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He was one of the most effective agents ever to work for Soviet Russia. For the first half of the twentieth century his fingerprints can be found on one world-changing event after another. But who was Otto Katz? To the FBI, he was 'an extremely dangerous man'. The British Secret Service wondered if he was the 'Director of all Communist policy in the West.' In Prague and Berlin he was a drinking companion with the likes of Franz Kafka and Bertolt Brecht. To Marlene Dietrich, he was one of her many lovers. But to others, Katz was a passionate anti-fascist who witnessed Hitler's rise to power and was among the first to alert the world to the Nazi threat. He was a staunch Communist, part of the Soviet infiltration of England during the period when the Cambridge spies were being recruited. In Hollywood, he was a playboy socialite, political mentor to director Fritz Lang and a star among stars. His example inspired the character of Victor Laszlo in Casablanca and Kurt Muller, the hero of the Academy Award Winning Watch on the Rhine. To Noël Coward, he was a potential double agent. In the Spanish Civil War, he did Stalin's dirty work. Years later, some even blamed him for the assassination of Trotsky. In a captivating detective story, Jonathan Miles goes in search of the real Otto Katz - a brilliant, daring charmer, a double-dealing man with an unquestionable taste for the finer things in life who, nonetheless, served one of history's darkest masters - Joseph Stalin. Using recently released FBI, MI5 and Czech files, Jonathan Miles has created an action-packed story of the life (or lives) of one of the world's most intriguing, influential and successful spies.
Indexes the Times, Sunday times and magazine, Times literary supplement, Times educational supplement, Times educational supplement Scotland, and the Times higher education supplement.
Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, St. Petersburg's dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction.It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance, and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets.It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more.
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A “thrilling . . . captivating” account of the most famous shipwreck before the Titanic—a tragedy that inspired an unforgettable masterpiece of Western art (The Boston Globe). In June 1816, the Medusa set sail. Commanded by an incompetent captain, the frigate ran aground off the desolate West African coast. During the chaotic evacuation a privileged few claimed the lifeboats, while 147 men and one woman were herded aboard a makeshift raft that was soon cut loose by the boats that had pledged to tow it to safety. Those on the boats made it ashore and undertook a two-hundred-mile trek through the sweltering Sahara, but conditions were far worse on the drifting raft. Crazed, parched, and starving, the diminishing band fell into mayhem. When rescue arrived thirteen days later, only fifteen were alive. Among the handful of survivors were two men whose bestselling account of the maritime disaster scandalized Europe and inspired promising artist Théodore Géricault, who threw himself into a study of the Medusa tragedy, turning it into a vast canvas in his painting, The Raft of the Medusa. Drawing on contemporaneously published accounts and journals of survivors, The Wreck of the Medusa is “a captivating gem about art’s relation to history” (Booklist) and ultimately “a thrilling read” (The Guardian).
In June 1816, the Medusa, flagship of a French expedition to repossess the colony of Senegal from the British, set sail but ran aground off the desolate West African coast. The evacuation of the frigate was chaotic and cowardly - 146 men and one woman were herded aboard a makeshift raft which was then abandoned in mid-ocean, cut loose by the convoy of lifeboats which had pledged to tow it to safety. The drifting raft carried those who survived to the very frontiers of human experience. Crazed, parched and starving, the diminishing band slaughtered mutineers, ate their dead companions and organized a tactical extermination of the weakest among them. Among the handful of survivors from the raft were two men whose written account of the tragedy catalogued the trail of government incompetence, indifference, and cover-up. Their book became a best-seller which rocked Europe and inspired the promising artist, Théodore Géricault. Reeling from an illicit affair with his attractive young aunt, he threw himself into an exhaustive study of the Medusa tragedy. Set in the politically fragile world of Restoration France, the murk of Georgian London and along the dangerous West African coast where the French were covertly regenerating the outlawed slave trade, Medusa witnesses error and outrage turned into a bestseller, and that bestseller transformed into one of the masterpieces of Western art.
'This extraordinary book brings to life an astonishing place. Beautiful prose renders brutality vivid' The Times - BOOK OF THE WEEK From Peter the Great to Putin, this is the unforgettable story of St Petersburg – one of the most magical, menacing and influential cities in the world. St Petersburg has always felt like an impossible metropolis, risen from the freezing mists and flooded marshland of the River Neva on the western edge of Russia. It was a new capital in an old country. Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter-the-Great, its dazzling yet unhinged reputation was quickly fashioned by the sadistic dominion of its early rulers. This city, in its successive incarnations – St Petersburg; Petrograd; Leningrad and, once again, St Petersburg – has always been a place of perpetual contradiction. It was a window on to Europe and the Enlightenment, but so much of the glory of Russia was created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets. It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St Petersburg, Jonathan Miles recreates the drama of three hundred years in this absurd and brilliant city, bringing us up to the present day, when – once more – its fate hangs in the balance. This is an epic tale of murder, massacre and madness played out against squalor and splendour. It is an unforgettable portrait of a city and its people.