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A neon blue horse carries a girl into the night sky, where she picks a bouquet of stars and feeds them to her steed.
In Elizabeth Smither's eighteenth collection of poetry her words are as vital as ever. The poems take the everyday &– mothers and daughters, cats and horses, books and bowls, slippers and shirts &– and transform them into something fresh: sometimes surreal, sometimes funny, often enchanted. And throughout, the work is infused with the personality of the author: a quirky, whimsical observer of the mundane world around her, which she shows to be full of surprises.
“A Horse at Night is like light from a candle in the evening: intimate, pleasurable, full of wonder. It asks us to consider fiction as life and life as fiction. Amina Cain is our generous, gentle guide through an exquisite library. A truly beautiful book.” —Ayşegül Savaş “I adore her work, and sensibility,” writes Claire-Louise Bennett of Amina Cain; and Jenny Offill: “Cain writes beautiful precise sentences about what it means to wander through this luminous world.” Cain’s unique wandering sensibility, her attention to the small and the surprising, finds a profound new expression in her first nonfiction book, a sustained meditation on writers and their work. Driven by primary questions of authenticity and freedom in the shadow of ecological and social collapse, Cain moves associatively through a personal canon of authors— including Marguerite Duras, Elena Ferrante, Renee Gladman, and Virginia Woolf— and topics as timely and various as female friendships, zazen meditation, neighborhood coyotes, landscape painting, book titles, and the politics of excess. A Horse at Night: On Writing is an intimate reckoning with the contemporary moment, and a quietly brilliant contribution to the lineage of Woolf’s A Room of One’s Own or Gass’s On Being Blue, books that are virtuosic arguments for—and beautiful demonstrations of—the essential unity of writing and life.
Untamable. Damaged. Angry. Once full of promise and life, now lost in the shadows of resentment and detachment, this is Dream of Night's story—and it is also Shiloh’s. One is a thoroughbred racehorse, the other an eleven-year-old foster child. Starved to the bone, Dream of Night is still a very powerful animal, kicking, bucking, screaming to show his strength. Shiloh has been starved in other ways—starved of affection, starved of stability and she lashes out too…with sarcasm. This injured and abused racehorse has a lot in common with punky Shiloh and by chance they both find themselves under the care of Jessalyn DiLima—a last stop for each before the state takes more drastic measures—sending the girl to a “residential facility” and the horse to a vet...for euthanizing. Jess is giving them a second chance, a last chance—but she fosters animals and children like this for a reason—she’s a little broken, too. And she knows what it’s like to have lost nearly everything she loves. As the horse warms up to the girl and the girl lets her guard down for the horse, the three of them become an unlikely family. They recognize their similarities in order to heal their pasts, but not before one last tragedy threatens to take it all away.
Alison thinks the mysterious new boy, Chance is exciting, but Meg suspects him of being a bounty hunter. Becky is interested in Thomas who has a special way with horses. Meg just wants to rescue Windy who is going to have her foal this moonlit night, far from the safety of Mustang Mountain.
In the stunning tradition of Lisa See, Maeve Binchy, and Alice Hoffman, The Tin Horse is a rich multigenerational story about the intense, often fraught bond sisters share and the dreams and sorrows that lay at the heart of the immigrant experience. It has been more than sixty years since Elaine Greenstein’s twin sister, Barbara, ran away, cutting off contact with her family forever. Elaine has made peace with that loss. But while sifting through old papers as she prepares to move to Rancho Mañana—or the “Ranch of No Tomorrow” as she refers to the retirement community—she is stunned to find a possible hint to Barbara’s whereabouts all these years later. And it pushes her to confront the fierce love and bitter rivalry of their youth during the 1920s and ’30s, in the Los Angeles Jewish neighborhood of Boyle Heights. Though raised together in Boyle Heights, where kosher delis and storefront signs in Yiddish lined the streets, Elaine and Barbara staked out very different personal territories. Elaine was thoughtful and studious, encouraged to dream of going to college, while Barbara was a bold rule-breaker whose hopes fastened on nearby Hollywood. In the fall of 1939, when the girls were eighteen, Barbara’s recklessness took an alarming turn. Leaving only a cryptic note, she disappeared. In an unforgettable voice layered with humor and insight, Elaine delves into the past. She recalls growing up with her spirited family: her luftmensch of a grandfather, a former tinsmith with tales from the Old Country; her papa, who preaches the American Dream even as it eludes him; her mercurial mother, whose secret grief colors her moods—and of course audacious Barbara and their younger sisters, Audrey and Harriet. As Elaine looks back on the momentous events of history and on the personal dramas of the Greenstein clan, she must finally face the truth of her own childhood, and that of the twin sister she once knew. In The Tin Horse, Janice Steinberg exquisitely unfolds a rich multigenerational story about the intense, often fraught bonds between sisters, mothers, and daughters and the profound and surprising ways we are shaped by those we love. At its core, it is a book not only about the stories we tell but, more important, those we believe, especially the ones about our very selves. Praise for The Tin Horse “Steinberg, the author of five mysteries, has transcended genre to weave a rich story that will appeal to readers who appreciate multigenerational immigrant family sagas as well as those who simply enjoy psychological suspense.”—BookPage
There are over seven million horses in America -- even more than when they were the only means of transportation. Nir began riding horses when she was just two years old and hasn't stopped since. This is her funny, moving love letter to these graceful animals and the people who are obsessed with them. She takes us into the lesser-known corners of the riding world and profiles some of its most captivating figures, and speaks candidly of how horses have helped her overcome heartbreak and loss.
This is the second series of books by Shani T. Night. The loveable Shani expresses her love of horses and introduces you to her new friend and pet "The Six Horse".
Something strange is happening at Finmory. Jinny is being plagued by nightmares and visions of the sinister Red Horse from the mural in her room. What does it want, and why won't it leave her alone? Jinny must delve deep into the past and the Celtic legends of the Pony Folk in her terrifying quest to find peace.
Johnny’s wish had come true. His family would be visiting his grandparents for Christmas. His grandparents lived in an old house in New England where his father had been born. The family together, the smells of the cookies baking, the snowy Christmas tree farm with trees of so many shapes and sizes, and most of all the wooden horse he had told his brother Liam about would make this the best Christmas ever. In his grandparents’ attic Johnny finds many treasures, but the wooden horse he remembered so well is missing. How can Johnny make his brother’s Christmas wish come true? Beloved and internationally bestselling author Mary Higgins Clark’s loving story together with Wendell Minor’s captivating paintings make The Magical Christmas Horse a book that captures the true heart of Christmas and one that families will make part of their Christmas tradition year after year.