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Slithering from these pages are never-before-collected tales of suspense and wonder by the woman who invented modern-day dark fantasy: A man goes quietly to bed aboard the doomed Lusitania and awakens on a magical South Pacific Island just as the passenger liner is torpedoed. In a future where women rule the world, a sentient island becomes murderously jealous of a shipwrecked couple. Dire consequences await a human swept into the dark, magical world of elves. A deadly labyrinth coils around the dark heart of a picturesque landscape garden. Within an Egyptian sarcophagus lies the horrifying price of infidelity. Swirling unseen around us are loathsome creatures giving form to our basest desires and fears. A beautiful, veiled medium may hold the key to preventing unspeakable evil from slipping through the borderlands between life and death. On a lost island a woman pipe player and her monstrous dancing partner bring death and terror to five adventurers. ø The stories in this collection have played an integral role in the development of modern dark fantasy, greatly influencing such writers as H. P. Lovecraft and A. Merritt.
Presents sixteen short stories of fantasy, the supernatural, and the macabre.
The Citadel of Fear, an anthology showcasing the work of Gertrude Barrows Bennett, who wrote under the pseudonym Francis Stevens, is a cornerstone in the foundation of science fiction literature. Within its pages, readers will discover an array of speculative narratives that transcend time and space, weaving together elements of fantasy, horror, and early science fiction. The collection encapsulates the diverse and groundbreaking storytelling techniques of its era, offering a splendid display of Stevens' pioneering imagination and mastery over the speculative. Its standout pieces not only explore the unknown but also delve into the complexities of human emotion and the interplay between fear and curiosity, making it a significant contribution to the genre's evolution. The authors behind these narratives, particularly Stevens, are considered trailblazers in science fiction. Bennett, an unsung heroine of her time, effectively laid the groundwork for future generations of writers within these genres. Through her unique lens, readers are offered a glimpse into the early 20th century's burgeoning fascination with the speculative and the fantastic. The anthology aligns with pivotal moments in literary history, where the boundaries of reality are pushed, and new worlds are conceived, cementing its place within the pantheon of science fiction classics. This collection is recommended for those intrigued by the roots of science fiction and the remarkable breadth of themes it encompasses. It offers a unique opportunity to experience the visionary work of Gertrude Barrows Bennett, whose contributions have significantly shaped the landscape of speculative fiction. The Citadel of Fear serves not only as a portal to imaginative realms but also as a critical resource for understanding the evolution of science fiction. Readers, scholars, and enthusiasts alike will find value in this anthology, for it fosters a greater appreciation of the genre's complexities and the diverse perspectives that have contributed to its enduring legacy.
From the critically acclaimed screenwriter of Doctor Strange and author of Sea of Rust and Queen of the Dark Things comes a hair-raising collection of short fiction that illuminates the strange, humorous, fantastical and downright diabolical that tantalise and terrorise us: demons, monsters, zombie dinosaurs and Death itself. In the novella 'The Soul Thief's Son' C. Robert Cargill returns to the terrain of the Queen of the Dark Things to continue the story of Colby Stevens . . . A Triceratops and an Ankylosaurus join forces to survive a zombie apocalypse that may spell extinction for their kind in 'Hell Creek' . . . In a grand old building atop a crack in the world, an Iraq War veteran must serve a one-year term as a punisher of the damned, condemned to consume the sins of others in the hope that one day he may find peace in 'In a Clean, White Room' (co-authored with Scott Derrickson). . . In 'The Town That Wasn't Anymore', the village of Pine Hill Bluff loses its inhabitants one at a time as the angry dead return when night falls to steal the souls of the living . . . And in the title story, 'We Are Where the Nightmares Go', a little girl crawls through a glowing door beneath her bed and finds herself trapped in a nightmarish wonderland - a crucible of the fragments of children's bad dreams. These tales and four more are assembled here as testament to Cargill's mastery of the phantasmagoric, making We Are Where the Nightmares Go and Other Stories a collection of unnerving horror and fantasy will keep you up all night and haunt your waking dreams.
