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Scholars have long been fascinated by the creative struggles with genre manifested throughout Dostoevsky’s career. In The Novel in the Age of Disintegration, Kate Holland brings historical context to bear, showing that Dostoevsky wanted to use the form of the novel as a means of depicting disintegration brought on by various crises in Russian society in the 1860s. This required him to reinvent the genre. At the same time he sought to infuse his novels with the capacity to inspire belief in social and spiritual reintegration, so he returned to some older conventions of a society that was already becoming outmoded. In thoughtful readings of Demons, The Adolescent, A Writer’s Diary, and The Brothers Karamazov, Holland delineates Dostoevsky’s struggle to adapt a genre to the reality of the present, with all its upheavals, while maintaining a utopian vision of Russia’s future mission.
The African American population in the United States has always been seen as a single entity: a “Black America” with unified interests and needs. In his groundbreaking book, Disintegration, Pulitzer-Prize winning columnist Eugene Robinson argues that over decades of desegregation, affirmative action, and immigration, the concept of Black America has shattered. Instead of one black America, now there are four: • a Mainstream middle-class majority with a full ownership stake in American society; • a large, Abandoned minority with less hope of escaping poverty and dysfunction than at any time since Reconstruction’s crushing end; • a small Transcendent elite with such enormous wealth, power, and influence that even white folks have to genuflect; • and two newly Emergent groups—individuals of mixed-race heritage and communities of recent black immigrants—that make us wonder what “black” is even supposed to mean.
Following his acclaimed history of the Situationist International up until the late sixties, The Beach Beneath the Street, McKenzie Wark returns with a companion volume which puts the late work of the Situationists in a broader and deeper context, charting their contemporary relevance and their deep critique of modernity. Wark builds on their work to map the historical stages of the society of the spectacle, from the diffuse to the integrated to what he calls the disintegrating spectacle. The Spectacle of Disintegration takes the reader through the critique of political aesthetics of former Situationist T.J. Clark, the Fourierist utopia of Raoul Vaneigem, René Vienet’s earthy situationist cinema, Gianfranco Sangunetti’s pranking of the Italian ruling class, Alice-Becker Ho’s account of the anonymous language of the Romany, Guy Debord’s late films and his surprising work as a game designer. At once an extraordinary counter history of radical praxis and a call to arms in the age of financial crisis and the resurgence of the streets, The Spectacle of Disintegration recalls the hidden journeys taken in the attempt to leave the twentieth century, and plots an exit from the twenty first. The dustjacket unfolds to reveal a fold-out poster of the collaborative graphic essay combining text selected by McKenzie Wark with composition and drawings by Kevin C. Pyle.
After the 1911 fall of the Manchus came the most hideous breakdown in Chinese history. Sheridan, a Northwestern University scholar, concentrates on the Kuomintang movement of Chiang Kai-shek, insisting that we judge a political force by whether it solves the problems posed to it, not, as Chiang's partisans prefer, by means of what-if's. Sheridan's focus on the KMT brings more to light than do many surveys of Mao's revolutionaries. The KMT failed either to create an effective dictatorship or to mobilize fascist passions which could ensure willingness to "sacrifice." Thus the difficulty in squeezing enough wealth out of the peasantry to meet a foreign debt which totaled half the national revenue. The KMT did ensure that forced opium production took up at least a fifth of Chinese cropland by the 1929-1933 period, and they consolidated a soldier recruitment system that approximated Nazi roundups. However, the book underlines Chiang's failure to give the masses a ""Strength through Joy"" spirit; and, as wartime inflation of 300% gave way to postwar collapse, the anti-Communist pitch became emptier and emptier. The Kuomintang turned into a mere holding operation and faded into chaos. Sheridan gives a strong sense of the rapine of the warlords who were Chiang's off-and-on allies, and of the feeble heritage of Sun Yat-sen's patriotic platitudes. He leaves out explicit investigation of the international context while underlining, more than most writers, Chiang's commitment to repay external debt at the expense of the Chinese people. A sound and striking approach to these decades of desperation in the lives of a quarter of the human population—if not bypassed in the glut of "China books," it may encourage students and academics to go further. —Kirkus Reviews
The “fierce, erotic, haunting, truthful” memoirs of an extraordinary artist, activist, and iconoclast who lit up late-twentieth-century New York (Dennis Cooper). One of the New York Times’ “50 Best Memoirs of the Past 50 Years” David Wojnarowicz’s brief but eventful life was not easy. From a suburban adolescence marked by neglect, drugs, prostitution, and abuse to a squalid life on the streets of New York City, to fame—and infamy—as an activist and controversial visual artist whose work was lambasted in the halls of Congress, all before his early death from AIDS at age thirty-seven, Wojnarowicz seemed to be at war with a homophobic “establishment” and the world itself. Yet what emerged from the darkness was a truly extraordinary artist and human being—an angry young man of remarkable poetic sensibilities who was inordinately sympathetic to those who, like him, lived and struggled outside society’s boundaries. Close to the Knives is his searing yet strangely beautiful account told in a collection of powerful essays. An author whom reviewers have compared to Kerouac and Genet, David Wojnarowicz mesmerizes, horrifies, and delights in equal measure with his unabashed honesty. At once savage and funny, poignant and sexy, compassionate and unforgiving, his words and stories cut like knives, leaving indelible marks on all who read them.
