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The Norland Inheritance picks up five years after the conclusion of Sense and Sensibility, as Margaret, the youngest sister, reaches the age of eighteen. Following the tragic death of their only son in a riding accident, John and Fanny, Margaret’s half-brother and sister-in-law, invite her to stay with them in London. John hopes to fulfil his father’s neglected wishes by launching Margaret into society at his own expense. Fanny, however, secretly resents this invitation, particularly as her relationship with John has deteriorated since the loss of their son. Despite this, she chooses to bide her time and comply with his wishes for the moment. With John’s passing, the heir to Norland is now Charles Dashwood, a cousin, and a doctor by profession. Shortly after Margaret’s arrival, Fanny discovers John’s secret desire for Charles to marry Margaret, thus redressing the imbalance of the entail and ensuring that Margaret will be the future mistress of Norland. Fanny’s jealousy-fuelled dislike of all of John’s sisters, especially Margaret, is so incensed by this potential match that she resolves to stop it by any means within her power. She schemes to marry Margaret off to the first suitor who shows any interest. To this end, she introduces Margaret to a fortune hunter, the dashing Captain Dunning, who pays court to Margaret after Fanny hints that she is to inherit Norland.
The proper organisation of rural communities was central to political and social debates at the turn of the eighteenth century, and featured strongly in the 1790s political polemic that influenced so many Romantic poets and novelists. This book investigates the representation of the rural village and country town in a range of Romantic texts.
In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced -- an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels. From Persuasion to Pride and Prejudice, from the three Emmas (including Clueless ) to Sense and Sensibility, these films succeed because they flatter our intelligence and education. And they have as much to tell us about ourselves as they do about the world of Jane Austen. This second edition includes a new chapter on the recent film version of Mansfield Park.
Following up his 10 Books That Screwed Up the World, author Benjamin Wiker brings you 10 Books Every Conservative Must Read: Plus Four Not to Miss and One Impostor. Offering a guide to some of the most important literary works of our time, Wiker turns his discerning eye from the great texts that have done so much damage to Western Civilization to the great texts that could help rebuild it. 10 Books Every Conservative Must Read features a range of works from classics such as Democracy in America and The Federalist and Anti-Federalist Papers, to more "pop" classics like Sense and Sensibility and The Tempest. Through these works, Wiker reveals some of the most important lessons for our time as well as the true meaning of conservatism. Written with an educational purpose and witty tone, this is a must-read for conservatives, Republicans, and booklovers everywhere!
A fresh, funny and accessible retelling of Jane Austen's classic story, with witty black and white illustrations throughout. When Elinor and Marianne Dashwood's father dies, they are forced to leave their home behind and move far away to a tiny cottage. Their lives look set to change for ever, in ways neither had expected. Elinor must leave behind the man she loves, whereas Marianne falls for their charming - but entirely unsuitable - new neighbour. The sisters will need each other's support if they are to find happiness, but will they ever find the right balance of sense and sensibility? Joanna Nadin is a winner of the Fantastic Book Award, the Surrey Book Award, Blue Peter 'Book of the Month' and Radio 4 Open Book 'Book of the Year'. She has recently fallen head over heels for Austen's books and wants new readers to feel the same. Eglantine Ceulemans captures all of Austen's satire and wit, bringing her colourful casts to life with warm and funny black and white illustrations. Illustrated and retold editions are also available for: Pride and Prejudice, Emma, Persuasion, Mansfield Park and Northanger Abbey. The perfect way to discover Austen for the first time, this bright and bold collection features some of the most inspiring and famous heroines in English literature. For readers aged eight and up.
When Jane Austen represented the ideal subject for a novel as "three or four families in a country village", rather than encouraging a narrow range of reference she may have meant that a tight focus was the best way of understanding the wider world. The essays in this collection research the historical significance of her many geographical references and suggest how contemporaries may have read them, whether as indications of the rapid development of national travel, or of Britain’s imperial status, or as signifiers of wealth and social class, or as symptomatic of political fears and aspirations. Specifically, the essays consider the representation of colonial mail-order wives and naval activities in the Mediterranean, the worrisome nomadism of contemporary capitalism, the complexity of her understanding of the actual places in which her fictions are set, her awareness of and eschewal of contemporary literary conventions, and the burden of the Austen family’s Kentish origins, the political implications of addresses in London and Northamptonshire. Skilful, detailed, and historically informed, these essays open domains of meaning in Austen’s texts that have often gone unseen by later readers but which were probably available to her coterie readers and clearly merit much closer critical attention.
Law and Economics in Jane Austen traces principles of law and economics in sex, marriage and romance as set out in the novels of Jane Austen, unveiling how those meticulous principles still control today’s modern romance. You will learn fascinating new insights into law and economics by seeing these disciplines through Jane Austen’s eyes. Readers who find themselves wishing Jane Austen had written just one more novel, or that she had somewhere offered more examination and analysis of her characters’ predicaments, or who desire to go deeper with her investigation of love, money and culture will praise this book. Discovering the legal and economic principles that drove her stories, Jane Austen’s Law & Economics reveals that the more things change, the more they stay the same. Love and money are constants in social connection. While culture may have changed over 300 years, principles of law and economics remain staples of modern romance – which is why Jane Austen continues to fascinate the modern mind. So sit back, enjoy, and be pleasantly taught and surprised at what you will learn from the methodical mind of Jane.
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. So runs one of the most famous opening lines in English literature. Setting the scene in Pride and Prejudice, it deftly introduces the novel's core themes of marriage, money, and social convention, themes that continue to resonate with readers over 200 years later. Jane Austen wrote six of the best-loved novels in the English language, as well as a smaller corpus of unpublished works. Her books pioneered new techniques for representing voices, minds, and hearts in narrative prose, and, despite some accusations of a blinkered domestic and romantic focus, they represent the world of their characters with unsparing clarity. Here, Tom Keymer explores the major themes throughout Austen's novels, setting them in the literary, social, and political backgrounds from which they emerge, and showing how they engage with social tensions in an era dominated by the French Revolution and the Napoleonic Wars. The Jane Austen who emerges is a writer shaped by the literary experiments and socio-political debates of her time, increasingly drawn to a fundamentally conservative vision of social harmony, yet forever complicating this vision through her disruptive ironies and satirical energy.