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For Kelsey Andrews, the metal-scarred Vancouver skyline is an emblem of distance from her family home in Grande Prairie, Alberta, where nothing breaks the sky but the curve of the Earth. As she adjusts from a thirsty countryside filled with little wonders to a lush cityscape with fewer miracles, depression nests within her, weighted by loneliness and past secrets that remain unsayable. These poems lessen the weight of those burdens. She befriends, rather than beats, depression with the help of a natural world populated by winged things, animals, trees, water and sky. Her poems play with earthy whimsy, though they are not without gristle and little violences -- the moon's ancient bruises, gargoyles that shriek and moan, the thunk when you split a chicken. From snails to suicide and picking blackberries to killing flies, through it all, Kelsey finds beauty and the light that persists. Poetry.
In the style of Margaret Atwood's The Year of the Flood, Dave Eggers' The Circle: a post-apocalyptic examination of nostalgia, loss and the possibility of starting over. Allow us to introduce you to the newest product from PINA, the world's largest tech company. "Port" is a curiously irresistible device that offers the impossible: space-time travel mysteriously powered by nostalgia and longing. Step inside a Port and find yourself transported to wherever and whenever your heart desires: a bygone youth, a dreamed-of future, the fabled past. In the near-future world of Liz Harmer's extraordinary novel, Port becomes a phenomenon, but soon it is clear that many who pass through its portal won't be coming back—either unwilling to return or, more ominously, unable to do so. After a few short years, the population plummets. The grid goes down. Among those who remain is Marie, a thirtysomething artist living in a small community of Port-resistors camping out in the abandoned mansions of a former steel town. As winter approaches the group considers heading south, but Marie clings to the hope that her long lost lover will one day return to the spot where he disappeared. Meanwhile, PINA's corporate campus in California has become a cultish enclave of survivors. Brandon, the right-hand man to the mad genius who invented Port, decides to get out. He steals a car and drives north-east, where he hopes to find his missing mother. And there he meets Marie. The Amateurs is a story of rapture and romance, and an astoundingly powerful tale about what happens when technology meets desire.
‘Every time I leave the world of work, family and community to wade into a river with fly rod in hand, I enter a sacred space that sometimes finds expression in the written word.’ In Casting into Mystery, writer Robert Reid and wood engraver Wesley W. Bates—avid anglers, both—put ink to paper in homage to the venerable sport of fly fishing. Through text and image, they recall with fondness the ‘company of rivers’ each is grateful to know, providing a glimpse inside a sporting culture teeming with literature, art and music. Part memoir, part objet d’art and part field guide, Casting into Mystery will delight passionate fly fishing practitioners and armchair anglers alike.
"For those who loved Barbara Kingsolver's Flight Behavior comes a new climate-themed, Shakespeare-inspired novel from bestselling author Catherine Bush. The time is now or an alternate near now, the world close to our own. A mammoth Category Five hurricane sweeps up the eastern seaboard of North America, leaving devastation in its wake, its outer wings brushing over tiny Blaze Island in the North Atlantic. Just as the storm disrupts the present, it stirs up the past: Miranda's memories of growing up in an isolated, wind-swept cove and the events of long ago that her father will not allow her to speak of. In the aftermath of the storm, she finds herself in a world altered so quickly and so radically that she hardly knows what has happened. As Miranda says, change is clear after it happens."--
On an island teeming with masters of the short story, Mary Lavin's distinct voice and devoted following set her apart. Before her death in 1996, this Irish writer had received many honors and prizes not only for her luminous short stories but also for several highly regarded novels. William Trevor praised Lavin's ability to "make moments timeless, to illuminate people and places, words and things, by touching them with the magic of the rarely-gifted storyteller." In a Cafe makes available for the first time in the United States a collection of her most beloved pieces as compiled by her daughter. In masterworks such as the title story, an unsettling portrayal of widowhood, and "The Will, " which Layin considered the finest expression of her art, the justice in Trevor's declaration we recognize that "the short story of today owes her a very great debt."
A resilient and witty story of fate, free will and superstition by an award-winning author. As the daughter of Southern Italian immigrants joined by an arranged marriage, Fantetti grew up witnessing and weathering the devastating consequences of her mother's schizophrenia. Moving to the other side of the country to escape the constant turmoil, Fantetti casts a canny eye on her painful childhood through writing and performing stand-up comedy. When her dad develops depression, a host of long-buried ancestral beliefs spring forward--like the three witches of the Macbeth-- Mal'occhio, Maledictions and Stregheria -- Fantetti blends old customs with new traditions in an ancient and modern pot to heal a fractured self; studying the sky for planetary alignment; consulting her trusty tarot deck for guidance and visiting her dad's psychic healer for a prescription for prescience. Throughout her journey the enduring father-daughter bond shines through the wisecracks, with great love, determination, and grace.
Archival material from the 1990s underground movement “preserves a vital history of feminism” (Ann Cvetkovich, author of Depression: A Public Feeling). For the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women’s movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and ’90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.