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A study of the hymnic and liturgical material in the New Testament which describes Christ's nature and person. Professor Sanders analyzes the hymns in detail and finds in them a common mythological pattern. He traces its origin to a particular and unorthodox branch of Judaism which is itself a branch of the 'wisdom' tradition where the thanksgiving hymn had its home. His conclusions therefore have considerable importance and implications for questions about the origins of Gnosticism and its influence on Christianity. This is the full-scale historical religious study of the New Testament Christological hymns, and English readers will find particularly useful Professor Sanders' critical survey of recent continental scholarship on this and related subjects.
There is no part of the general field of Christian hymnology so baffling to the student or so full of difficulties as the one under consideration in this paper. Many accounts of the subject are in existence but are far from conclusive. This is due, first of all, to the unexpected scarcity of original sources. When one views the rise of Christianity from its inception to the period of the Council of Nicaea, 325, its numerical growth from a handful of original adherents to millions of followers at the time of the Edict of Milan, 313, its literary development from early scattered records to the works of the great Greek and Latin fathers, one cannot help inquiring, “What has become of their hymns?” Aeterna Press
Throughout the history of the Church, Christians have expressed their faith in word and song. Among the ways they confessed what they believed was through creeds. The term"creed," which comes from the Latin credo ("I believe"), has played a central role in the identity of the Church and expressing her core beliefs. Some of the more famous creeds are the Apostles' Creed and Nicene Creed. While these creeds developed in the first few centuries of the Church, the earliest creeds are embedded within the New Testament text itself. The singing of hymns, which are closely associated with creeds, has also been part of the Church's ancient heritage. These credal hymns were adopted from the synagogues and have continued to be an integral expression of worship today. The New Testament contains many of the hymns that the early Christians sang. Since these hymns are confessional in nature, we can state that hymns were creed-like, confessing in song what the earliest Christians believed. This book examines the ancient creeds and hymns found in the New Testament, shedding light on what the earliest Christians held to be central, definitional, and foundational to their faith.
We know that the earliest Christians sang hymns. But are some of these early Christian hymns preserved for us in the New Testament? Matthew Gordley takes a new look at didactic hymns in the Greco-Roman and Jewish world of the early church, considering how they might function in the New Testament and what they could tell us about early Christian worship.
Providing literary analysis and historical background, Leland Ryken invites us to experience great hymns as powerful works of devotional poetrysavoring elements that we easily miss when singing them.
A Symphony of New Testament Hymns opens a window of insight into familiar Scripture passages - poetic passages that were later often set to music. By showing that the composers of some of these traditional New Testament, pre-60 C.E. hymns intentionally created passages that are lyrical or hymnic within the prose, this work presents the sometimes hidden depth behind their construction and meaning. Inspired by Roy Harris' Folksong Symphony, Father Karris arranges his treatment of Philippians 2:6-11, Colossians 1:15-20, Ephesians 2:14-16, Timothy 3:16, 2 Timothy 2:11-13, Titus 3:4-7, and 1 Peter 3:18-22 in a way that faith-fully addresses today's spiritual concerns, such as spirituality, ecology, reconciliation, baptism, and angels. The first book in English in thirty years to study New Testament hymns, A Symphony of New Testament Hymns brings readers greater enjoyment of these lesser-known Pauline hymns and a deepening of faith. Father Karris contends we have much to learn from what these songs proclaimed about Jesus at a time when the four gospels hadn't been published. The first chapters, Beginnings" and "Background," address the nature of hymns. Subsequent chapters contain a translation and analysis of the above texts, a study of contexts, key concepts and images, suggestions for reflection on the contemporary significance of the hymn, and an annotated bibliography. The concluding chapter offers a retrospective look at the many Christological themes reflected in the texts. Viewing Paul's letters and the common New Testament introduction topics from a refreshingly unique perspective, A Symphony of New Testament Hymns is especially appropriate for students and professors of the New Testament. Those looking for biblical spirituality, liturgists and musicians looking for new texts to set, and those in catechetical work - especially those involved in the RCIA - will also benefit from Father Karris' distinctive look at how the earliest Christians lyrically proclaimed Jesus Christ as Lord. Robert J. Karris, OFM, taught New Testament for sixteen years at Catholic Theological Union in Chicago. He is a veteran author, known primarily for his studies on Luke. He holds a ThD from Harvard University. "
This songbook offers 260 songs that quote or paraphrase texts from Matthew through Revelation. Includes a variety of musical styles and time periods, familiar and accessible tunes, helpful notes, and an index organized by Scripture passage. Key features include a variety of musical styles and time periods, familiar and accessible tunes, helpful notes with usage and musical suggestions, full accompaniments and guitar chords for all the music, additional arrangements for some tunes, percussion suggestions, and indexes by Scripture passage, title, meter, and tune. Most of the texts from the Revised Common Lectionary are covered.