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Sometimes there's a thin line between love and hate. Or at least that's one theory for DI Zoe Dolan, tracking the Creeper—a stalker who's been breaking into women's homes and attacking them. But the Creeper's violence is escalating and there's no pattern, no clue as to how he's getting in, and no clue as to who's next.Until Jane Webster gets a call to the helpline where she volunteers. It's meant to be a confidential service and Jane is torn—it could be a hoaxer, but the soft voice at the end of the line has the ring of truth about it. He says he loves these women—but it's a love that ends in blood.When Jane tells the police, it should be the lead that Zoe needs—but it only pulls her further into a case that is already taking her dangerously close to the past she's never fully escaped. For Jane, Zoe and all the other young women of the city, suddenly nowhere is safe. Particularly their own bedroom at the dead of night...
Lars Kepler returns with an internationally bestselling follow up to the wildly successful debut thriller The Hypnotist. He knows your darkest dreams. Then he makes them come true. After spellbinding audiences in The Hypnotist, Detective Inspector Joona Linna is back in The Nightmare, which has already sold 190,000 copies in Sweden just one week after publication. On a summer night, police recover the body of a young woman from an abandoned pleasure boat drifting around the Stockholm archipelago. Her lungs are filled with brackish water, and the forensics team is sure that she drowned. Why, then, is the pleasure boat still afloat, and why are there no traces of water on her clothes or body? The next day, a man turns up dead in his state apartment in Stockholm, hanging from a lamphook in the ceiling. All signs point to suicide, but the room has a high ceiling, and there's not a single piece of furniture around -- nothing to climb on.b Joona Linna begins to piece together the two mysteries, but the logistics are a mere prelude to a dizzying and dangerous course of events. At its core, the most frightening aspect of The Nightmare isn't its gruesome crimes -- it's the dark psychology of its characters, who show us how blind we are to our own motives.
Soon to be a major motion picture from Academy Award–winning director Guillermo del Toro and starring Bradley Cooper, Cate Blanchett, Rooney Mara, and Toni Collette. Nightmare Alley begins with an extraordinary description of a carnival-show geek—alcoholic and abject and the object of the voyeuristic crowd’s gleeful disgust and derision—going about his work at a county fair. Young Stan Carlisle is working as a carny, and he wonders how a man could fall so low. There’s no way in hell, he vows, that anything like that will ever happen to him. And since Stan is clever and ambitious and not without a useful streak of ruthlessness, soon enough he’s going places. Onstage he plays the mentalist with a cute assistant (before long his harried wife), then he graduates to full-blown spiritualist, catering to the needs of the rich and gullible in their well-upholstered homes. It looks like the world is Stan’s for the taking. At least for now.
Liza Barclay, aged 10, shot her mother while trying to protect her from her violent stepfather, ex-FBI agent Charley Foster. Despite her stepfather's claim that it was a deliberate act, the Juvenile Court ruled the death an accident. Many people, however, agreed with Foster and tabloids compared Liza to the infamous murderess, Lizzie Borden, pointing even to the similarity in name. Growing up with adoptive parents who tried to erase every trace of her past, her name is changed to Celia. Always, though, the fear hung over her and the family - that someday, her vengeful stepfather would reappear to harm her. Aged 25, a successful interior designer, she marries a childless sixty-year old widower and they have a son. Before their marriage, she had confided her earlier life to her husband. Two years on, on his deathbed, he tells her that he would want her to re-marry, but makes her swear never to reveal her past to anyone, so that their son would not carry the burden of this family tragedy - a promise that plunges her into a new cycle of violence. Three years later, happily re-married, Celia is shocked when her second husband presents her with a gift -- the house where she killed her mother. When the real estate agent who has made the sale recognises her and, soon after, is murdrered, Celia is accused of the crime. Once again, she is home -- the place where she is stamped as a murderess.
Everything Aoife thought she knew about the world was a lie. There is no Necrovirus. And Aoife isn't going to succomb to madness because of a latent strain--she will lose her faculties because she is allergic to iron. Aoife isn't human. She is a changeling--half human and half from the land of Thorn. And time is running out for her. When Aoife destroyed the Lovecraft engine, she released the monsters from the Thorn Lands into the Iron Lands and now she must find a way to seal the gates and reverse the destruction she's ravaged on the world that's about to poison her.
Kinneret is a child who daily confronts the school system with learning disabilities.
Danielle Warner was only pretending to hypnotize her brother Peter. So why is Peter acting so strange... so terrifying? Doesn't Peter realize it was all a joke? Danielle and her brother are about to learn a frightening lesson: It's not a good idea to kid around—in The Nightmare Room.