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Traces the history of architecture in Spain since World War II and examines the work of thirteen architects and firms.
An ode to the classic Spanish-style houses of Santa Barbara. Spanish Colonial Style celebrates an extraordinary tradition in architecture whose hallmarks include whitewashed stucco and plaster walls, wood-beamed ceilings, dramatic fireplaces, and, above all, mystery and romance. Homes in this much-loved style of architecture welcome the visitor and embrace the resident, and architects James Osborne Craig and Mary McLaughlin Craig, early proponents of the style and influential disseminators of it, were masters of the form. Their work, until now, has been largely underappreciated and little seen. The Craigs played pivotal roles in the development of the Spanish Colonial Revival and of other styles of architecture in Santa Barbara, and the influence of their work spread much beyond that. In addition to shining a long overdue spotlight on the rich career of these tremendously influential architects, Spanish Colonial Style also heralds Santa Barbara as the small city of international importance that it became in the first half of the twentieth century.
In California, authentic Spanish colonial houses were built with local materials for comfort and convenience, with both construction and ornamentation traditional of Spanish and New England settlers. This book gives architects, home builders and historians a chance to view photos, sketches, and twenty-six full pages of measured drawings of interior and exterior doorways, paneling, balconies, wrought-iron, and mantels—most from houses that are no longer standing.
More than 500 period photographs explore the Spanish Revival movement (1915-1940) in architecture. Original Spanish and Mediterranean buildings inspired partrons on "the grand tour" in Europe to build for themselves these sturdy homes in the 20th century that reflect a strong Mediterranean heritage. Tiled roofs and floors, arched windows and passageways, and stone walls and floors characterize the style. Exquisite details are explored, both inside and out, from residential, commercial, and public projects. Sections in the book focus on exterior details including outdoor rooms and staircases, verandahs, patios, and courtyards, pools, fountains, chimneys, and garden gates. Inside, revel in beamed ceilings, fireplaces, tile details, lighting and flooring. In addition to dozens of private residences, this book tours retail and commercial spaces, churches, schools, libraries, theaters, and private clubs. Work by celebrated architects who helped pioneer the Spanish Revival movement is featured, including George Washington Smith, Wallace Neff, Gordon Kauffman, Morgan, Walls and Clements, and many others. Also, some architectural renderings and floor plans are included. Architects, designers, and remodelers will find inspiration for today's structures on every page.
Classic study by noted authority traces Spanish architectural influence in Florida, the Gulf Coast, Texas, New Mexico, Arizona, and California. 195 photographs and 50 measured drawings.
This documentation of the architecture of Santa Barbara, California has grown since the first edition was published in 1970: the second (1980) saw an expanded format and some 150 new photographs, and the third includes still more pages and photographs. The architectural examples presented here, selected from thousands taken on a block-by-block survey, were chosen for purity of style, historical signficance, and uniqueness. Each clear and beautiful black & white photo is captioned with information on the original owner or building title; date of construction; name of architect, designer, or builder; address; and alterations or additions to the building. 11x10" Annotation c. by Book News, Inc., Portland, Or.
The author surveys the Spanish architecture of Florida, New Mexico, Texas, Louisiana, Arizona, and California prior to 1846 and offers an assessment of Hispanic architecture in the following years; describing the forms and styles of churches, forts, simple houses, and other structures; while shedding light on the social contexts within which they were built. In addition to numerous black and white photographs, 16 color plates show examples of the structures discussed.
Philip II of Spain was a major patron of the arts, best known for his magnificent palace and royal mausoleum at the Monastery of San Lorenzo of El Escorial. However, neither the king’s monastery nor his collections fully convey the rich artistic landscape of early modern Iberia. In this book, Laura Fernández-González examines Philip’s architectural and artistic projects, placing them within the wider context of Europe and the transoceanic Iberian dominions. Philip II of Spain and the Architecture of Empire investigates ideas of empire and globalization in the art and architecture of the Iberian world during the sixteenth century, a time when the Spanish Empire was one of the largest in the world. Fernández-González illuminates Philip’s use of building regulations to construct an imperial city in Madrid and highlights the importance of his transformation of the Simancas fortress into an archive. She analyzes the refashioning of his imperial image upon his ascension to the Portuguese throne and uses the Hall of Battles in El Escorial as a lens through which to understand visual culture, history writing, and Philip’s kingly image as it was reflected in the funeral commemorations mourning his death across the Iberian world. Positioning Philip’s art and architectural programs within the wider cultural context of politics, legislation, religion, and theoretical trends, Fernández-González shows how design and images traveled across the Iberian world and provides a nuanced assessment of Philip’s role in influencing them. Original and important, this panoramic work will have a lasting impact on Philip II’s artistic legacy. Art historians and scholars of Iberia and sixteenth-century history will especially value Fernández-González’s research.
This title provides an entertaining look at the many regional styles of architecture in Spain, including such notable structures as Bilbao's Guggenheim and La Alhambra in Granada.
Traces the history of architecture in Spain since World War II and examines the work of thirteen architects and firms.