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"Pencil Points Reader republishes the most interesting essays from the seminal journal's twenty-three years and offers an insider's introduction by John Morris Dixon, the last executive editor of Progressive Architecture. Chronicling the growth of a journal for the drafting room to an international architectural review, this brand collection samples an era of architectural history and maintains the journal's founding claim, something for everyone in the architectural professions."--BOOK JACKET.
Architectural details indispensable to everyone in the drafting room today.
Pencil and his boy Jackson are a great pair: they draw, they sketch, they scribble. But then Jackson gets Tablet and Pencil finds himself dumped in the dreaded junk drawer; he just can’t compete with Tablet’s videos, games, and movies. How will Pencil ever reclaim Jackson’s attention? With the help of some new pun-loving junk-drawer friends (and a drooling, pencil-chomping dog), Pencil sketches out a plan to draw Jackson back into their friendship. A former educator whose first book was shortlisted for a Crystal Kite award, author Ann Ingalls uses kid-friendly puns and an upbeat tone in this story that celebrates friendship, collaboration, and unplugged fun. Buoyed by award-winning artist Dean Griffith’s always-exuberant illustrations, Pencil: A Story with a Point is a gentle reminder that technology is no match for imagination.
Linus and his eraser, Ernie, don't always see eye to eye. But with the family art show drawing near, these two will have to sharpen their collaboration to make something neither one could do on their own! This ode to art by the illustrator of Spoon and Chopsticks points out the power of sharing the creative process and sticking with it.
Computers, now the writer's tool of choice, are still blamed by skeptics for a variety of ills, from speeding writing up to the point of recklessness, to complicating or trivializing the writing process, to destroying the English language itself. A Better Pencil puts our complex, still-evolving hate-love relationship with computers and the internet into perspective, describing how the digital revolution influences our reading and writing practices, and how the latest technologies differ from what came before. The book explores our use of computers as writing tools in light of the history of communication technology, a history of how we love, fear, and actually use our writing technologies--not just computers, but also typewriters, pencils, and clay tablets. Dennis Baron shows that virtually all writing implements--and even writing itself--were greeted at first with anxiety and outrage: the printing press disrupted the "almost spiritual connection" between the writer and the page; the typewriter was "impersonal and noisy" and would "destroy the art of handwriting." Both pencils and computers were created for tasks that had nothing to do with writing. Pencils, crafted by woodworkers for marking up their boards, were quickly repurposed by writers and artists. The computer crunched numbers, not words, until writers saw it as the next writing machine. Baron also explores the new genres that the computer has launched: email, the instant message, the web page, the blog, social-networking pages like MySpace and Facebook, and communally-generated texts like Wikipedia and the Urban Dictionary, not to mention YouTube. Here then is a fascinating history of our tangled dealings with a wide range of writing instruments, from ancient papyrus to the modern laptop. With dozens of illustrations and many colorful anecdotes, the book will enthrall anyone interested in language, literacy, or writing.
Henry Petroski traces the origins of the pencil back to ancient Greece and Rome, writes factually and charmingly about its development over the centuries and around the world, and shows what the pencil can teach us about engineering and technology today.