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No one in the sleepy little New England town of Norfield knew that serial killer, Luthor Carlsen, was on the bus that crashed on Route Ninety One - least of all, Suburbanite reporter Linda Halsey, who fell in love with him while covering the story. Carlsen murdered thirteen women and wrote about them while working as an investigative reporter for a daily newspaper. His escape from Crestview State Hospital's H-wing, for the criminally insane, stunned the police and hospital staff, who were sure he'd died from a heart attack. In fact, he'd orchestrated a brilliant escape while murdering morgue attendant, Thomas Hawthorne, and assumed his identity, leaving his body in a cheap wooden coffin meant for him.
Drawing on his experience in creating fictional bad guys, crime novelist Lawrence Block surveys the underside of American history through fifty of its most infamous characters. Some, like Jesse James, Bonnie Parker, and Joe Colombo, led a life of crime; others, like John Wilkes Booth and John White Webster, committed one notorious act. Some, like Pretty Boy Floyd or the elusive thief Railroad Bill, have become folk heroes, whether or not the real details of their lives matched the myths they inspired. Others, like Ed Gein and Ted Bundy, will be forever reviled. Block introduces each biography with a writer's eye for character and a good story. He begins the book with a short essay that considers how Americans have defined and regarded villains through history. The biographies, culled from the pages of the American National Biography and illustrated with archival photographs, describe each villain's background, exploits, and eventual fate--often with unexpected details. The convicted killer Nathan Leopold, for example, became the administrator of a leprosy hospital after his parole. The gangster Dutch Schultz was known not only for his bootlegging expertise but also for his cheap, ill-fitting clothes. The stagecoach bandit Black Bart fancied himself a poet (or, as he put it, "PO8"). And when outlaw Bill Doolin finally met his end, only a rusting buggy axle marked his grave. Ideal for readers of true crime, crime fiction, and history, Gangsters, Swindlers, Killers, and Thieves brings a fresh perspective to American's fascination with crime and its perpetrators.
For many, the Westerns of 1930 to 1955 were a defining part of American culture. Those Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior. By 1955, however, Westerns began to include more controversial themes: cowardly citizens, emotionally deranged characters, graphic violence, marital infidelity, racial prejudice, and rape, among other issues. This work examines the manner in which Westerns reflected the substantial social, economic and political changes that shaped American culture in the latter half of the twentieth century. Part One of this work considers shifting themes as the genre reacted to changes unfolding in the broader social landscape of American culture. Part Two examines the manner in which images of cowboys, outlaws, lawmen, American Indians and women changed in Westerns as the viewers were offered new understanding of the frontier experience.
In Wisconsin, the argument is stringent: should the death penalty be reinstated or is it considered cruel and unusual punishment? Its an issue that incites debate; more so, it is an issue that incites anger, whether citizens are for or against capital punishment. Thomas McCormick is a member of the Wisconsin State Legislature. He has seen firsthand the pros and cons of the death penalty, so does he want it reinstated? Following a bank robbery and the murder of a policeman, capital punishment advocates go wild. The criminal killed a cop; doesnt the criminal deserve to die? McCormick finds himself involved with the protestors, especially when he meets beautiful Barbara Hernandez, a tenacious crusader out for justice. Tom must decide which side hes on, and he has to decide fast, before things get out of control. With Barbs help, Tom gets a referendum put before voters that would reinstate the death penalty. Not only are Barb and Toms lives threatened, but a certain political activist will attempt to prevent their success through strong arm tactics and even murder. It isnt the ideal time to fall in love, but Tom cant help his growing feelings for Barb. As they fight for what they believe is right, they must also fight for each other.
This biographical history tells the story of an American family in conflict and four brothers' attempts to regain the prestigious position their family once held. Loaded with never-before-published photos and little-known facts, this probing character study examines the men, the myths, and the legends of the Outlaw Youngers. The Youngers - Bob, Cole, Jim, and John - tested the boundaries of the violent and turbulent post-Civil War society in which they lived. The author investigates events from the Border and Civil Wars, details of the Youngers' attempts at legitimate ranching in Texas, and the frequent and often brutal murders and robberies. Using never-before-published accounts from Jim and Bob Younger, the author presents a new theory regarding the James-Younger gang and the actual Younger involvement - a theory which opposes the one held for over 100 years. She also offers insights into the Northfield robbery and gives reasons why the Youngers' parole was delayed.
Frank and Jesse James, the infamous brothers from Missouri, rode with marauding Confederate guerrillas during the Civil War. Having learned to kill and raid without compunction, they easily transitioned from rebels to outlaws after the war, robbing stagecoaches, banks and trains in Missouri and surrounding states. It was a botched bank robbery in Northfield, Minnesota, followed by an improbable escape through the Dakota Territory and Iowa, that elevated the James brothers from notorious criminals to legendary figures of American history and folklore.