silvia Ferrara takes a profound look at how—and how many times—human beings have managed to produce the miracle of written language, traveling back and forth in time and all across the globe to Mesopotamia, Crete, China, Egypt, Central America, Easter Island, and beyond. With Ferrara as our guide, we examine the enigmas of undeciphered scripts, including famous cases like the Phaistos Disk and the Voynich Manuscript; we touch the knotted, colored strings of the Inca quipu; we study the turtle shells and ox scapulae that bear the earliest Chinese inscriptions; we watch in awe as Sequoyah single-handedly invents a script for the Cherokee language; and we venture to the cutting edge of decipherment, in which high-powered laser scanners bring tears to an engineer’s eye. A code-cracking tour around the globe, The Greatest Invention chronicles a previously uncharted journey, one filled with past flashes of brilliance, present-day scientific research, and a faint, fleeting glimpse of writing’s future.
A new doctor arrives into the insular town of 1930s Ferrara. Fadigati is hopeful and modern, and more than anything wants to fit into his new home. But his fresh, appealing appearance soon crumbles when the townsfolk discover his homosexuality, and the young man he pays to be his lover humiliates him publicly.
MAN BOOKER PRIZE FINALIST • A novel all about art's versatility, borrowing from painting’s fresco technique to make an original literary double-take. "Cements Smith’s reputation as one of the finest and most innovative of our contemporary writers. By some divine alchemy, she is both funny and moving; she combines intellectual rigor with whimsy" —The Los Angeles Review of Books One of the New York Times’s 100 Best Books of the 21st Century How to be both is a fast-moving genre-bending conversation between forms, times, truths and fictions. There’s a Renaissance artist of the 1460s. There’s the child of a child of the 1960s. Two tales of love and injustice twist into a singular yarn where time gets timeless, structural gets playful, knowing gets mysterious, fictional gets real—and all life’s givens get given a second chance. Passionate, compassionate, vitally inventive and scrupulously playful, Ali Smith’s novels are like nothing else. A NOTE TO THE READER: Who says stories reach everybody in the same order? This novel can be read in two ways, and the eBook provides you with both. You can choose which way to read the novel by simply clicking on one of two icons—CAMERA or EYES. The text is exactly the same in both versions; the narratives are just in a different order. The ebook is produced this way so that readers can randomly have different experiences reading the same text. So, depending on which icon you select, the book will read: EYES, CAMERA, or CAMERA, EYES. (Your friend may be reading it the other way around.) Enjoy the adventure. (Having both versions in the same file is intentional.)