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You think you're dreaming, but you're being escorted through a carnival of delights and wonders and mysteries and ghosts. It's a dangerous place, and maybe you won't survive. This short novella takes you through the kiddie rides, the midway, the Red Witch's tent, the corn maze, the house of mirrors, the freak show, and a Carnivale celebration, but there's no guarantee you'll make it to sunrise.
The Night Carnival waited for Angela through the woods down in the meadow on that rainy autumn night among the creeping fog. It’d been calling her her whole life but she hadn’t heard it until now. A widow whose life now holds little meaning, she’d come home after many years to dispose of her dead mother’s house and possessions. Alone. Walking among the eerie assortment of skill-game booths and tattered tents she’s strangely drawn in by the eerie calliope music and the mesmerizing inhabitants of a carnival the likes she’s never seen before. The carousel is alive with demonic steeds flashing their hooves. There are wraith like luminescent creatures lurking in the shadows along the midway; the Ferris wheel, aglow with thousands of twinkling lights, moves without human hands to control it, and the animals, lions, tigers and elephants, in the main ring have no human trainers. They’re much larger than they should be and seem to float. Then there are the sad-faced clowns who manipulate the crowds with only their eyes and minds. Night Carnival - A SHORT STORY: They and the other carnies are vampires. One–ancient, powerful, their leader Dominic–has been waiting for her…to make her his forever. He offers her what she’s never had before. Love. But is she willing to give up her humanity for this creature of the night; join her life to his and live among the vampires and shape shifters of the traveling carnival for eternity? Could she be happy as one of them? Is she willing to die for him?***
Some call it purgatory, others know it as the in-between, but for those poor souls who are trapped there eternally, it is simply The Carnival -- a macabre mockery where night is never-ending, and a sadistic creature known as The Fool reigns unchallenged.And The Fool has one rule: No one leaves The Carnival. Ever.Christopher, the latest arrival thrust reluctantly through the gates, is certain that he doesn't belong there, and he's damn sure he's not staying. But if he's to stand any chance of getting out, he's going to have to trust a girl who can't possibly be what she claims. With her help, he must confront not only The Fool, but his own dark past.---WHAT READERS ARE SAYING:"A wild ride that urges you to consume the words as quickly as your brain can process.""I didn't know a book so macabre could be such a fun read.""The Carnival of Night is an excellent piece of modern fiction that is reminiscent of Ray Bradbury's Something Wicked this way comes."
For some, heaven will not be a perpetual dawn but rather an endless night - an eternity of the wild hours between dusk and sunrise.The Dark Carnival is a celebration of human beings given the rare space to play out their fantasy visions of themselves, the fleeting impressions of people dressed up for the glorious night caught in all their decadent glory. A unique collection of portraits personally selected by one of the UKs foremost portrait photographers covering alternative London's unique counter-cultural history from Punks, New Romantics, Goths, Disco Queens, Soul Boys, Fetish Worshippers, Rockers, Cyberpunks, Ravers, Clubbers and Party Animals. Derek Ridgers has been a feature in the clubs and on the streets of the capital for over 50 years - indulging in his obsession for documenting the people dressed up for the glorious night.Anyone who loves street style, youth subcultures, portrait photography and the curious human penchant for playing dressing up, will find this collection a darkly fascinating celebration of both night life and decadence.Packed with images exploring DIY fashion, self-expression and the fabulous strangeness of the human animal, ravers of all kinds will spend happy hours gazing at this book, at once a piece of social history and a visual poem, an expression of the fascinations of the author, a feast of luscious crepuscular imagery.
A stirring new masterpiece from the IMPAC Dublin Literary Award–winning author of Cockroach and De Niro’s Game. In Carnival, internationally acclaimed author Rawi Hage takes us into the world of Fly, a taxi driver in a crime-ridden apocalyptic metropolis. Raised in the circus, the son of a golden-haired trapeze artist and a flying-carpet man, Fly sees everything, taking in all of the city’s carnivalesque beauty and ugliness as he roves through its dizzying streets in his taxi. Fly is a reader, too, and when he’s not in his taxi he is at home in the equally dizzying labyrinth of books that fills his tiny apartment. His best friend is Otto, a political activist who’s in and out of jails and asylums, mourning his dead wife and lost foster son. On one otherwise tawdry night Fly meets Mary, a book-loving passenger with a domineering husband. So begins a romance that is, for Fly, a brief glimmer of light amid the shadows and grit of the Carnival city. Along with Otto and Mary, Fly introduces us to madmen and revolutionaries, magicians and prostitutes as he picks them up and drops them off, traveling through a nightmarish town that is—we can’t help but notice—a parable for our own debauched, unjust world. Wildly imaginative and darkly ironic, Carnival is a magnificent achievement.
Meet Lil' Miss Sugarcane, a little girl with the soul of Carnival running through her veins. She wants nothing more than to be the best Midnight Robber around. With her robber's rhyme, she will tell her origin story as only she can! Witness a determined little girl and her family encounter hurdles along the way and conquer them together! As Lil' Miss Sugarcane works to carve out her individual identity, will she become the BIGGEST BADDEST Midnight Robber there ever was?
This beautifully illustrated volume features work by leading writers and experts on carnival from around the world, and includes two stunning photo essays by acclaimed photographers Pablo Delano and Jeffrey Chock. Editor Milla Cozart Riggio presents a body of work that takes the reader on a fascinating journey exploring the various aspects of carnival - its traditions, its history, its music, its politics - and prefaces each section with an illuminating essay. Traditional carnival theory, based mainly on the work of Mikhail Bakhtin and Victor Turner, has long defined carnival as inversive or subversive. The essays in this groundbreaking anthology collectively reverse that trend, offering a re-definition of 'carnival' that focuses not on the hierarchy it temporarily displaces or negates, but a one that is rooted in the actual festival event. Carnival details its new theory in terms of a carnival that is at once representative and distinctive: The Carnival of Trinidad - the most copied yet least studied major carnival in the world.
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
The erotic, surreal, and provocative stories of Last Night of Carnival, comprise an exile aesthetic, where the speaker is exiled from his homeland, from the stale middleclass values of his parents, and from dead pieties of previous generations that have become ossified in the culture. Romero creates a world as fantastic as any created by Kafka, Borges, or Calvino.