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London is the only city in the world where you could ever find Gilbert and George sharing space with the Gherkin and the Globe while the Great Fire burns and a gin drinker glugs her favorite tipple, and where members of the Bloomsbury Group hail a black cab while barrage balloons hover over Broadcasting House during the Blitz. In An Alphabet of London, Christoper Brown presents a series of wonderfully whimsical linocuts illustrating every aspect of London past and present, including personalities, buildings, monuments, legends, historic events, and other metropolitan icons. From Dickens, Dr Johnson, Tower Bridge and the Shard to the Diamond Jubilee, Wimbledon, pigeons, and jellied eels, all London life is here. A born-and-bred Londoner, Brown recounts his own memories of growing up in the capital, and also describes how he creates his distinctive prints. His unique, often humorous take on London will delight anyone who lives in or visits the city.
A first alphabet book all about London, with over thirty flaps and a pull-out ending, from renowned illustrator Marion Billet.My First London Alphabet is part of Marion Billet's distinctive London range from Campbell Books. Perfect for tourists big and small, there are over thirty flaps and a pull-out ending for extra fun! Search the scenes for the Aquarium, Big Ben, the Queen's corgis, and much more, then lift the flaps to discover other surprising London things! A fun way to practise the alphabet for pre-schoolers, this book can be used out and about in London - or at home.Marion Billet's illustrations bring the bustling city to life with busy scenes of Buckingham Palace, Tower Bridge, Oxford Circus and more. The pull-out ending has lots of extra things for children to search for and find.Little tourists can discover more of London with There are 101 Things to Find in London and The London Noisy Book.
This examination of illustrations in early American books, pamphlets, magazines, almanacs, and broadsides provides a new perspective on the social, cultural, and political environment of the late colonial period and the early republic. American printers and engravers drew upon a rich tradition of Christian visual imagery. Used first to inculcate Protestant doctrines, regional symbolism later served to promote reverence for the new republic. The chapters are devoted to momento mori imagery, children's readers, visionary literature, and illustrated Bibles. One chapter shows the demonization of the Indians even as the Indian was being adopted as a symbol of America. Other chapters deal with propaganda for the American Revolution, canonization of leaders, secularized roles for women, and socialization of sites in the new nation.Throughout, analysis of image and text shows how the religious and the secular contrasted, coexisted, and intermingled in eighteenth-century American illustrated imprints. Barbara E. Lacey is a Professor of history at St. Joseph College. It includes more than 110 illustrations.