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Discusses the most recent advances in the Beckett field and the new methods used to approach it.
This collection explains developments within Beckett studies and why he has emerged as one of the most iconic writers of the twentieth century. It also proposes a new interpretive framework that explores both the expanded canon, which has doubled the volume of his works in the last ten years, and the new methods used to approach it. This book covers all the most recent approaches to the Beckett study, such as archival research, queer theory, mathematical readings of literature, neuro-scientific approaches, translation studies, and disability studies. These new approaches are shown to be relevant and necessary to provide a renewed understanding of the lasting value of Beckett's works.
Beckett and Buddhism undertakes a twenty-first-century reassessment of the Buddhist resonances in Samuel Beckett's writing. These reverberations, as Angela Moorjani demonstrates, originated in his early reading of Schopenhauer. Drawing on letters and archives along with recent studies of Buddhist thought and Schopenhauer's knowledge of it, the book charts the Buddhist concepts circling through Beckett's visions of the 'human predicament' in a blend of tears and laughter. Moorjani offers an in-depth elucidation of texts that are shown to intersect with the negative and paradoxical path of the Buddha, which she sets in dialogue with Western thinking. She brings further perspectives from cognitive philosophy and science to bear on creative emptiness, the illusory 'I', and Beckett's probing of the writing process. Readers will benefit from this far-reaching study of one of the most acclaimed writers of the twentieth century who explored uncharted topologies in his fiction, theatre, and poetry.
The New Cambridge Companion to Samuel Beckett offers an accessible introduction to issues animating the field of Beckett studies today.
“On Beckett: Essays and Criticism” is the first collection of writings about the Nobel Prize–winning author that covers the entire spectrum of his work, and also affords a rare glimpse of the private Beckett. More has been written about Samuel Beckett than about any other writer of this century – countless books and articles dealing with him are in print, and the progression continues geometrically. “On Beckett” brings together some of the most perceptive writings from the vast amount of scrutiny that has been lavished on the man; in addition to widely read essays there are contributions from more obscure sources, viewpoints not frequently seen. Together they allow the reader to enter the world of a writer whose work has left an impact on the consciousness of our time perhaps unmatched by that of any other recent creative imagination.
Palgrave Advances in Samuel Beckett Studies explores the evolution of critical approaches to Beckett's writing. It will appeal to graduate students (and advance undergraduates) as well as scholars, for it offers both an overview of Beckett studies and investigates current debates within the interdisciplinary critical arena. Each of the contributors is an eminent Beckett specialist who has published widely in the field. The volume contains an introduction, twelve essays and a guide for further reading.
A powerful, genre-defying meditation, with Beckett at its origin, that touches on mysteries as varied as literary celebrity, baseball, and why we feel the need to be cruel to one another Following the schema of Samuel Beckett's unpublished "Long Observation of the Ray," of which only six manuscript pages exist, poet and critic Michael Coffey interleaves multiple narratives according to an arithmetic sequence laid out by Beckett in his notes. This rhythm of themes and genres--involving personal memoir, literary criticism, Beckett studies, contemporary political reportage and accounts of state-sponsored torture in appropriated texts, plus an Arabian Tale and even a baseballplay-by-play--produce a work at once sculptural, theatrical, mathematical and above all lyrical, a new form of narrative answering to a freshened rule set. In executing Beckett's most radical undertaking--one scholar referred to "Long Observation of the Ray" as a "monument to extinction"--Coffey gives readers access to an open field in which ruminations on writing mix with an engagement with Beckett scholarship as well as the unsettling chaos in today's world. Although Beckett, like any writer, had his share of abandoned works, he was in the habit of "unabandoning" on occasion. Coffey's effort here salvages a Beckett project from a half-century ago and brings it to the surface, with the contemporary markings of its hauling.
This book outlines Beckett's passion for the visual arts as he developed his signature style between the 1930s and 1970s.
Beckett's Happy Days: A Manuscript Study by S. E. Gontarski traces the development of Samuel Beckett's final two-act play, composed in English between October 1960 and May 1961, through annotated and bedoodled manuscript notebooks, holographs, and typescript drafts to the final published and performed text. The analysis details Beckett's most salient alterations and revisions, including his development of the work's tapestry of fragmented, half-remembered literary allusions. The current reissue of Beckett's Happy Days comes at a timely moment not only in Beckett studies but also in the general growth in programs of book history and digital humanities. Gontarski's study is not just a look back to origins. It traces an arc of research that developed over forty years as the Samuel Beckett archive at the University of Reading matured, as the fields of genetic and textual research grew, and as book history reemerged on a grand, international scale. In this timeframe, the Beckett Digital Manuscript and Library Projects responded to interest in Beckett studies and archival studies, taking textual production, genetic study, and book history into the twenty-first century with their emphasis on electronic access and digital collation. At The Ohio State University, the Rare Books and Manuscripts archive held papers central to Gontarski's study. Beckett's Happy Days is thus a fundamental, even seminal, part of that forty-year scholarly trajectory, and in its current edition, is readily accessible to individual students and scholars alike.
The first sustained exploration of aporia as a vital, subversive, and productive figure within Beckett's prose and theatre.