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This is the story of a small town Southern boy who grows up to be a local television icon. Following Dick McMichael's life from the early years of radio to today's television, we experience the great changes in the industry and the country. We also learn how he grew up in the segregated South and ended up working with a black female co-anchor who owes her first break in TV news to him. It is an inside look at the stresses and pressures that shape the broadcast newsrooms of America. It begins shortly after radio broadcasting began in the United States. "You could say that broadcasting and I grew up together. Radio broadcasting was born in Columbus in 1928 in a dressing room of the brand-new Royal Theater when WRBL went on the air. I was born two years later." We move with young Dick through the tough years of the Great Depression when his family's small home was crowded with relatives who needed some place to stay until work could be found again, through World War Two when he saw his big brother, brother-in-law and first cousin head overseas with the U.S. Army, while he, as a Boy Scout, collected old newspapers for the war effort. All of this is paralleled by changes in the world of broadcasting. We follow his career from the time he was a seventeen-year-old radio announcer, to the height of his radio career at WSB in Atlanta, and to his television days in Columbus, Atlanta and Columbia, South Carolina. We see him get into hot water and almost fired as a result of his investigative reporting at one station. We get a firsthand look at what goes on inside the walls of broadcast newsrooms, and how economics affects the way news is covered and reported. We see both sides of the organized labor movement as he, on one hand, represents his fellow members in a union contract negotiation with one station, and, on the other hand, when he is on the other side of the fence as a vice president of news when a union tries to organize the staff at another station. Dick McMichael has seen the way broadcast news has changed from its inception until right now. He has seen entertainment and commercial considerations triumph over serious journalism. He has also suffered personal tragedies, losing his dear wife to a chronic disease, but he has also has children and grandchildren to enjoy. His story is important because television news affects every one of us everyday. Not just network television news, but the hundreds of local television news operations that reach and affect just as many or even more people. He was honored by the Georgia Association of Broadcaster's with the 2004 "GAB Broadcaster of the Year" Gabby Award.
The shocking history of the espionage and infiltration of American media during WWI and the man who exposed it. A man who was not who he claimed to be... Russia was not the first foreign power to subvert American popular opinion from inside. In the lead-up to America’s entry into the First World War, Germany spent the modern equivalent of one billion dollars to infiltrate American media, industry, and government to undermine the supply chain of the Allied forces. If not for the ceaseless activity of John Revelstoke Rathom, editor of the scrappy Providence Journal, America may have remained committed to its position of neutrality. But Rathom emerged to galvanize American will, contributing to the conditions necessary for President Wilson to request a Declaration of War from Congress—all the while exposing sensational spy plots and getting German diplomats expelled from the U.S. And yet John Rathom was not even his real name. His swashbuckling biography was outrageous fiction. And his many acts of journalistic heroism, which he recounted to rapt audiences on nationwide speaking tours, never happened. Who then was this great, beloved, and ultimately tragic imposter? In The Imposter’s War, Mark Arsenault unearths the truth about Rathom’s origins and revisits a surreal and too-little-known passage in American history that reverberates today. The story of John Rathom encompasses the propaganda battle that set America on a course for war. He rose within the editorial ranks, surviving romantic scandals and combative rivals, eventually transitioning from an editor to a de facto spy. He brought to light the Huerta plot (in which Germany tied to push the United States and Mexico into a war) and helped to upend labor strikes organized by German agents to shut down American industry. Rathom was eventually brought low by an up-and-coming political star by the name of Franklin Delano Roosevelt. Arsenault tracks the rise and fall of this enigmatic figure, while providing the rich and fascinating context of Germany’s acts of subterfuge through the early years of World War I. The Imposter's War is a riveting and spellbinding narrative of a flawed newsman who nevertheless changed the course of history.
In the early twentieth century, Pulitzer Prize-winning journalist Walter Lippmann said that the presentation of truthful news lies at the heart of democracy. This volume stems from Dan D. Nimmo’s conviction that opinion and policymaking are also significant, interrelated processes within any political system. A democracy poses problematic questions of the manner and means by which political ideas, opinions, and issues are transmitted throughout the body politic. In the United States, such communication is carried on primarily through the news media. Reporters and their sources interact to form crucial relationships linking citizen and official. Nimmo focuses on that interaction, using personal interviews with selected samples of Washington correspondents and their official news sources as his evidence. Nimmo’s research examines the relationships that develop between news sources and reporters as each engages in political communication, indicates the factors most influential in determining such relationships, and suggests the implications such findings have for interpreting the tension that characterizes government-press relations in a democracy such as the United States. In this era of heightened attention to the role of the media in political discourse, reissuance of this volume could not be timelier. This study features a new preface by Daniel Pearl Award winner Georgie Anne Geyer. It should be read by all media specialists, communication scholars, and journalists, and will be valuable for those entering these fields as well.
This clearly written and well-focused volume combines concise decisions of the primary areas of communication law with the foundational case decisions in those domains. Thus, in one volume, students of communication law, constitutional law, political science, and related fields find both the key rulings that define each area of law and a detailed summary of the legal concepts, doctrines, and policies so vital to understanding the rulings within their legal context. The text forgoes the tendency to provide encyclopedic treatment of all the relevant cases and focuses instead on the two or three cases most vital to an accurate and informed understanding of the current state of each field of communication law. The chapters provide readers with the most salient concepts and the necessary depth to understand the law while permitting most reading time to be directed to the law itself. Full-text rulings allow readers to immerse themselves in the law itself--to develop a feel for its complexity, its flexibility, and its language. Useful as a quick reference to the landmark rulings and the jurisprudence of communication law, this book also serves well as the primary text in related undergraduate courses or as a supplemental text in graduate classes in the field.
Was journalist Dorothy Kilgallen murdered for writing a tell-all book about the JFK assassination? Or was her death from an overdose of barbiturates combined with alcohol, as reported? Shaw believes Kilgallen's death has always been suspect, and unfolds a list of suspects ranging from Frank Sinatra to a Mafia don, while speculating on the possibilities of reopening the case.