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A major contribution to criminology in which Taylor, Walton and Young provide a framework for a fully social theory of crime.
The New European Criminology gathers together leading criminologists from all over Europe to consider crime and responses to crime within and across national borders. For the first time it allows students to experience the most exciting work in European criminology and to compare approaches to crime in different parts of Europe. The five sections of the book look at: * the effects of European harmonisation on crime * criminal justice, law enforcement and penal reform * organised crime, from the Mafia in Italy to drug running in the Balkans * local crime in international contexts * possible future directions for criminology and some suggestions for a new criminology of war.
In 1973 The New Criminology was published and quickly established itself as a key textbook in criminology, casting a major influence over a generation of scholars. It has remained in print ever since. This volume, published twenty-five years later, traces the major developments in the field including feminism, postmodernism, critical criminology and realism. The articles are by leading authorities from Britain, the United States and Australia and include Stan Cohen, Elliott Currie, Pat Carlen and Kerry Carrington as well as separate commentaries by the three original authors themselves: Ian Taylor, Paul Walton and Jock Young.
From a look at classics like Psycho and Double Indemnity to recent films like Traffic and Thelma & Louise, Nicole Rafter and Michelle Brown show that criminological theory is produced not only in the academy, through scholarly research, but also in popular culture, through film. Criminology Goes to the Movies connects with ways in which students are already thinking criminologically through engagements with popular culture, encouraging them to use the everyday world as a vehicle for theorizing and understanding both crime and perceptions of criminality. The first work to bring a systematic and sophisticated criminological perspective to bear on crime films, Rafter and Brown's book provides a fresh way of looking at cinema, using the concepts and analytical tools of criminology to uncover previously unnoticed meanings in film, ultimately making the study of criminological theory more engaging and effective for students while simultaneously demonstrating how theories of crime circulate in our mass-mediated worlds. The result is an illuminating new way of seeing movies and a delightful way of learning about criminology.
Rural crime is a fast growing area of interest among scholars in criminology. From studies of agricultural crime in Australia, to violence against women in Appalachia America, to poaching in Uganda, to land theft in Brazil -- the criminology community has come to recognize that crime manifests itself in rural localities in ways that both conform to and challenge conventional theory and research. For the first time, Rural Criminology brings together contemporary research and conceptual considerations to synthesize rural crime studies from a critical perspective. This book dispels four rural crime myths, challenging conventional criminological theories about crime in general. It also examines both the historical development of rural crime scholarship, recent research and conceptual developments. The third chapter recreates the critical in the rural criminology literature through discussions of three important topics: community characteristics and rural crime, drug use, production and trafficking in the rural context, and agricultural crime. Never before has rural crime been examined comprehensively, using any kind of theoretical approach, whether critical or otherwise. Rural Criminology does both, pulling together in one short volume the diverse array of empirical research under the theoretical umbrella of a critical perspective. This book will be of interest to those studying or researching in the fields of rural crime, critical criminology and sociology.
The contents of this book include the Marxist theories on state and law, the radical concept of crime, incipient radicalism: conflict and labeling approaches, the causes of crime: a radical view, traditional contributions to radical criminology, the radical perspective on policing, the American court system: a justice model, a critical interpretation of punishment and corrections,and the policy implications of the radical position.
"The New Criminology was written at a particular time and place; it was a product of 1968 and its aftermath: a world turned upside down .It was a time of great changes in personal politics and a surge of politics on the left: Marxism, Anarchism, Situationism as well as radical social democratic ideas became centre stage." Jock Young, from the new introduction. Taylor, Walton and Young’s The New Criminology is one of the seminal texts in Criminology. First published in 1973, it marked a watershed moment in the development of critical criminological theory and is as relevant today as it was forty years ago. It was one of the first texts to bridge the gap between criminological and sociological theory and demonstrated the weaknesses of classical and positivist criminology. Critics at the time saw it as the first truly comprehensive critique of Anglo-American studies of crime and deviance. Reproduced unabridged, the fortieth anniversary edition includes a brand new introductory essay from Jock Young placing the book in its intellectual context and sequence and looking at the theories which built up to it and the theories that have been built upon since. It is essential reading for all serious students engaged in criminological theory and is destined to inspire future generations.