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Noel Riley Fitch has written a perfect book, full to the brim with literary history, correct and whole-hearted both in statement and in implication. She makes me feel and remember a good many things that happened before and after my time. I'm glad to have lived long enough to read it. --Glenway Wescott
In this gripping memoir of the AIDS years (1981–1996), Sarah Schulman recalls how much of the rebellious queer culture, cheap rents, and a vibrant downtown arts movement vanished almost overnight to be replaced by gay conservative spokespeople and mainstream consumerism. Schulman takes us back to her Lower East Side and brings it to life, filling these pages with vivid memories of her avant-garde queer friends and dramatically recreating the early years of the AIDS crisis as experienced by a political insider. Interweaving personal reminiscence with cogent analysis, Schulman details her experience as a witness to the loss of a generation’s imagination and the consequences of that loss.
John W. Aldridge is one of the few young critics of importance to appear on the literary scene since World War II. In AFTER THE LOST GENERATION he discusses with acumen and discernment the most important works of the young post-war writers of the Forties—Norman Mailer, Irwin Shaw, John Horne Burns, Truman Capote, Gore Vidal, Paul Bowles, Alfred Hayes and others. Aldridge discusses three writers of the 1920’s—Ernest Hemingway, John Dos Passos, and F. Scott Fitzgerald—to introduce the writers of World War II. He draws significant parallels between the work of the two generations—between Hemingway and Hayes, between Fitzgerald and Burns, between Bowles and Hemingway, and between the “lost generation” of the Twenties and the “illusionless lads of the Forties.” More important than the likenesses between the two generations are the new developments. Norman Mailer and Irwin Shaw wrote enormous “encyclopedic” war novels which covered whole armies and had settings in a dozen different lands. John Horne Burns sought relief from the chaos of modernity in Italian culture and Old World tradition. Truman Capote dealt essentially with abnormalities and peculiarities in human nature. Anti-Semitism, the Negro problem, and homosexuality appear time and again in the new writing. The old themes with which Hemingway and Fitzgerald shattered Victorian patterns—sex, drinking, the brutalities of war—are no longer shocking. AFTER THE LOST GENERATION is a penetrating analysis of post-war fiction that already has provoked wide controversy and discussion. “A pioneer study...The first serious and challenging book about the new novelists.”—Malcolm Cowley, New York Herald Tribune
"During the Depression years, J. Arthur Rath spent his early childhood shuttled between relatives and foster parents in Hawai'i and on the mainland while his single mother, Hualani, struggled to make a living. After the attack on Pearl Harbor, his grandparents sent him to the Big Island and Konawaena School, where he heard the Kamehameha Schools boy choir at a school assembly. The performance made a deep impression on Rath, and a year later, in 1944, he entered Kamehameha as an eighth-grade boarder. Thus began Rath's love affair with an institution that he credits with turning his life around, with giving him and other disadvantaged children of native ancestry - Hawai'i's "lost generations" - the confidence and support necessary to make something of themselves. This is the story of that love affair. It is also the story of Rath's recent battle, together with other alumni, for the integrity of his beloved Kamehameha against the school's trustees and their organization, the powerful Bishop Estate." "Intelligent and impressionable, Rath spent an idyllic four years at Kamehameha. In a lively talk-story manner, he reminisces about campus life and his classmates, many of whom became lifelong friends and influential members of the Hawaiian community: Don Ho, Nona Beamer, Oswald Stender, Tom Hugo, William Fernandez. Years later Rath, a successful retired businessman, would call on these same friends to hold Kamehameha's trustees accountable for their mismanagement of Bishop Estate's vast financial holdings and ultimately their failure to carry out founder Princess Bernice Pauahi Bishop's mandate to educate Hawaiian children. Rath draws on his many personal ties to the school and the estate to provide surprising revelations on the trustees and the "Bishop Estate Scandal," which made headlines daily throughout the mid-1990s."--BOOK JACKET.
