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Wandering Women: Urban Ecologies of Italian Feminist Filmmaking explores the work of contemporary Italian women directors from feminist and ecological perspectives. Mostly relegated to the margins of the cultural scene, and concerned with women's marginality, the compelling films Wandering Women sheds light on tell stories of displacement and liminality that unfold through the act of walking in the city. The unusual emptiness of the cities that the nomadic female protagonists traverse highlights the absence of, and their wish for, life-sustaining communities. Laura Di Bianco contends that women's urban filmmaking—while articulating a claim for belonging and asserting cinematic and social agency—brings into view landscapes of the Anthropocene, where urban decay and the erasure of nature intersect with human alienation. Though a minor cinema, it is also a powerful movement of resistance against the dominant male narratives about the world we inhabit. Based on interviews with directors, Wandering Women deepens the understanding of contemporary Italian cinema while enriching the field of feminist ecocritical literature.
Sanger Rainsford is a big-game hunter, who finds himself washed up on an island owned by the eccentric General Zaroff. Zaroff, a big-game hunter himself, has heard of Rainsford’s abilities with a gun and organises a hunt. However, they’re not after animals – they’re after people. When he protests, Rainsford the hunter becomes Rainsford the hunted. Sharing similarities with "The Hunger Games", starring Jennifer Lawrence, this is the story that created the template for pitting man against man. Born in New York, Richard Connell (1893 – 1949) went on to become an acclaimed author, screenwriter, and journalist. He is best remembered for the gripping novel "The Most Dangerous Game" and for receiving an Oscar nomination for the screenplay "Meet John Doe".
In the barren landscape of the Far North, under the ever-present midnight sun, Frances, who lives in an isolated artist colony, and Yasha, who arrives from Brooklyn to fulfill his beloved father's last wish, form a bond that offers them solace amidst great uncertainty.
Japan, 1868: the last shogun has been defeated, the age of the emperors is about to begin and in Japan's frozen north a diehard band of loyalists plans a desperate last stand.
Japanese society in the 1990s and 2000s produced a range of complicated material about sexualized schoolgirls, and few topics have caught the imagination of western observers so powerfully. While young Japanese girls had previously been portrayed as demure and obedient, in training to become the obedient wife and prudent mother, in recent years less than demure young women have become central to urban mythology and the content of culture. The cultic fascination with the figure of a deviant school girl, which has some of its earliest roots in the nineteenth and early twentieth centuries, likewise re-emerged and proliferated in fascinating and timely ways in the 1990s and 2000s. Through exploring the history and politics underlying the cult of girls in contemporary Japanese media and culture, this book presents a striking picture of contemporary Japanese society from the 1990s to the start of the 2010s. At its core is an in-depth case study of the media delight and panic surrounding delinquent prostitute schoolgirls. Sharon Kinsella traces this social panic back to male anxieties relating to gender equality and female emancipation in Japan. In each chapter in turn, the book reveals the conflicted, nostalgic, pornographic, and at times distinctly racialized manner, in which largely male sentiments about this transformation of gender relations have been expressed. The book simultaneously explores the stylistic and flamboyant manner in which young women have reacted to the weight of an obsessive and accusatory male media gaze. Covering the often controversial subjects of compensated dating (enjo kôsai), the role of porn and lifestyle magazines, the historical sources and politicized social meanings of the schoolgirl, and the racialization of fashionable girls, Schoolgirls, Money, Rebellion in Japan will be invaluable to students and scholars of Japanese culture and society, sociology, anthropology, gender and women's studies.
First Published in 2005. The Japanese geisha is the ultimate erotic icon – the courtesan par excellence - and this is her definitive book. The life of the geisha is the most secret and traditional in Japan, and today remains largely unchanged and unknown behind the tea house doors. This remarkable work was the first to reveal the hidden world of the geisha of the famous Yoshiwara quarter of Tokyo, the 'nightless city', and it has never been surpassed. Written over a hundred years ago, it is a meticulous description of every aspect of geisha life there, including the history of the geisha, life stories of famous geisha, the decoration of the tea houses, the different grades of courtesans, their costumes and hairstyles, the instruction of young girls brought to the tea houses, the art of selecting a geisha for the evening, proper conduct on the morning after, erotic practices and charms used by geisha to attract lovers. The vibrant life of the Yoshiwara quarter is evoked with finesse, portraying the procurers and madames, the festivals and geisha processions, even the menus of the tea houses, along with such matters as forms of contracts between brothels and courtesans. Profusely illustrated with photographs, prints and drawings, this is an essential volume for all who are fascinated by the sophisticated sensuality of the willow, the cherry blossom and the silken kimono.
The Demon King Du Chunfeng, who had returned to the country to investigate his father's death, jumped off the plane and was saved by the mafia lord. He experienced a different life from the softhearted hearts of the battlefield ... Beautiful ladies, teachers, police officers, air stewardesses ... They came one after another!