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Along a slow-moving river, he watches as her body drifts below the water's murky surface, forever altered. Before he disposes of each victim, he takes a trophy. It's a sign of his power, and a warning--to the one destined to suffer most of all... In Grizzly Falls, Montana, Detectives Selena Alvarez and Regan Pescoli are struggling with a new commander and a department in the midst of upheaval. It's the worst possible time for a homicide. A body has been found, missing a finger. Alvarez believes the disfigurement means a murderer with a personal grudge, not a deranged madman with a brutal fetish. Pescoli can only hope she's right. But then a second body turns up, bearing the same mark... As the clues begin pointing toward a suspect, Pescoli's unease grows. Even with Alvarez barely holding it together and her own personal life in chaos, she senses there's more to this case than others believe. A killer has made his way to Grizzly Falls, ready to fulfill a vengeance years in the making. And Pescoli must find the target of his wrath--or die trying...
Guinness discusses the history of mechanical musical instruments and some other automata, using examples from his own collection.
Includes music.
With over three decades of experience, Tiff Lacey has compiled a guide to the music industry. The book explains how to avoid common pitfalls and useful information including how to protect your compositions. A concise must-have handbook.
Includes numerous examples and problems for student practice, this textbook is ideal for courses on the mechanical behaviour of materials taught in departments of mechanical engineering and materials science.
This reference work covers general works, ornament, folk art, arms and armour, ceramics, clocks and automata, costumes, enamels, furniture, glass, leather, metalwork, musical instruments, textiles, dolls and more. Essentially a new work rather than a revision, this annotated bibliography on the history of applied and decorative arts includes over 3000 descriptive entries on books written in western European languages. More than 1000 of these entries are new to the second edition, and approximately half are titles published since 1977. The remainder represent a significant expansion in breadth and depth of the bibliography, with the addition of nearly 500 titles of exhibition and museum catalogues and price guides.
Introduction : audiovisual histories -- From mimesis to prosthesis -- Opera as peepshow -- Shadow media -- Haydn's Creation as moving image -- Beethoven's phantasmagoria -- Conclusion : audiovisual returns