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The Newman Tales share adventures of Newman, a Soft-Coated Wheaten Terrier, rescued from the meat-industry in Taiwan and saved from euthanasia at the Humane Society...Despite what life has thrown his way he lives with the mantra, "When things seem really bad, beautiful things still happen." Vol 1 Newman's Awesome year tells of his adoption and new life in his fur-ever home.
Christmas Wood is full of animals: Badger, Fidgety Fox, Owl (not Wise Old Owl, just Owl), the Rabbit family, Tiny Mouse, and Robin. It's nearly Christmas and all the animals are getting ready to celebrate Badger is looking for new friends, Tiny is making (or is that eating) gingerbread, and Rosie Rabbit just can't get ANY peace and quiet! Five festive stories from the animals in the wood all come together in a fantastically Christmassy finale in a barn with some rather special guests.
Some things are so wrong that they can never be put right, never atoned for, never let lie. These are unforgivable stories. In this collection, Kim Newman re-opens some of the great closed cases of fantasy and horror fiction, returning us to the worlds of Dr Jekyll and Mr Hyde, Edgar Allan Poe, the Victorian Ghost story, and Count Dracula. In each case, these familiar universes are altered, shown in a new, unusual light. Here, we visit a 1960s Britain that is bogged down in a war in Indo-China, an American city that has been home to the four-coloured heroes and villains of generations of comic books, a Paris of Bogart and Bergman and other fantastical archetypes, and a frontier where there's no law west of Bristol but the gun and the iron horse. Including stories written in collaboration with novelists Eugene Byrne (THiGMOO) and Paul J. McAuley (Fairyland), this collection touches on all the horrors and humours Kim Newman has explored in novels like Anno Dracula, The Quorum and Life's Lottery. Unforgivable, but also unforgettable ...
This poignant and humorous collection of stories offers a fresh perspective on current issues such as homosexuality and anti-Semitism and lends a unique voice to those experiencing growing pains and self-discovery. Newman’s readers accompany her quirky Jewish characters through all types of experiences from an initial lesbian sexual encounter to being sequestered in a college apartment after paranoid Holocaust flashbacks. In these stories characters anxiously discover their lesbian identities while beginning to understand, and finally to embrace, their Jewish heritage. The title story, "A Letter to Harvey Milk," was the second place finalist in the Raymond Carver Short Story Competition.
"This collection of tales of playfulness, friendship, heroism, and inspiration is sure to touch the soul, tickle the funny bone, and inspire animal lovers everywhere to be the best kitty caretakers and companions they can be."--
Presenting an innovative, interdisciplinary approach to colonial America's best-known literary genre, Andrew Newman analyzes depictions of reading, writing, and recollecting texts in Indian captivity narratives. While histories of literacy and colonialism have emphasized the experiences of Native Americans, as students in missionary schools or as parties to treacherous treaties, captivity narratives reveal what literacy meant to colonists among Indians. Colonial captives treasured the written word in order to distinguish themselves from their Native captors and to affiliate with their distant cultural communities. Their narratives suggest that Indians recognized this value, sometimes with benevolence: repeatedly, they presented colonists with books. In this way and others, Scriptures, saintly lives, and even Shakespeare were introduced into diverse experiences of colonial captivity. What other scholars have understood more simply as textual parallels, Newman argues instead may reflect lived allegories, the identification of one's own unfolding story with the stories of others. In an authoritative, wide-ranging study that encompasses the foundational New England narratives, accounts of martyrdom and cultural conversion in New France and Mohawk country in the 1600s, and narratives set in Cherokee territory and the Great Lakes region during the late eighteenth century, Newman opens up old tales to fresh, thought-provoking interpretations.
Gittel and her mother were supposed to immigrate to America together, but when her mother is stopped by the health inspector, Gittel must make the journey alone. Her mother writes her cousin’s address in New York on a piece of paper. However, when Gittel arrives at Ellis Island, she discovers the ink has run and the address is illegible! How will she find her family? Both a heart-wrenching and heartwarming story, Gittel’s Journey offers a fresh perspective on the immigration journey to Ellis Island. The book includes an author’s note explaining how Gittel’s story is based on the journey to America taken by Lesléa Newman’s grandmother and family friend.
"Books like this one help lead the way to a better climate future for all inhabitants of Mother Earth. We are all in this together!" — Jeff Bridges, Academy Award winner and environmentalist A little more than 70 percent of Planet Earth is ocean. So wouldn’t a better name for our global home be Planet Ocean? You may be surprised at just how closely YOU are connected to the ocean. Regardless of where you live, every breath you take and every drop of water you drink links you to the ocean. And because of this connection, the ocean’s health affects all of us. Dive in with author Patricia Newman and photographer Annie Crawley—visit the Coral Triangle near Indonesia, the Salish Sea in the Pacific Northwest, and the Arctic Ocean at the top of the world. Find out about problems including climate change, ocean acidification, and plastic pollution, and meet inspiring local people who are leading the way to reverse the ways in which humans have harmed the ocean. Planet Ocean shows us how to stop thinking of ourselves as existing separate from the ocean and how to start taking better care of this precious resource.
‘An exciting new writer – sharp, compelling and original’ – Mark Lawrence