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A beginning yet thorough mosaic course with master mosaic artist Aureleo Rosano of Tucson, Arizona. Lessons and explanations about glass, grout, surfaces and techniques, with a bit of history and some cultural moments. Full color photos and demonstrations throughout.
"Of greatest use to beginners here is the description and step-by-step illustrations of four different assembly processes...The dozen projects will introduce first-time mosaicists to the art without...frustration: designed by professionals, each includes elaborate instructions, pattern (if appropriate), color photographs, and artists' tips..."--Booklist. "You'll never look at a shard of glass in the same way again."--Glass Craftsman. 128 pages (all in color), 8 1/2 x 10.
"Step into the imaginative and inventive world of mosaics with Elizabeth Atkins-Hood and Joy Bell. The authors' enthusiasm for mosaics comes through in every word as they show you how to create rich and fabulous mosaic art from tiles, glass, plates, paper, ornaments, photographs, jewellery, pebbles, polymer clay and found objects."--Publisher's description.
Found materials are taking the craft world by storm because the creative potential is tremendous. Contemporary mosaic artists--who continue to expand the limits of construction and materials--can benefit greatly from this movement toward reuse. Even the mosaic neophytes among us can explore the myriad possibilities of these new materials with this fabulous guide. Learn everything you need to get started in the world of found art mosaics, from materials, glass, ceramics, natural materials, grouts, surfaces, sealants, safety gear, and more. The 27 projects here--including the Buttons & Pebbles Vase, Glittering Jewels Belt Buckle, and Recycled Bathtub Garden Planter--each reuse and repurpose objects differently, as the found object may be the surface, the tesserae, or both.
In recent years, funding for the conservation of cultural heritage has become increasingly difficult to obtain, and this trend shows no sign of changing significantly in the foreseeable future. The twelfth triennial meeting of the International Committee for the Conservation of Mosaics, held in Sardinia in October 2014, focused on the theme of cost, broadly considered, relating specifically to the preservation and presentation of the world’s mosaic heritage. This handsome, abundantly illustrated volume provides a comprehensive record of the conference. The volume’s sixty-seven papers and posters, comprising contributions from more than one hundred leading experts in the field, reflect the conference’s principal themes: cost, methods of survey and documentation, conservation and management, education and training, backing materials and techniques, presentation and display, and case studies. Papers are presented either in English, French, or Italian; there are abstracts in English and either French or Italian for all entries. The volume will be of interest to conservators, site managers, and others responsible for conserving the mosaic heritage, especially in these challenging times.
Westminster Abbey contains the only surviving medieval Cosmatesque mosaics outside Italy. They comprise: the ‘Great Pavement’ in the sanctuary; the pavement around the shrine of Edward the Confessor; the saint’s tomb and shrine; Henry III’s tomb; the tomb of a royal child, and some other pieces. Surprisingly, the mosaics have never before received detailed recording and analysis, either individually or as an assemblage. The proposed publication, in two volumes, will present a holistic study of this outstanding group of monuments in their historical architectural and archaeological context. The shrine of St Edward is a remarkable survival, having been dismantled at the Dissolution and re-erected (incorrectly) in 1557 under Queen Mary. Large areas of missing mosaic were replaced with plaster on to which mosaic designs were carefully painted. This 16th-century fictive mosaic is unique in Britain. Conservation of the sanctuary pavement was accompanied by full archaeological recording with every piece of mosaic decoration drawn and colored by David Neal, phase plans have been prepared, and stone-by-stone examination undertaken, petrologically identifying and recording the locations of all the materials present. It has revealed that both the pavements and tombs include a range of exotic stone types. The Cosmati study has shed fresh light on every aspect of the unique series of monuments in Westminster Abbey; this work will fill a major lacuna in our knowledge of 13th-century English art of the first rank, and will command international interest.
Number Mosaics has little in common with most other books of recreational mathematics. Though it contains much for the reader to marvel at and wonder about, it is far from being just another book of mind bending puzzles. It is more in the nature of a story of discovery and adventure in hitherto unexplored regions of the fascinating universe of numbers and patterns. As the story unfolds, the reader is drawn into it and soon becomes a member of the exploring party.The problems which feature in the book are intriguing in themselves, but the focus is not so much on obtaining the right answers as on the numerous and ingenious ways of arriving at the solutions.The approach adopted is similar to that often used in the past by old masters like Fermat, Euler and Gauss, to name a few. The critical examination of raw data initially invokes a response in the form of a conjecture which is then refined and tested in wider and wider fields.The book abounds with illustrative examples and illuminating diagrams, and throughout it the search for universals continues like a powerful undercurrent, as master keys are forged which work under all manner of changing conditions for solving a variety of problems, often without the need for calculations. This is a book which lovers of number lore will surely relish.