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"Most girls would be powerful vain to have the Squire even notice 'em," the mother continued, in a more persuasive tone, as a sort of balm offering to the girl's wounded feelings. She placed her cup and saucer in her plate and put back a small piece of unused butter on the side of the butter dish, then slowly arose from the table. "It's seldom a po' gyurl has such a good chance to better her condition, if she was only willin' to do so," she continued argumentatively, for the subject was a favorite theme with her, and she had rung its changes for the listener's benefit on more than one occasion. She gave her daughter a sidelong glanceÑpartly of inquiry, partly of reproachÑand turned to her work. Sally, with something like an impatient jerk, lifted from the stove the steaming kettle and poured a part of the hot contents into the dish-pan on the table, but she made no answer, though soon the clatter of tins and dishesÑperhaps they rattled a little louder than usualÑmingled as a sort of accompaniment to the reminiscent monologue that Mrs. Brown carried on at intervals during her work. "It's all owin' to the Squire's kindness an' interest in us that we're fixed this comfortable, for, dear knows I'd never got the toll-gate in the first place if it hadn't been for his influence, an' now, if you'd only give him any encouragement at all, you might be a grand sight better off. Such chances don't grow as thick as blackberries in summer, I can tell you." Sally had the dishes all washed and laid in a row on the table to drain, and now she caught them up, one by one, and began to polish away vigorously, as if the effort afforded a certain relief to her feelings, since she had chosen to take refuge in silence. "S'posin' he is old an' ugly," soliloquized Mrs. Brown, abruptly breaking into speech again, and seemingly addressing her remarks to the skillet she was then cleaning, and which she held up before her and gazed into intently, as a lady of fashion might do a hand glass at her toilet. "What o' that? Beauty's only skin deep, an' old age is likely to come to us all sooner or later. It's all the better if he is along in years," she added, with a sudden chuckle and a second furtive glance over the top of the skillet toward the girl, to see if she was listening. "Then he ain't so likely to live forever, an' a trim young widow, with property of her own an' money in bank, can mighty soon find a chance to marry ag'in, if she's a mind to."
Reproduction of the original: The Night Riders by Henry C. Wood
DigiCat Publishing presents to you this special edition of "The Night Riders" (A Romance of Early Montana) by Ridgwell Cullum. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Matt Furie's glorious first picture book — now in paperback, too! A nocturnal frog and rat wake at midnight, share a salad of lettuce and bugs, and strike off on an epic dirtbike adventure toward the sunrise. As the friends make their way from forest to bat cave to ghost town to ocean to shore and beyond, new friends are discovered, a huge crab is narrowly avoided, and a world is revealed. Packed with colorful characters and surprising details on every hand-drawn page, The Night Riders is the ideal book for anyone who has ever wanted to surf to the mountains on the back of a dolphin.
A reassessment of the vigilante bands that sought to force small, independent-minded tobacco growers to adhere to practices that would benefit the larger farmers in areas of Kentucky, Tennessee, Illinois, and Missouri. Argues that they were not against modernization, but wanted to maintain their elite status by engaging in the national market while keeping their black workers cheap and dependent. The chapters have been published previously as articles. Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR
Provides portraits and cameos of over sixty women who were influential in the Civil Rights Movement, and argues that the political activity of women has been the driving force in major reform movements throughout history.
Jennie Grant, a woman of mixed race, is loved by one of her two male cousins and dishonored by the other, putting on her the burden of understanding that promises victory over forces of ignorance and prejudice
Social reformers of the early twentieth century drew attention to the tender age of many of the silk workers. Through the last decades of the nineteenth century and the first half of the twentieth, these female workers struggled to establish themselves, not as childlike victims, but as independent women, capable of finding their own way in the world and standing up for their own rights."--BOOK JACKET.