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Edward Zane Carroll Judson aka Ned Buntline (1821–1886) was responsible for creating a highly romantic and often misleading image of the American West, albeit one that the masses found irresistible in the mid-to-late nineteenth century. Some scholars estimate that he wrote at least four hundred dime novels over his lifetime, and perhaps as many as six hundred. While he is best known for discovering William Frederick Cody (Buffalo Bill) and making the irrepressible scout a star, Judson—by that time—had already lived five lifetimes himself: he had fought Seminole Indians in Florida; started and bankrupted three newspapers; published dozens of successful novels; agitated for the Know-Nothing party; and fought in the Union Army during the Civil War. Along the way, the fiery redheaded, gray-eyed writer lectured extensively about temperance between drinking bouts. He married eight women, seduced at least one other, and cavorted with prostitutes, one of whom beat him physically and legally. It wasn’t until 1869 that, en route home from a temperance speaking tour in California, he met Cody in Nebraska, while trying to make contact with another Western star, “Wild Bill” Hickok. Judson’s time with his last three wives overlapped his time with Cody. Their subsequent fight over Judson’s Civil War pension provides not only a unique glimpse into the mind of a narcissistic genius, but also a panoramic view of America’s past forcibly displayed by white, Protestant manhood. The Notorious Life of Ned Buntline captures the likeness of a man whose life was a landscape littered with contradictions--a man whose readers often forgave his Jekyll-and-Hyde behavior because of his inventive portrayal of a country trying to subdue the last of its natural landscapes and make sense of its teeming cities. It will be, at last, an open-eyed look at the man who sparked an American legend but whose own scandalous life somehow escaped history's limelight.
Welcome to a West like you've never seen before, where electric lights shine down on the streets of Tombstone, while horseless stagecoaches carry passengers to and fro, and where death is no obstacle to The Thing That Was Once Johnny Ringo. Think you know the story of the O.K. Corral? Think again, as five-time Hugo winner Mike Resnick takes on his first steampunk western tale, and the West will never be the same.
Texas Jack: America’s First Cowboy Star is a biography of John B. “Texas Jack” Omohundro, the first well-known cowboy in America. A Confederate scout and spy from Virginia, Jack left for Texas within weeks of Lee’s surrender at Appomattox. In Texas, he became first a cowboy and then a trail boss, jobs that would inform the rest of his life. Jack lead cattle on the Chisholm and Goodnight-Loving trails to New Mexico, California, Kansas and Nebraska. In 1868 he met James B. “Wild Bill” Hickok in Kansas and then William F. “Buffalo Bill” Cody in Nebraska at the end of the first major cattle drive to North Platte. Texas Jack and Buffalo Bill became friends, and soon the scout and the cowboy became the subjects of a series of dime novels written by Ned Buntline.
The Wild West came alive under the pen of Edward Zane Carroll Judson, who wrote many of America's best-loved "dime novels ”under the pseudonym Ned Buntline. From Buffalo Bill (whom Judson knew first-hand) to Wild Bill Hickok, these vivid tales feature some of the most colorful characters on the American landscape. This anthology gathers a selection of his best-loved work, including four full-length unabridged novels, each with an introduction by author and critic Clay Reynolds. Stories include: Buffalo Bill, the King of Border Men, or The Wildest and Truest Tale I've Ever Told Hazel-Eye, the Girl Trapper, or A Tale of Strange Young Life The Miner Detective; or, the Ghost of the Gulch Wild Bill's Last Trail
Today, most remember “California Girl” Lillian Frances Smith (1871–1930) as Annie Oakley’s chief competitor in the small world of the Wild West shows’ female shooters. But the two women were quite different: Oakley’s conservative “prairie beauty” persona clashed with Smith’s tendency to wear flashy clothes and keep company with the cowboys and American Indians she performed with. This lively first biography chronicles the Wild West showbiz life that Smith led and explores the talents that made her a star. Drawing on family records, press accounts, interviews, and numerous other sources, historian Julia Bricklin peels away the myths that enshroud Smith’s fifty-year career. Known as “The California Huntress” before she was ten years old, Smith was a professional sharpshooter by the time she reached her teens, shooting targets from the back of a galloping horse in Buffalo Bill Cody’s Wild West. Not only did Cody offer $10,000 to anyone who could beat her, but he gave her top billing, setting the stage for her rivalry with Annie Oakley. Being the best female sharpshooter in the United States was not enough, however, to differentiate Lillian Smith from Oakley and a growing number of ladylike cowgirls. So Smith reinvented herself as “Princess Wenona,” a Sioux with a violent and romantic past. Performing with Cody and other showmen such as Pawnee Bill and the Miller brothers, Smith led a tumultuous private life, eventually taking up the shield of a forged Indian persona. The morals of the time encouraged public criticism of Smith’s lack of Victorian femininity, and the press’s tendency to play up her rivalry with Oakley eventually overshadowed Smith’s own legacy. In the end, as author Julia Bricklin shows, Smith cared more about living her life on her own terms than about her public image. Unlike her competitors who shot to make a living, Lillian Smith lived to shoot.
Based on the lives of two adolescent girls in the late 19th century who became infatuated with the Western outlaw heroes they had read about in Ned Buntline's stories and left their homes to join them. The outlaws the girls find are the demoralised remnants of the Doolin-Dalton gang, led by the aging Bill Doolin. Annie shames, and inspires the men, to become what she had imagined them to be. The younger sister Jenny finds a father figure in Doolin, who calls her Little Britches. Doolin's efforts to live up to the girls' vision of him lead him to be carted off in a cage to an Oklahoma jail where he waits to be hanged.
In 1900, the young and beautiful Leonel Ross Campbell became the first female reporter to work for the Denver Post.As the journalist known as Polly Pry, she ruffled feathers when she worked to free a convicted cannibal and when she battled the powerful Telluride miners’ union. She was nearly murdered more than once. And a younger female colleague once said, “Polly Pry did not just report the news, she made it!” If only that young reporter had known how true her words were. Polly Pry got her start not just writing the news but inventing it. In spite of herself, however, Campbell would become a respected journalist and activist later in her career. She would establish herself as a champion for rights of the under served in the early twentieth century, taking up the causes of women, children, laborers, victims and soldiers of war, and prisoners. And she wrote some of the most sensational stories that westerners had ever read, all while keeping the truth behind her success a secret from her colleagues and closest friends and family.
Radical editor, Republican Party operative, freethinking colleague of Karl Marx - Austrian Henry Boernstein was hardly a "nobody," but his is one of the nineteenth century's great unknown lives. After leaving Paris following the ill-fated revolutions of 1848, Boernstein became a leader of the large German-speaking immigrant population in 1850s St. Louis. He edited the premier German-speaking newspaper in the region, the Anzeiger des Westens, and played a major role in shaping the complex political landscape of St. Louis before the Civil War. A friend of such significant Missourians as Thomas Hart Benton, Francis Blair, Jr., and Nathaniel Lyon, he was also a novelist, playwright, director, and actor who eventually led the St. Louis Opera House. He also served as a colonel of volunteers with the Union forces in Missouri early in the war and participated in the Camp Jackson raid in 1861.
Chronicles the history of the 101 Ranch and discusses how the ranch's traveling show embodied the spirit of the American frontier.