A Best Book of 2022 by the New York Public Library • One of the Best SFF Books of 2022 (Gizmodo) • One of the Best SF Mysteries of 2022 (CrimeReads) • A GoodReads Choice Award finalist for Best Science Fiction! Titanic meets Event Horizon in this SF horror novel in which a woman and her crew board a decades-lost luxury cruiser and find the wreckage of a nightmare that hasn't yet ended. Claire Kovalik is days away from being unemployed—made obsolete—when her beacon repair crew picks up a strange distress signal. With nothing to lose and no desire to return to Earth, Claire and her team decide to investigate. What they find is shocking: the Aurora, a famous luxury spaceliner that vanished on its maiden tour of the solar system more than twenty years ago. A salvage claim like this could set Claire and her crew up for life. But a quick search of the ship reveals something isn’t right. Whispers in the dark. Flickers of movement. Messages scrawled in blood. Claire must fight to hold on to her sanity and find out what really happened on the Aurora before she and her crew meet the same ghastly fate. "Truly un-put-downable in its purest sense.” Chloe Gong, #1 New York Times bestselling author of These Violent Delights At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
No one is safe, and no one is to be trusted as the bloody war that began in Stella Gemmell’s The City continues... The dreaded emperor is dead. The successor to the throne is his nemesis, Archange. Many hope her reign will usher in a new era of freedom and stability. Soon however, word arises of a massive army gathering in the shadows of the north. They are eager to lay waste to the City and annihilate anyone—man, woman, or child—within it. Yet just as the swords clang in fields wet with the blood of warriors, family feuds, ancient rivalries, and political battles rage on within the cold stone walls of the City. A hero must rise up and restore the peace before anything left to fight for is consumed by the madness.
This two-volume set offers comprehensive coverage of horror literature that spans its deep history, dominant themes, significant works, and major authors, such as Stephen King, Edgar Allan Poe, and Anne Rice, as well as lesser-known horror writers. Many of today's horror story fans—who appreciate horror through movies, television, video games, graphic novels, and other forms—probably don't realize that horror literature is not only one of the most popular types of literature but one of the oldest. People have always been mesmerized by stories that speak to their deepest fears. Horror Literature through History shows 21st-century horror fans the literary sources of their favorite entertainment and the rich intrinsic value of horror literature in its own right. Through profiles of major authors, critical analyses of important works, and overview essays focused on horror during particular periods as well as on related issues such as religion, apocalypticism, social criticism, and gender, readers will discover the fascinating early roots and evolution of horror writings as well as the reciprocal influence of horror literature and horror cinema. This unique two-volume reference set provides wide coverage that is current and compelling to modern readers—who are of course also eager consumers of entertainment. In the first section, overview essays on horror during different historical periods situate works of horror literature within the social, cultural, historical, and intellectual currents of their respective eras, creating a seamless narrative of the genre's evolution from ancient times to the present. The second section demonstrates how otherwise unrelated works of horror have influenced each other, how horror subgenres have evolved, and how a broad range of topics within horror—such as ghosts, vampires, religion, and gender roles—have been handled across time. The set also provides alphabetically arranged reference entries on authors, works, and specialized topics that enable readers to zero in on information and concepts presented in the other sections.
The Nightmare by Gertrude Mabel Barrows Bennett is about Mr. Jacob Lutz, a merchant who attains a valuable and mysterious trinket. "PHILIP, did you notice that tall, thin man in the gray ulster, who was walking up and down the boat deck just before dinner?" "Yes, sir. I observed the gentleman. Very aristocratic appearance, if I may say so, Mr. Jones." "Exactly. He never bought that ulster in New York. When we reach London I want you to look around and see if you can find a tailor who will make me one of the same cuts."
Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels of Francis Stevens wich are Nightmare! nad The Heads of Cerberus. Gertrude Barrows Bennett, known by the pseudonym Francis Stevens, was a pioneering author of fantasy and science fiction. Bennett wrote a number of fantasies and has been called "the woman who invented dark fantasy". Novels selected for this book: - Nightmare! - The Heads of Cerberus.This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
'Partners in Wonder' explores our knowledge of women and science fiction between 1936 and 1965. It describes the distinctly different form of science fiction that females produced, one that was both more utopian and more empathetic than that of their male counterparts.