Download Free The New Mexican Alabado Book in PDF and EPUB Free Download. You can read online The New Mexican Alabado and write the review.

The sacred hymns of New Mexico compiled by the expert on church literature in a handsome bilingual volume.
A comprehensive overview of New Mexican folk arts from the 16th century to the present time.
Miguel de Quintana was among those arriving in New Mexico with Diego de Vargas in 1694. He was active in his village of Santa Cruz de la Cañada where he was a notary and secretary to the alcalde mayor, functioning as a quasi-attorney. Being unusually literate, he also wrote personal poetry for himself and religious plays for his community. His conflicted life with local authorities began in 1734, when he was accused of being a heretic. What unfolded was a personal drama of intrigue before the colonial Inquisition. Francisco A. Lomelí and Clark Colahan dug deep into Inquisition archives to recover Quintana's writings, the second earliest in Hispanic New Mexico's literary heritage. First, they present an essay focused on Church and society in colonial New Mexico and on Quintana's life. The second portion is a translation of and critical look at Quintana's poetry and religious plays.
This study by an author with intergenerational ties to the Penitentes--the deeply religious group called Hermanos de la Luz (Brothers of the Light)--ties the santero folk art of New Mexico, the Penitente Brotherhood, and the Penitente religious hymns together. (Christian)
A History of Latinx Performing Arts in the U.S. provides a comprehensive overview of the development of the Latinx performing arts in what is now the U.S. since the sixteenth century. This book combines theories and philosophical thought developed in a wide spectrum of disciplines—such as anthropology, sociology, gender studies, feminism, and linguistics, among others—and productions’ reviews, historical context, and political implications. Split into two volumes, these books offer interpretations and representations of a wide range of Latinxs’ lived experiences in the U.S. Volume I provides a chronological overview of the evolution of the Latinx community within the U.S., spanning from the 1500s to today, with an emphasis on the Chicano artistic renaissance initiated by Luis Valdez and the Teatro Campesino in the 1960s. Volume II continues, looking more in depth at the experiences of Latinx individuals on theatre and performance, including Miguel Piñero, Lin-Manuel Miranda, María Irene Fornés, Nilo Cruz, and John Leguizamo, as well as the important role of transnational migration in Latinx communities and identities across the U.S. A History of Latinx Performing Arts in the U.S. offers an accessible and comprehensive understanding of the field and is ideal for students, researchers, and instructors of theatre studies with an interest in the diverse and complex history of Latinx theatre and performance.
This collection of essays challenges traditional readings of western history and literature, and redraws the boundaries of the American West. Essay topics range from tourism to immigration, from environmental battles to inter-ethnic relations, and from law to film.
As striking as its beautiful landscapes, New Mexico's culture is also endlessly complex. The fourteen essays collected here examine many sides of Nuevomexicano culture: its treatment of the sacred, its discourses on identity and difference, its historical and literary legacy from colonial times to the present. Among the diverse topics considered are the role of Charles Fletcher Lummis in romanticizing New Mexico; the importance of Spanish-language newspapers at the turn of the century and their commitment to the social, educational, and cultural progress of the Spanish-speaking population of the Southwest; the role of mutual aid societies as agents of collective action and cultural adaptation and survival; the cultural and religious importance of captivity narratives; popular depictions of the Virgin of Guadalupe; and the history of textile making in north central New Mexico. A photo essay by renowned documentary photographer Miguel Gandert explores the blurring of lines between Spanish and Indian cultures in the Rio Grande Valley. Working within and across disciplines, charting relationships between geography and culture that have informed the state's history, and placing empirical, philosophical and scholarly materials in dialogue with regional, historical, and cultural studies, the contributors to this volume add immeasurably to knowledge of New Mexico's cultural history.