A comprehensive account of cognitive scaffolding and its significance for understanding mental disorders. In Scaffolded Minds, Somogy Varga offers a novel account of cognitive scaffolding and its significance for understanding mental disorders. The book is part of the growing philosophical engagement with empirically informed philosophy of mind, which studies the interfaces between philosophy and cognitive science. Varga draws on two recent shifts within empirically informed philosophy of mind: the first, toward an intensified study of the embodied mind; and the second, toward a study of the disordered mind that acknowledges the convergence of the explanatory concerns of psychiatry and interdisciplinary inquiries into the mind. Varga sets out to accomplish a dual task: theoretical mapping of cognitive scaffolding; and the application/calibration of fine-grained philosophical distinctions to empirical research. He introduces the notion of actively scaffolded cognition (ASC) and offers a taxonomy that distinguishes between intrasomatic and extrasomatic scaffolding. He then shows that ASC offers a productive framework for considering certain characteristic features of mental disorders, focusing on altered bodily experience and social cognition deficits. With Cognitive Scaffolding, Varga aims to establish that shifting attention from mental symptoms to fine-grained sensorimotor aspects can lead to identifying diagnostic subtypes or even specific sensorimotor markers for early diagnosis.
"Nobody thrills like Nicholson does. Nobody." - J.A. Konrath, the Jack Daniels series Twin brothers vie for control of a family empire built on cruelty, deception, and dark secrets--and one woman stands between them while another waits in the shadows for one of them to fall. DISINTEGRATION When a mysterious fire destroys his home and kills his young daughter, Jacob Wells is pulled into a downward spiral that draws him ever closer to the past he thought was dead and buried. Now his twin brother Joshua is back in town, seeking to settle old scores and claim his half of the Wells birthright. Jacob’s wife Renee is struggling with her own guilt, because the couple had lost an infant daughter several years before. As Jacob and Joshua return to the twisted roles they adopted at the hands of cruel, demanding parents, they wage a war of pride, wealth, and passion. They share the poisonous love of a woman who would gladly ruin them both: Carlita, a provocative and manipulative Hispanic whose immigrant family helped build the Wells fortune. Joshua wants other things, too, but Jacob’s desires are divided between the forbidden love he can’t possess, the respectability he can never have, and the revenge he is dying to taste. And Renee has dark motives of her own. If only Jacob can figure out which one of them to blame. But the lines of identity are blurred, because Joshua and Jacob share much more than blood. And the childhood games have become deadly serious. keywords: mystery ebooks, thriller, dark crime fiction, suspense, psychological horror, serial killer, double cross, Dennis Lehane, James Patterson, Lawrence Block, Gillian Flynn Gone Girl, Blake Crouch, Michael Koryta, psychothriller, family drama
Disorder. Decay. Disintegration. The bombs leveled cities. Mushroom clouds billowed from the atomic blitzkrieg. Every nation with a grudge and an arsenal let loose. No one was clear who had attacked whom. Nearly two-hundred years since world-wide nuclear holocaust and the collapse of civilization, Earth is ruled by two superpowers, the red flag of the Confederation and the green standard of the Allied Nations. The more powerful Confederation prospers while a stark dichotomy plagues the Allied Nations. Punished to serve on the front lines for her insubordination, Allied Nations army captain Carina Duvais has only one goal: survive another day. The Allies, though bowed by the might of the Confederation, remain unbroken. Allied naval officer A’arilon Ray suspects that deploying to Earth to raid the Confederate stronghold is a suicide mission, but he and his team set out anyway. Weary of war and death, estranged from his co-conspirator, the immortal architect of Earth's woes sets a plan in motion: Order. Rejuvenation. Unification. But first, assassination.
