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The Dangerous Summer is Hemingway's firsthand chronicle of a brutal season of bullfights. In this vivid account, Hemingway captures the exhausting pace and pressure of the season, the camaraderie and pride of the matadors, and the mortal drama—as in fight after fight—the rival matadors try to outdo each other with ever more daring performances. At the same time Hemingway offers an often complex and deeply personal self-portrait that reveals much about one of the twentieth century's preeminent writers.
A novel about the intertwining lives of the denizens of a hotel in an unnamed Latin American country in the midst of political turmoil.
Share in the excitement! Broken bones and horn wounds are a part of the job. It takes a special breed of cowboy to put on clown makeup, don baggy pants, and go match wits with a 2,000 lb bull while the bull rider scrambles to safety. The crowd, meanwhile, expects all the entertainment associated with a clown. A tribute to the unsung heroes of rodeo!
Curated by noted Picasso biographer John Richardson, this exhibition catalogue examines the intersection of Picasso's bullfighting imagery with the mythological (and biographical) compositions of the 1930's. Including works dating from 1897 to 1972, this fully illustrated catalogue presents a career-long survey of Picasso's engagement with ancient bullfighting and mythological narratives and includes essays by noted Picasso scholars Michael FitzGerald and Gertje Utley.
An invitation too irresistible to refuse from the Museum of Cadiz leads archaeologist Annja Creed to the sun-drenched southern coast of Andalucia, Spain. In a region rich in Moorish and Roman ruins, she leaps at the chance to join a dig across the Bay of Cadiz, where she unearths a bronze bull statue that makes the entire trip worth every minute. Until the day after her discovery, when she sees the same artifact beside the body of a dead Spaniard, killed by the estocada, the final sword thrust used by bullfighters to bring down the bull. Whoever killed the man left clear signs of having taken something. And yet the bronze bull remained. What was so valuable the murderer chose it over a priceless artifact? How had her find come into this dead man's hands? With few leads and a growing body count, Annja's investigation takes her through a colorful world of flamenco and bullfighting to a renowned matador and an illegal—and deadly—collection of Visigoth votive crowns.