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Join leading garden writer Tim Richardson as he visits twenty-five significant English gardens made or remade over the past decade, in this comprehensive overview of the contemporary English garden scene, probably the most inventive garden culture in the world. From the cutting-edge naturalistic planting design of the Sheffield School to the scientific imagery of Througham Court, this stunning guide surveys a wide spectrum of garden styles;some are challenging or thought-provoking, while others reflect the sensuously romantic tradition of English planting design, which has also been moving ahead in interesting ways. The New English Garden presents all that is most interesting about garden-making in England in the twenty-first century, beautifully illustrated by Andrew Lawson’s photography of some of England’s most famous gardens, from Prince Charles’s garden at Highgrove,Christopher Llyod’s garden at Great Dixter and Arabella Lennox-Boyd’s garden at Gresgarth right up to the Olympic Park in 2012.
This is the definitive and most authoritative book ever published on the glories of English gardening--historically and horticulturally, a tour de force. An unprecedented in-depth look at the English garden by one of Britain's foremost garden writers and authorities, this book showcases the enduring appeal of the English garden whose verdant lawns and borders of colorful plants are the inspiration for garden lovers worldwide. Kathryn Bradley-Hole--the longtime garden columnist for Country Life--takes a fresh look at more than seventy gardens from across England and distills the essence of what makes the English garden style so sought after. Seasonal photographs capture the gardens--some grand, some personal, some celebrated, some rarely photographed--at their finest moments, accompanied by sparkling, insightful text. Featuring photographs from the unparalleled archives of Country Life, the full story of the English garden is here, from medieval monastery gardens to the Victorians and the Arts and Crafts movement to the twenty-first century. Designs by many of the horticultural world's greats are amply featured, including Gertrude Jekyll, Capability Brown, Piet Oudolf, and Arne Maynard, as well as gardens famous the world over--Sissinghurst, Hidcote, and Great Dixter--alongside new and less-well-known ones, many open to the public.
The Story of the English Garden is the National Trust's accessible history of the nation's gardens, sumptuously illustrated and artfully curated. From tiny medieval gardens to vast Georgian parks, from Victorian glasshouses crammed with exotic specimens to the elegant outdoor 'rooms' of the Edwardians and the functional, ecologically aware gardens of today, this book explores the love affair between the English and their gardens for over 500 years. It's a fascinating story about passion – and power and politics too. The book is beautifully illustrated throughout and includes new photography of some of the most influential gardens in the world, including Sissinghurst. Drawn from the National Trust's extensive archives, The Story of the English Garden is the definitive guide to Europe's greatest collection of historic gardens – a rich celebration of World Heritage sites, rare and exotic plants and groundbreaking architectural design.
A highly original examination of a series of unique gardens made by English eccentrics from the seventeenth to the early twentieth centuries In his new book, Todd Longstaffe-Gowan looks at a series of unique gardens made by English eccentrics in the eighteenth and nineteenth centuries. Their unusual creators--from the superstitious antiquary William Stukeley (d.1765), to the pleasure-ground proprietor Jonathan Tyers (d.1767), and the bird-loving Lady Reade (d.1811)--built miniature mountains, shaped topiary, collected animals, excavated caves, and assembled architectural fragments to realize their gardens in a way that was, and sometimes still is, thought to be excessive. Bringing together garden and landscape history with cultural history and biography, English Garden Eccentrics examines what it is about the gardener and his or her creation that can be seen as eccentric and analyzes an area of garden history that has scarcely been previously explored: gardens seen as expressions of the singular character of their makers, and therefore functioning, in effect, as a form of autobiography. This lively and accessible book calls on gardeners today to learn from example and dare to be eccentric.
