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For 100 years, nobody wanted to give their body to the ghost of the ill-fated Devdas, but Lieutenant Devdutt Sharma, a naval officer, accepted. Can Devdas fulfill his unfinished business through Devdutt? What will be the fate of Devdas this time and what was his unfinished business? 14 Screenplays of a Spiritual Filmmaker are about some unique characters: a Chamiya cow, a suicidal young man, an angry Goddess Durga, a killer doctor, a naughty child, extra-terrestrial beings from different planets, a wacky artist, a rebel farmer, a failed filmmaker, a Bangladeshi buyer, an NRI marrying a girl he hasn’t seen yet, a lonely, rich lady, a planet where children are born as old people and grow up to be children, a sad Goddess Saraswati and a VJ who faked his guest’s death on live TV. Part 2 of this series, coming soon.
Presents a reference on Asian-American literature providing profiles of Asian-American writers and their works.
This reader’s guide provides uniquely organized and up-to-date information on the most important and enjoyable contemporary English-language novels. Offering critically substantiated reading recommendations, careful cross-referencing, and extensive indexing, this book is appropriate for both the weekend reader looking for the best new mystery and the full-time graduate student hoping to survey the latest in magical realism. More than 1,000 titles are included, each entry citing major reviews and giving a brief description for each book.
In this sparkling collection, award-winning writer Rishi Reddi weaves a multigenerational tapestry of interconnected lives, depicting members of an Indian American community struggling to balance the demands of tradition with the allure of Western life. In "Lord Krishna," a teenager is offended when his evangelical history teacher likens the Hindu deity to Satan, but ultimately forgives the teacher against his father's wishes. In the title story, "Karma," an unemployed professor rescues birds in downtown Boston after his wealthy brother kicks him out of his home. In "Justice Shiva Ram Murthy," which appeared in The Best American Short Stories 2005, an irascible retired judge reconnects with a childhood friend while adjusting to a new life with his daughter and her American husband. In "Devadasi," a beautiful young woman raised in the United States travels back to India and challenges the sexual confines of her culture. And in "Bangles," a widow decides to return to her native village to flee her son's off-putting American ways. Set mostly in the Boston area, with side trips to an isolated immigrant community in Wichita, Kansas, and the characters' hometown of Hyderabad, India, Karma and Other Stories introduces a luminous new voice.
Indian writers of English such as G. V. Desani, Salman Rushdie, Amit Chaudhuri, Amitav Ghosh, Vikram Seth, Allan Sealy, Shashi Tharoor, Arundhati Roy, Vikram Chandra and Jhumpa Lahiri have taken the potentialities of the novel form to new heights. Against the background of the genre’s macro-history, this study attempts to explain the stunning vitality, colourful diversity, and the outstanding but sometimes controversial success of postcolonial Indian novels in the light of ongoing debates in postcolonial studies. It analyses the warp and woof of the novelistic text through a cross-sectional scrutiny of the issues of democracy, the poetics of space, the times of empire, nation and globalization, self-writing in the auto/meta/docu-fictional modes, the musical, pictorial, cinematic and culinary intertextualities that run through this hyperpalimpsestic practice and the politics of gender, caste and language that gives it an inimitable stamp. This concise and readable survey gives us intimations of a truly world literature as imagined by Francophone writers because the postcolonial Indian novel is a concrete illustration of how “language liberated from its exclusive pact with the nation can enter into a dialogue with a vast polyphonic ensemble.”
Contributed essays.
Contributed articles.
Toilets, trees and gender? Can there be a connection? Is there a gender angle to a business story? Is gender in politics only about how many women get elected to parliament? Is osteoporosis a women's disease? Why do more women die in natural disasters? These are not the questions journalists usually ask when they set out to do their jobs as reporters, sub-editors, photographers of editors. Yet, by not asking, are they missing out on something, perhaps half the story? This is the question this book, edited and written by journalists, for journalists and the lay public interested in media, raises. Through examples from the media, and from their own experience, the contributors explain the concept of gender-sensitive journalism and look at a series of subjects that journalists have to cover - sexual assault, environment, development, business, politics, health, disasters, conflict - and set out a simple way of integrating a gendered lens into day-to-day journalism. Written in a non-academic, accessible style, this book is possibly the first of its kind in India - one that attempts to inject a gender perspective into journalism. Published by Zubaan.