Over the last two decades, contemporary French philosophy has exercised a powerful influence on intellectual life, across both Europe and America. Post-structuralist strategies and concepts have played an important role in many forms of social, cultural and aesthetic analysis, particularly on the Left. Despite the widespread reception, however, there has still been comparatively little analysis of the basic philosophical assumptions of post-structuralism, or of the compatibility of many of its central tenets with the progressive political orientations with which it is frequently associated. In this book, Peter Dews seeks to remedy this situation by setting post-structuralist thought in relation to another, more explicitly critical, tradition in the philosophical analysis of modernity - that of the Frankfurt School, from Adorno to Habermas. Logics of Disintegration will be of interest to readers across a wide range of disciplines, from literary criticism to social theory, which have felt the impact of post-structuralism - and to anyone who wishes to reach a balanced assessment of one of the most influential intellectual currents of our time.
“A dark existential thriller of unexpected twists, featuring a drowning man determined to pull the rest of the world under with him, Disintegration is a stunning and vital piece of work.”—Irvine Welsh, author of Trainspotting In a brilliantly stylish breakthrough thriller for fans of Bret Easton Ellis’s American Psycho and Will Christopher Baer’s Kiss Me, Judas, here is the compelling tale of a man who has lost it all—and is now navigating a crooked, harrowing path to redemption. Once a suburban husband and father, now the man has lost all sense of time. He retains only a few keepsakes of his former life: a handmade dining room table, an armoire and dresser from the bedroom, and a tape of the last message his wife ever left on their answering machine. These are memories of a man who no longer exists. Booze and an affair with a beautiful woman provide little relief, with the only meaning left in his life coming from his assignments. An envelope slipped under the door of his apartment with the name and address of an unpunished evildoer. The unspoken directive to kill. And every time he does, he marks the occasion with a memento: a tattoo. He has a lot of tattoos. But into this unchanging existence seep unsettling questions. How much of what he feels and sees can he trust? How much is a lie designed to control him? He will risk his own life—and the lives of everyone around him—to find out. Advance praise for Disintegration “Sweet hot hell, Richard Thomas writes like a man possessed, a man on fire, a guy with a gun to his head. And you’ll read Disintegration like there’s a gun to yours, too. It’s a twisted masterpiece.”—Chuck Wendig, author of Blackbirds and Double Dead “This novel is so hard-hitting it should come with its own ice pack. Richard Thomas is the wild child of Raymond Chandler and Chuck Palahniuk, a neo-noirist who brings to life a gritty, shadow-soaked, bullet-pocked Chicago as the stage for this compulsively readable crime drama.”—Benjamin Percy, author of The Dead Lands, Red Moon, and The Wilding “Richard Thomas builds his universe and its population with terse prose and dynamic, often horrifyingly visceral imagery that unspools with grand weirdness and intensity. Then he rips that universe apart, brick by bloody brick. Disintegration is provocative. It’s also damned fine noir.”—Laird Barron, author of The Beautiful Thing That Awaits Us All and The Croning “Disintegration is gritty neo-noir, a psycho-sexual descent into an unhinged psyche and an underworld Chicago that could very well stand in for one of the rings of Dante’s Hell. Richard Thomas’s depraved, doomed philosopher-hitman is your guide. I suggest you do as he says and follow him, if you know what’s good for you.”—Paul Tremblay, author of A Head Full of Ghosts and The Little Sleep “Gritty, obsessive, and compulsively readable.”—Brian Evenson, author of Immobility “In sharp, icy prose that cuts like a glacial wind, Richard Thomas’s dark Chicago tale keeps us absolutely riveted to the very end.”—Donald Ray Pollock, author of The Devil All the Time