Download Free The New Zealand Slavonic Journal Book in PDF and EPUB Free Download. You can read online The New Zealand Slavonic Journal and write the review.

First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
The Intellectual as Hero in 1990s Ukrainian Fiction weaves a fascinating narrative full of colourful characters by examining the prose of today's leading writers.
Australia on the World Stage: History, Politics, and International Relations offers a fresh examination of Australia’s past and present. From the complex interactions of First Nations to modern international relations with significant partners and allies, it examines the forces that have influenced the place now called Australia both historically and today. It is a unique history told in two parts. The first half of the book examines the way Australia acted on the world stage both before and after British colonisation. It outlines the evolution of Australia’s relationship with the United Kingdom, first as colonies, then a dominion, and finally as an independent nation. It finishes with a First Nations perspective on foreign relations. The second half of the book provides a wide-ranging history of Australia’s dealings with major powers, the United States and China, as well as its relationships with New Zealand, Aotearoa, the Pacific Islands, Indonesia, Japan, Antarctica, and the United Nations. Written by leading and emerging researchers in their fields, this book encourages the reader to consider Australia’s performance on the world stage over the longue durée, well before the word ‘Australia’ was ever dreamt up. This interdisciplinary work challenges lazy stereotypes that see Australia's international history as fixed and uncontested. In revisiting Australia’s foreign relations, this work also asks the reader to consider its future directions.
A remarkably talented linguist, foreign correspondant in Russia from 1904-1921 and Foreign Editor for 'The Times', 'Russia's Greatest Enemy?' traces the fascinating life and career of Harold Williams. This quiet and modest New Zealander played a central role in informing and influencing British opinion on Russia from the twilight of the Tsars, through War and Revolution, to the rise of the Soviet Union. The career of this keen Russophile and fierce opponent of Bolshevism illuminates the pre-World War One movement towards rapprochement with the Tsar, as well as the drive for intervention and isolation in the Soviet period. In this fascinating study Charlotte Alston explores the role of Williams as the interpreter of Russia to the British and the British to Russia in this turbulent period in the history of both countries Introduction 1. New Zealand, 1876-1900 2. Journalism, 1900-1914 3. Britain, Russia, War and Revolution, 1907-1917 4. From Revolution to Intervention, 1917-1921 5. The Times, 1921-1928 Conclusion Bibliography
Acclaimed for treading new ground in operatic studies of the period, Simon Morrison’s influential and now-classic text explores music and the occult during the Russian Symbolist movement. Including previously unavailable archival materials about Prokofiev and Tchaikovsky, this wholly revised edition is both up to date and revelatory. Topics range from decadence to pantheism, musical devilry to narcotic-infused evocations of heaven, the influence of Wagner, and the significance of contemporaneous Russian literature. Symbolism tested boundaries and reached for extremes so as to imagine art uniting people, facilitating communion with nature, and ultimately transcending reality. Within this framework, Morrison examines four lesser-known works by canonical composers—Pyotr Tchaikovsky, Nikolay Rimsky-Korsakov, Alexander Scriabin, and Sergey Prokofiev—and in this new edition also considers Alexandre Gretchaninoff’s Sister Beatrice and Alexander Kastalsky’s Klara Milich, while also making the case for reviving Vladimir Rebikov’s The Christmas Tree.
This book examines the work of five Soviet prose writers - Olesha, Platonov, Kharms, Bulgakov and Vaginov - in the light of the carnivalesque elements of Russian popular culture. It shows that while Bakhtin's account of carnival culture sheds considerable light on the work of these writers, they need to be considered with reference to both the concrete forms of Russian and Soviet popular culture and the changing institutional framework of Soviet society in the 1920s and 1930s.