Federal Twist is set on a ridge above the Delaware River in western New Jersey. It is a naturalistic garden that has loose boundaries and integrates closely with the natural world that surrounds it. It has no utilitarian or leisure uses (no play areas, swimming pools, or outdoor dining) and the site is not an obvious choice for a garden (heavy clay soil, poorly drained: quick death for any plants not ecologically suited to it). The physical garden, its plants and its features, is of course an appealing and pleasant place to be but Federal Twist's real charm and significance lie in its intangible aspects: its changing qualities and views, the moods and emotions it evokes, and its distinctive character and sense of place. This book charts the author's journey in making such a garden. How he made a conscious decision not to "improve the land", planted large, competitive plants into rough grass, experimented with seeding to develop sustainable plant communities. And how he worked with light to provoke certain moods and allowed the energy of the place, chance, and randomness to have its say. Part experimental horticulturist and part philosopher, James Golden has written an important book for naturalistic and ecological gardeners and anyone interested in exploring the relationship between gardens, nature, and ourselves.
Visit some of the best English gardens without moving from your armchair with this best-selling classic which features over 350 colour photographs. Gardening writer Ursula Buchan has combined forces with garden photographer Andrew Lawson to explore the English garden and capture its richness and diversity, explaining the historical trends and the work of garden makers of the past that have shaped the English gardens we see today. Exploring many garden styles including formality, the landscape tradition, the Arts and Crafts style, the cottage garden and recent phenomena such as New Naturalism, the book discusses themes such as colour, water, ornament and foreign influences, as well as such defining characteristics as the very English urge to grow flowers and the nation's love of roses.
“Delve into this beautiful book. You’ll come away sharing his passion for the beauty that gardens bring into our lives.” —Sigourney Weaver, environmentalist, actor, trustee of New York Botanical Garden How does an individual garden relate to the larger landscape? How does it connect to the natural and cultural environment? Does it evoke a sense of place? In Spirit of Place, Bill Noble—a lifelong gardener, and the former director of preservation for the Garden Conservancy—helps gardeners answer these questions by sharing how they influenced the creation of his garden in Vermont. Throughout, Noble reveals that a garden is never created in a vacuum but is rather the outcome of an individual’s personal vision combined with historical and cultural forces. Sumptuously illustrated, this thoughtful look at the process of garden-making shares insights gleaned over a long career that will inspire you to create a garden rich in context, personal vision, and spirit.
From the author of the international bestsellers The Light Over London and The Whispers of War comes “a compelling read, filled with lovable characters and an alluring twist of fates” (Ellen Keith, author of The Dutch Wife) about five women living across three different times whose lives are all connected by one very special garden. Present day: Emma Lovett, who has dedicated her career to breathing new life into long-neglected gardens, has just been given the opportunity of a lifetime: to restore the gardens of the famed Highbury House estate, designed in 1907 by her hero Venetia Smith. But as Emma dives deeper into the gardens’ past, she begins to uncover secrets that have long lain hidden. 1907: A talented artist with a growing reputation for her work, Venetia Smith has carved out a niche for herself as a garden designer to industrialists, solicitors, and bankers looking to show off their wealth with sumptuous country houses. When she is hired to design the gardens of Highbury House, she is determined to make them a triumph, but the gardens—and the people she meets—promise to change her life forever. 1944: When land girl Beth Pedley arrives at a farm on the outskirts of the village of Highbury, all she wants is to find a place she can call home. Cook Stella Adderton, on the other hand, is desperate to leave Highbury House to pursue her own dreams. And widow Diana Symonds, the mistress of the grand house, is anxiously trying to cling to her pre-war life now that her home has been requisitioned and transformed into a convalescent hospital for wounded soldiers. But when war threatens Highbury House’s treasured gardens, these three very different women are drawn together by a secret that will last for decades. “Gorgeously written and rooted in meticulous period detail, this novel is vibrant as it is stirring. Fans of historical fiction will fall in love with The Last Garden in England” (Roxanne Veletzos, author of The Girl They Left Behind).
Jane Brown describes the range of influences upon gardens and their design from the heyday of Gertrude Jekyll one hundred years ago to the innovative ideas of Sir Geoffrey Jellicoe.