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Some of the most beloved names in science fiction spin all-new tales of interstellar adventure and wonder Neal Asher John Barnes Cory Doctorow John Kessel Jay Lake John Meaney Elizabeth Moon Garth Nix Mike Resnick Justina Robson Kristine Kathryn Rusch John Scalzi Bruce Sterling Peter Watts Sean Williams Tad Williams Bill Willingham Robert Charles Wilson John C. Wright
One of the few points critics and readers can agree upon when discussing the fiction popularly known as New Space Opera – a recent subgenre movement of science fiction – is its canny engagement with contemporary cultural politics in the age of globalisation. This book avers that the complex political allegories of New Space Opera respond to the recent cultural phenomenon known as neoliberalism, which entails the championing of the deregulation and privatisation of social services and programmes in the service of global free-market expansion. Providing close readings of the evolving New Space Opera canon and cultural histories and theoretical contexts of neoliberalism as a regnant ideology of our times, this book conceptualises a means to appreciate this thriving movement of popular literature.
“This anthology is a reminder of why science fiction captured the hearts and minds of generations of readers.” —Orson Scott Card What sets space opera apart from other fiction is its sheer scale: it is an exuberant celebration of the very large and the very small, of the very old and the very new, of the vast, panoramic instant we live in; the instant in which everything that went before melds with everything yet to be. It is Star Wars and Battlestar Galactica. The only book of its kind, The New Space Opera brings together for the first time the generation of writers who spawned and embody the “new space opera,” as well as other talents destined to join their ranks. Going beyond everything that has come before, this fresh, visionary anthology is essential reading for every science fiction fan. “The new space opera shares with the old the interstellar sweep of events and exotic locales, but Dozois and Strahan’s all-original anthology shows how the genre’s purveyors have updated it, with rigorous science, well-drawn characters and excellent writing.” —Publishers Weekly (starred review) “Dynamic and exciting . . . an essential roadmap to the cutting edge of SF today.” —Charles Stross “In sheer breathtaking, mind-expanding scope, this collection of some of the finest tale-spinning the subgenre has to offer delivers hours of exhilarating reading.” —Booklist
2019 HUGO AWARD FINALIST, BEST NOVEL The Hitchhiker's Guide to the Galaxy meets the joy and glamour of Eurovision in bestselling author Catherynne M. Valente's science fiction spectacle, where sentient races compete for glory in a galactic musical contest…and the stakes are as high as the fate of planet Earth. A century ago, the Sentience Wars tore the galaxy apart and nearly ended the entire concept of intelligent space-faring life. In the aftermath, a curious tradition was invented—something to cheer up everyone who was left and bring the shattered worlds together in the spirit of peace, unity, and understanding. Once every cycle, the great galactic civilizations gather for the Metagalactic Grand Prix—part gladiatorial contest, part beauty pageant, part concert extravaganza, and part continuation of the wars of the past. Species far and wide compete in feats of song, dance and/or whatever facsimile of these can be performed by various creatures who may or may not possess, in the traditional sense, feet, mouths, larynxes, or faces. And if a new species should wish to be counted among the high and the mighty, if a new planet has produced some savage group of animals, machines, or algae that claim to be, against all odds, sentient? Well, then they will have to compete. And if they fail? Sudden extermination for their entire species. This year, though, humankind has discovered the enormous universe. And while they expected to discover a grand drama of diplomacy, gunships, wormholes, and stoic councils of aliens, they have instead found glitter, lipstick, and electric guitars. Mankind will not get to fight for its destiny—they must sing. Decibel Jones and the Absolute Zeroes have been chosen to represent their planet on the greatest stage in the galaxy. And the fate of Earth lies in their ability to rock.
The best-ever anthology of one of science fiction's most vigorous subgenres
More than five-hundred pages, over one-quarter of a million words... Space Opera spans a vast range of epic interstellar adventure stories told against a limitless cosmos filled with exotic aliens, heroic characters, and incredible settings. A truly stellar compilation of tales from one of the defining streams of science fiction, old and new, written by a supernova of genre talent.
The minstels of SF serenade readers with this magnificent medley of 20 all-original stories, in which music is the featured performer. From the compelling account of a detective/choral singer whose perfect ear for music aids her in fighting crime to a space beacon keeper who must rely on music to rescue her from impending danger to a photographer on a desolate African shoot searching for a mysterious melody, these evocative and harmonic tales make up a SF symphony you'll never forget.
A shackled Earth, ruled by an unstoppable tyrant An exiled son, and a one-way trip across the galaxy A perfect world, their last hope for survival Vice Admiral Isaac Gallant is the heir apparent to the First Admiral, the dictator of the Confederacy of Humanity. Unwilling to let his mother’s tyranny stand, he joins the rebellion and leads his ships into war against the might of his own nation. Betrayal and failure, however, see Isaac Gallant and his allies captured. Rather than execute her only son, the First Admiral instead decides to exile them, flinging four million dissidents and rebels through a one-shot wormhole to the other end of the galaxy. There, Isaac finds himself forced to keep order and peace as they seek out a new home without becoming the very dictator he fought against—and when that new home turns out to be too perfect to be true, he and his fellow exiles must decide how hard they are prepared to fight for paradise…against the very people who built it.
Humanity’s complex relationship with technology spirals out of control in this first book of an all-new series from “the owner of the most powerful imagination in science fiction” (Ken Follett). “How far ‘space opera’ has come! The Old Masters of sci-fi would admire the scope and sweep of Salvation.”—The Wall Street Journal In the year 2204, humanity is expanding into the wider galaxy in leaps and bounds. Cutting-edge technology of linked jump gates has rendered most forms of transportation—including starships—virtually obsolete. Every place on Earth, every distant planet humankind has settled, is now merely a step away from any other. All seems wonderful—until a crashed alien spaceship of unknown origin is found on a newly located world eighty-nine light-years from Earth, carrying a cargo as strange as it is horrifying. To assess the potential of the threat, a high-powered team is dispatched to investigate. But one of them may not be all they seem. . . . Bursting with tension and big ideas, Peter F. Hamilton’s Salvation is the first book of an all-new series that highlights the inventiveness of an author at the top of his game. Praise for Salvation “[A] vast, intricate sci-fi showstopper . . . The journey grips just as hard as the reveal.”—Daily Mail (U.K.) “Exciting, wildly imaginative and quite possibly Hamilton’s best book to date.”—SFX “Dynamic, multifaceted characters, strong mind-expanding concepts, and impressive flair for language [make Salvation a] rare celestial event. . . . One of Britain’s bestselling sci-fi authors has launched an addictive new book as the initial stage of what is sure to be an intriguing new series called the Salvation Sequence.”—SyFyWire “Peter Hamilton just keeps getting better and better with each book, more assured and more craftsmanly adroit, and more inventive. [Salvation is] a bravura performance from start to finish. . . . Hamilton is juggling chainsaws while simultaneously doing needlepoint over a shark tank. It’s a virtuoso treat, and I for one can hardly wait for Salvation Lost.”—Paul Di Filippo, Locus “Peter F. Hamilton is known as one of the world’s greatest sci-fi writers for a reason. . . . Salvation is well worth the effort and a great introduction to some good old-fashioned space opera.”—Fantasy Book Review