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The story of one voyage of the sailing-ship Narcissus from Bombay to London--a story dealing with calms and with storms, with mutiny on the high seas, with bravery and with cowardice, with tumultuous life, and with death, the releaser from toil. (Published in the U.S. as "The Children of the Sea.")
The story begins in 1801 with lieutenant d'Hubert walking the streets of Strasbourg, searching for a fellow lieutenant called Féraud who is wanted by their division general. He interrupts Féraud while he is being entertained by a popular lady at her party and Féraud takes the interruption and the consequent order to stay at his home personally, thinking that his honour has been injured. They end up fighting their first duel almost immediately, but Féraud is not satisfied by the encounter. Thus begins a tale that spans the next 16 years and follows the campaigns of Bonaparte where Féraud seeks out and challenges d'Hubert to various duels whenever a momentary peace allows him to do so.
A dying sailor boards the Narcissus and acts as a memento mori upon his shipmates, eliciting pity and selfless compassion as well as fear, resentment, and a profound hatred. The powerful narrative technique captures every nuance of atmospheric tension for a compelling study of men's characters under conditions of extreme danger and stress.
"Vedi Napoli e poi mori."The first time we got into conversation was in the National Museum in Naples, in the rooms on the ground floor containing the famous collection of bronzes from Herculaneum and Pompeii: that marvellous legacy of antique art whose delicate perfection has been preserved for us by the catastrophic fury of a volcano.He addressed me first, over the celebrated Resting Hermes which we had been looking at side by side. He said the right things about that wholly admirable piece. Nothing profound. His taste was natural rather than cultivated. He had obviously seen many fine things in his life and appreciated them: but he had no jargon of a dilettante or the connoisseur. A hateful tribe. He spoke like a fairly intelligent man of the world, a perfectly unaffected gentleman.We had known each other by sight for some few days past. Staying in the same hotel-good, but not extravagantly up to date-I had noticed him in the vestibule going in and out. I judged he was an old and valued client. The bow of the hotel-keeper was cordial in its deference, and he acknowledged it with familiar courtesy. For the servants he was Il Conde. There was some squabble over a man's parasol-yellow silk with white lining sort of thing-the waiters had discovered abandoned outside the dining-room door. Our gold-laced door-keeper recognized it and I heard him directing one of the lift boys to run after Il Conde with it.
»The Secret Sharer« is a short story by Joseph Conrad, originally published in 1910. JOSEPH CONRAD [1857–1924] was born in Ukraine to Polish parents, went to sea at the age of seventeen, and ended his career as a captain in the English merchant navy. His most famous work is the novella Heart of Darkness [1899], adapted into a film by Francis Ford Coppola in 1979 as Apocalypse Now.
Typhoon is a short novel by Joseph Conrad, begun in 1899 and serialized in Pall Mall Magazine in January-March 1902. Its first book publication was in New York by Putnam in 1902; it was also published in Britain in Typhoon and Other Stories by Heinemann in 1903.
Political turmoil convulses 19th-century Russia, as Razumov, a young student preparing for a career in the czarist bureaucracy, unwittingly becomes embroiled in the assassination of a public official. Asked to spy on the family of the assassin -- his close friend -- he must come to terms with timeless questions of accountability and human integrity.
Heart Of Darkness. The story of the civilized, enlightened Mr. Kurtz who embarks on a harrowing "night journey" into the savage heart of Africa, only to find his dark and evil soul. The Secret Sharer. The saga of a young, inexperienced skipper forced to decide the fate of a fugitive sailor who killed a man in self-defense. As he faces his first moral test the skipper discovers a terrifying truth -- and comes face to face with the secret itself. Heart Of Darkness and The Secret Sharer draw on actual events and people that Conrad met or heard about during his many far-flung travels. In portraying men whose incredible journeys on land and at sea are also symbolic voyages into their own mysterious depths, these two masterful works give credence to Conrad's acclaim as a major psychological writer.