"Excellent. This is a fine, and unusual, collection of literary Americana."--Atlantic "Fine comic moments of truth."--New York Times Book Review "An invaluable source of literary history."--Publishers Weekly This is the story of one of the most famous literary "sets" of the twentieth century. Gerald and Sara Murphy were at the center of a group including Ernest Hemingway and his wives, F. Scott and Zelda Fitzgerald, John Dos Passos, Archibald MacLeish, Dorothy Parker, Alexander Woollcott, Robert Benchley, Phillip Barry, and many others. They personified the jazz age and the lost generation. The Murphys have been viewed primarily as cult/pop figures. In this book Miller shows, through a sequential interweaving of letters from several correspondents, that they actually were the nucleus without which the group as we know it would not have stayed together. Miller allows the individual correspondents to tell their own stories, providing new insights into their lives and this era. It is the best sort of eavesdropping. Gerald and Sara Murphy married on December 30, 1915. Both families were moneyed and cosmopolitan. Their attraction to each other was in part based on their desire to escape the routine and predictable social rounds in which their families were immersed. Against their families' wishes, they and their three children left for Europe in 1921. They remained in France for over a decade, and quite naturally socialized with the expatriate set. They were, in part, models for Dick and Nicole Diver in Tender Is the Night. MacLeish wrote poems about them, their friends paid tribute to them and relied on them day to day and in correspondence, and their own letters are worth reading for their liveliness and because they so well preserve a record of the twenties and thirties. Miller provides nearly every extant letter between the Murphys and their friends during those decades. Most of them have not been published previously, and of course, they have never been presented collectively. Together, they constitute an epistolary "novel" of peculiar power and authenticity about a remarkable era. Linda Patterson Miller is associate professor of English at Pennsylvania State University at Ogontz.
Two brilliant, multi-layered stories from the winner of the Kenzaburo Oe Prize: part of our Japanese novella series, showcasing the best contemporary Japanese writing. On the eve of the Iraq War, a man and a woman meet in a nightclub in Tokyo. They go to a love hotel, and spend the next five days in a torrid affair. Written in a stream of consciousness, with the reader's perceptions shifting and melting into one another, what is remarkable in this story is not what happens, but the ability of the writer to enter the minds and memories of the protagonists. In the second story, a woman living in a damp flat obsesses on the filthy state of her dwelling. She remains in bed for the duration of the narrative, but the drama and tension of her inner life - spiralling further and further into her memories and anxieties - keep the reader engrossed to the very end. The End of the Moment We Had demonstrates the fluidity and richness of this extraordinarily gifted writer's language and ideas.
Confronting the current crisis in education at all levels from primary to postgraduate schools, the authors propose fundamental changes in policy for youth and education >
Members of the Lost Generation, American writers and artists who lived in Paris during the 1920s, continue to occupy an important place in our literary history. Rebelling against increased commercialism and the ebb of cosmopolitan society in early twentieth-century America, they rejected the culture of what Ernest Hemingway called a place of “broad lawns and narrow minds.” Much of what we know about these iconic literary figures comes from their own published letters and essays, revealing how adroitly they developed their own reputations by controlling the reception of their work. Surprisingly the literary world has paid less attention to their autobiographies. In Writing the Lost Generation, Craig Monk unlocks a series of neglected texts while reinvigorating our reading of more familiar ones. Well-known autobiographies by Malcolm Cowley, Ernest Hemingway, and Gertrude Stein are joined here by works from a variety of lesser-known—but still important—expatriate American writers, including Sylvia Beach, Alfred Kreymborg, Samuel Putnam, and Harold Stearns. By bringing together the self-reflective works of the Lost Generation and probing the ways the writers portrayed themselves, Monk provides an exciting and comprehensive overview of modernist expatriates from the United States.
Modern Lives traces the development of the idea of "the lost generation" and reinterprets it in light of more recent versions of the American 1920s. Employing a wide range of historical, literary, and cultural theory, Marc Dolan focuses on American versions of "the lost generation", particularly as they emerged in the autobiographical writings of the generation's supposed "members". By examining the narrative and discursive forms that Ernest Hemingway, Malcolm Cowley, F. Scott Fitzgerald, and others imposed on the raw data of their lives, Dolan draws out the subtle relationships between personal and historical narratives of the early twentieth century, as well as the ways in which the mediating notion of a distinct "generation" allowed those authors to pass back and forth between "the personal" and "the historical". Written with the general Americanist rather than the theoretical specialist in mind, Modern Lives opens out the concept of "the lost generation" to reveal the clashing formulations of "self", "society", "nation", and "culture" that were contained within that concept and that continue to influence personal and national self-conceptions in America right down to the present day.