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Le Morte D'Arthur is today one of the best-known works of Arthurian literature in English. Malory interprets existing French and English stories about the legendary King Arthur, Guinevere, Lancelot, Merlin, and the Knights of the Round Table, and adds the original material on the myths and tales.
This English version of the stories of King Arthur, "Le Morte D'Arthur" was completed in 1469-70 by Sir Thomas Malory. Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions.
First published in 1485 by William Caxton, Le Morte d'Arthur is today perhaps the best-known work of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.
The next elegant edition in the Knickerbocker Classic series, Le Morte d'Arthur is unabridged and complete. Originally published in 1485 by William Caxton, Sir Thomas Malory's Le Morte d'Arthur remains the most exciting and magical interpretation of the legend of King Arthur and the Knights of the Round Table. For Arthurian fans worldwide, this stunning gift edition has a cloth binding, ribbon marker, and is packaged neatly in an elegant slipcase. Featuring a new introduction and the elegant illustrations by Aubrey Beardsley (1872-1898), this volume of Le Morte d'Arthur is an indispensible classic for every home library.
Thomas Malory's "Le Morte d'Arthur" is a classic compilation of medieval tales of King Arthur and his knights, providing a comprehensive look into the legendary Camelot. Written in a prose style typical of 15th-century English literature, the book captures the essence of chivalry, honor, and courtly love. Each of the 21 books within the complete edition offers a unique perspective on the Arthurian legend, from the adventures of Sir Lancelot to the tragic love story of Tristan and Isolde. Malory's work is a vital contribution to the Arthurian canon, influencing countless interpretations of the legendary King Arthur and his court. His in-depth characterizations and intricate plot developments set the standard for future Arthurian literature. Thomas Malory, a knight in the 15th century, drew upon earlier French and English sources to compile the tales that make up "Le Morte d'Arthur." His firsthand experience with the code of chivalry and the brutality of medieval warfare likely inspired his passionate retelling of Arthurian legend. Malory's own tumultuous life, including imprisonment for various crimes, adds depth to his portrayal of the moral struggles faced by his knightly characters. For readers interested in delving into the rich tapestry of Arthurian legend, Thomas Malory's "Le Morte d'Arthur" is a must-read. This comprehensive edition provides a cohesive narrative of the tales surrounding Camelot and offers a glimpse into the world of medieval chivalry. Malory's timeless work continues to captivate audiences with its blend of romance, adventure, and tragedy, making it a cornerstone of English literature.
Thomas Malory did not invent the stories of Arthur, King of Britain, but it is fair to say that he reinvented them. Although the legends were already hundreds of years old by the fifteenth century, the contemporary stories of Arthur in Malory’s day were primarily French. The French had added many of the elements familiar to modern readers, among them Lancelot, and the search for the Holy Grail. Malory combined, edited, and added some of his own material to the stories available to him, and in the process created a uniquely British work. (It was his printer Caxton who gave it a French name.) Le Morte d’Arthur is the source material for almost all modern retellings of King Arthur and his knights, from Hollywood movies and musicals to Nobel-prize winning writers. Malory’s identity is still in some dispute, as there are several men of various spellings of the name to choose from. Sir Thomas Malory from Newbold Revel in Warwickshire is the most popular choice, but his life of crime—he was a rapist and serial thief at the minimum—seems to be at odds with the acts of chivalry and moral code present in this book. It is known from the author’s own notes that he wrote the book while in prison; perhaps he was trying to make amends for his crimes. Regardless, the result was to give new life to King Arthur and his Knights of the Round Table. This book is part of the Standard Ebooks project, which produces free public domain ebooks.